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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Monday
Jun222020

Free Ice Girl 24-28th

Ice Girl in Banlung in e-book format on Amazon is free from 24-28 June.

Ice girl sells in Banlung, Cambodia. It's a wild west town south of Laos. It's near The River of Darkness and animist cemeteries.

She is an independent author/publisher. This is her story with a gonzo attitude.

She meets Leo, a wandering Chinese boy.

After being released from a Chinese Re-education through Labor unit near the Gobi he walked south.

He taught university students in Fujian how to be more human.

He walked to Hanoi, Sapa, Saigon and Laos collecting stories.

Ice girl and Leo share ideas and stories about cultures and the human condition.

Enjoy.

Ice Girl in Banlung

Monday
Jun152020

Seamstress

 Away from ice girl’s eyes wet season life shimmered in green rice paddies. Beauty, creativity, dance, and music described sensations. Sensations rested between an object and a concept. Stimuli engaged disquiet.

How do you manifest this waking dream, asked ice girl.

It’s all process, said Leo. Any explanation is a well dressed mistake.


Across town a seamstress returned to her guesthouse. She splashed water on her face, changed clothes and spit into red roses. She kick started her cycle and went to the market inside a dark labyrinth.

At her corner stall she keyed multiple locks. She stacked numbered wooden shutters. She dragged out her Butterfly sewing machine, ironing board and manikins.

Dummies wore exquisite yellow, purple, blue, white shimmering silks decorated with sparkling faux pas silver stars, moons, and small round reflecting balls.

Her skill designed fabrics for women needing elaborate sartorial refinement for engagements, weddings, and cremations.

She evaluated serious fittings and adjustments. Her sewing universe process was selecting fabric - measurement, ironing backing, a ruler, white chalk to mark pleats, cutting, pushing her machine treadle, pins, threads, trimming edges, hand sewing clasps, shiny connections, and ironing.

Needles inside a slow prism flashed light and shadow as threads danced through cloth in endless conversations. Needles talked about traditional conservative morals and opportunity-value cost.

Thread followed their conversation securing 1,001 small mirrors. Together they measured precise calculations establishing a stop-loss number. All explanations have to end somewhere. Cut.

Ice Girl in Banlung

Tuesday
Jun092020

We Gave Them Everything

Two pale female French tourist conspirators plotted their narrative near the Khmer gardener.

Colonizing this hell hole we gave them baguettes, war, illusions of freedom, top heavy dull administrative procrastination tools, fake NGO bureaucracies, wide boulevards, legal beagle systems, an eye for an eye, corruption potential, designs of egalitarian ideals, morals, ethics, principles, values, faded yellow paint and French architecture.

Yes, said her friend, this IS the old brave new world and I am lazy and passive and my stomach comes first. I am starving. Let’s eat our sorrow and be grateful we don’t live in this depressing country filled with compassionate Buddhist people. I’ll never understand their intention to do nothing with mindfulness.

It’s the hardest thing a person can do.

She was a super thin model of anorexia boned with stellar constellations. Her grim hawk faced rotund lesbian lover had flabby upper arms. She scribbled serious fiction-memory and sense data entitlement in an unlined black notebook with one hand while massaging her forehead to increase creative blood flow.


They examined a microscopic map of Angkor Wat filled with unconscious alliterative jungles, gold lame Apsara dancers, 232 species of black and red butterflies, 1.5 million anxious tourists in a big fat fucking hurry, Chinese, Japanese and Korean robot tour groups, crying elephants, super tour buses, 125cc motorcycles, tuk-tuks, begging children speaking ten European languages hawking gimcracks and whining predatory adults with an 8th grade education accompanied by miles of flaming plastic garbage, narrow boned white oxen pulling carts, 18 million attention deficit disordered citizens addicted to simple minded FACELOST entertainment diversionary cell phone adolescent sex text nonsense and 1,001 laterite cosmic Hindu temples stretching across Burma and Thailand into Laos and Vietnam in a circular boomerang dance evolving from the stillness, letting go of outcomes as the French ladies whispered, Where have we been, Where did we go, What did we see, Where are we, How do we feel, Did we discover the intuitive third eye of enlightenment or any wisdom in this totality of mystery, devotion, and sublime splendor?

They’re trapped in SEA. One described fragments of her short life history with an animist talking stick.

The other cut out brochure glossies, ticket stubs and bleeding hearts to paste in her book. A future visual memory of her ear and snow.

Her attention span was shorter than a tour at the Genocide Museum filled with 2,000,000 smiling skulls.

Here we are.

The Language Company


Friday
Jun052020

51 Days in Turkey

Ebru had apartment keys. A broom and mop. Certified by Deep State Central Cleaning Company. Dust my room.

Alerted to transcendental shifts by Ebru, the bald strapping German TEOL teacher paid 170 Lira to take a Dolmus bus seating twelve through Giresun, careening up and down hills as the driver played an aggressive horn past sad-angry husbands, sad-angry wives, morose backpack kids, ebullient silver fish sellers, grizzled tea men huddled in shady alleys, hawk-nosed women chattering laundry, despondent boy clerks soaping glassy watch out time windows seeking clarity, while negotiating twists, turns and exists to reach a harrowing slick 65-degree upward slope leading to a white apartment bordering The Department of The Forest at the end of the yellow brick road.

He unlocked the door. Five empty freezing rooms.

The kitchen counter displayed empty soda bottles, a black plastic bag of cheap harsh stale tobacco, a box of lavender herbal tea flowers, 1/2 jar of Nescafé, one white coffee cup, one spoon, a sharp knife, a fork in the road and one bright yellow plate.

On a white laminated shelf was a first edition of Metamorphosis by Franz Kafka, signed by the author.

“Read this,” said Silence, the loudest noise in the world.

Next to it was a black key for a teachers’ cabinet at TEOL.

“Call Trabzon,” the German man informed Ebru. “We have an MIA.”

She rang Sit Down in Trabzon.

“