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Sunday
May192019

Thorn Responsibility

I’m filled with wild passion. A mind-expanding drug of curiosity, delight and freedom increases my awareness. The eternal present is a long now.

My power is big medicine. It’s a sacred connection to Gaia after 60,000 years of paying attention to details.

I observe a spider meticulously wrapping an insect with thin microfilaments. Spider recycles her old web on the periphery. They haul it to a diamond center. It vibrates in a soft breeze.

Does the spider have any intention when building the web of catching the insect? Does the flying insect have the intention of finding the web? Where does instinct end and intention begin? One instinct is to sit in patience. Another instinct is to take risks.

To do great things you must take great risks and suffer greatly.

JUMP over the abyss.

My serenity is not purchased over the counter with pharmaceutical coupons. No dust collects on my mirror reflecting an elegant universe in my heart.

In my expanded state I am a breath of fire, a lightning bolt sacrificing fear, doubt and uncertainty. I shatter myth. Lightning bleeds off my charge creating transformation.

I am an unemployed fortuneteller. I am ahead of the future. The day after tomorrow belongs to me.

I am a gravedigger/archaeologist. Soil is my groundwork. Look at my hands. I know two things. See good dirt under fingernails. I am the soft sand of sleep calming tortured hearts.

Abracadabra! My feminine nature hurls her lightning bolt even unto death. She is a death deferred. She is on death row with a short reprieve. My tranquility is a lethal injection of travel.

It’s 100 degrees in blistering sun. I work hard and fast pounding typewriter keys, digging graves, discovering artifacts.

I dust history off of history. I destroy the present to discover the past.

I hammer keys in a new form of construction business. Before bits, bytes and gadgets. The world is made of stories, not atoms.

Shovels plow archaeological deserts reflecting passion and curiosity. An archaeologist inside a tomb waving Diogenes’s lamp yells, “Every bit we dig out tells a little more about the story.” They unearth a story revealing communities, customs and cultures.

A digger explains how it works. “This stuff we roughly estimate is between 1,800 to 1,990 years old. We use a method called carbon dating. It measures the amount of carbon-14 remaining in ancient material.”

“What is it?”

“Carbon-14 is a radioactive isotope of carbon found in all organic matter. Scientists determine the age of fossils and artifacts by comparing test results to an international standard. We’ll send it to a lab for analysis.”

“Beautiful. Let me know what you discover, what you learn.”

Tourists find. Travelers discover.

Explorers sift discoveries through mesh screens. A delicate camel hairbrush caresses historical fragments. They dig toward 8,000 well-rested Chinese terra-cotta warriors in battle formation standing ready for excavation.

Chariots, horses and supplies with trapped Mandarin survivor voices echo toward the surface causing vibrational shifts.

Confucian scholars join them. Buried since 210 B.C., guarding Qin Shi-huang-di, the first Emperor of China, their collective consciousness breath creates tremor waves near Xian, the capital of Imperial China.

Warriors stand silent on the edge of the Gobi desert along the Silk Road. Voices sing swirling word storms. They hear brushes shovels, earth moving equipment and hammering keys approach their hidden truth.

“They are coming for us,” said a warrior.

In my inner garden of crimson stimulus I tend wild roses. Nostrils scent sense. I have a responsibility to the thorns.

Weaving A Life (V4)

Sunday
May122019

Adapt. DRD4-7R

Adapt, the balloon man lived below the Bursa hammam. Yes mam.

Adapt, Adjust and Evolve collected everything for a fire. One morning he flamed his life below a stone memory hut where someone - he didn’t remember whom - lived, worked and expired.

Internal passions blazed yellow and red.

Sparking a majestic canvas Adapt carried his bouquet of air-filled flowers across spring fields firing dawn with pink, red, green, yellow, and blue. Dreaming purple violets and daffodils spilled balloon imagery into children’s retinas.

His voice sang across time’s river, Create like a God, order like a King and work like a Slave.

Walking through spring with Courage, a personal pronoun, his flowing mind-stream movie flashed into around through a fine unknowing knowing starlight universe. Pure images were diamonds in his mind.

First thought, pure thought.

Sky mind.

Cloud thought.

His flaming life energy sang, “What is life?”

A game of experiences we get to play. Help others.

Expanding energy waves created screaming eagle dancers.

Two Golden Eagles fought in tall grass to dominate a female. Flashing anger with yellow lightning eyes and striking out with a sharp talon she balanced on a strong extended leg. A curving white tip slashed at males circling with desire, cunning and stealth. Pirouetting she danced between them protecting her flank near a fallen tree trunk. Her wings extended over green forests, Uludag mountain, blue shorelines and across oceans.

Nearby trapped behind high voltage fences on a desolate brown hill studded with boulders twenty wolves died of heartbreak.

One wolf’s eyes were a fluorescent emerald green Aurora Borealis retina patina, refracted surreal prisms.

“I am a lone wolf, like you,” said Lucky. “We share an R7 variant dopamine receptor gene DRD4, a chemical brain messenger for learning and reward. R7 is found in 20% of humans.”

“DRD4-R7 increases curiosity and restlessness,” said Lone Wolf. “Humans with R7 seek out new experiences with known pleasures, take more risks and explore new places, ideas, foods, relationships, and sexual opportunities. They embrace movement, change, adventure, migration and a nomadic lifestyle. I am dying here. I was born free.”

“I feel your pain and alienation.”

Wolves needed mountains, valleys and wild rivers. They were hungry to escape an artificial prison.

Lucky knew why midnight welcomed Howling Wolf.

The Language Company

Weaving A Life (V1)

Bursa, Turkey

Sunday
May052019

Feel Experience With Camera

How many tourists see only through their phone camera? Millions, said Rita.

She is a tour quide, archeologist and author of Ice Girl in Banlung. She continued...

They feel the experience of 8th century Angkor artistic splendor only with their cameras, cold impersonal little tools. Their experience is defined by camera. Obscura.

Do you remember Li, the trek leader in Sapa, Vietnam talking about Hanoi day trippers with cameras? How she said, it’s fucking hilarious? Same here.

For the majority of tourists it’s not about understanding the Khmer people, culture, food, art, music, and language. It’s about feeling with a camera. They are in a big fat hurry.

Rita (L) and friends

They’ve learned through hard fast lessons to trust the machine. It is their weapon against mediocrity and boredom and shallow emptiness. They don’t comprehend the intricacies of the machine. They believe it can and will save them. The machine controls them. They gratefully accept this reality.

They press optical machines tight against their faces, piercing retinas, flickering lids. Point and shoot. They lower the device and stare with hard lost eyes at the image of their faded memory. They judge it. Crimping. Evaluate. DELETE.

Shoot again. Point. Shoot. Delete. Repeat. A snapshot. Snap a shot. Preserve this moment forever. Quick. They must go. They must move to the next great big thing. They are in a hurry. Death is closer than white on rice.

The tuk-tuk driver is impatient. He wants more money for his time. He waited when tourists slept, while they screwed. He waited as they stuffed eggs, watermelon and soft bread into tired bored faces. They ate like animals. They point and shoot. They delete.

Hurry. They have no time to see their obscurity. This loss, this sense of amnesia envelops them. It accompanies them through radioactive meltdowns. It is a dark cloud of forgetting. They remember to forget. They are on a Homeric quest of infinite proportions and magnitude. 

Their memory card is full. They attach electrodes to a cerebral cortex and press the DownLoad switch. Memories of Apsara dancers, elephants, monkeys, celestial deities flicker on a screen behind their eyes.

Avalokiteshvara - the Bodhisattva of Compassion smiles.

Thursday
May022019

Danger! Mines!

One morning June traveled along another dusty red road and stopped at a village shop selling the usual bags of soap and bananas. A young girl wore a t-shirt. It had a picture of a skull and bones.

It said:                      

Danger! MINES!

She wore a permanent tear on her left cheek. She was not smiling.

She said, here I am. I communicate my reality to the world. Do you like my shirt?

Can you read words or do you need a picture? How about a picture of a picture?

I don’t know how to read so I like to look at pictures. My country has 14 million people and maybe 6-10 million land mines. Adults say there are 40,000 amputees in my country. Many more have died because we don't have decent medical facilities.

Mines are cheap. A mine costs $3.00 to put in the ground and $300 - $1,000 to take out of the ground.

I'm really good at numbers. Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places.

I showed my picture to a Cambodian man and he didn't like it. They call this denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes.

My village is my world. Where do you live?

*

Reports from the killing fields indicate there are 110 million land mines buried in 45 countries.

It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Laos, Angola, Iraq and Afghanistan are among the most heavily mined countries in the world.

Weaving A Life Volume 2

Tuesday
Apr302019

Improbabilities

I disappear into possibilities
floating into a parallel
universe
outside 3 dimensional improbabilities
on string theories of 10-26 dimensions

drumming ancient hieroglyphics
hammering stone dulcimers
polishing Dali marble

breathe melting snow
dream love floods
screaming eagles float

below Snow Dragon shadows

Lao Girl Reflects World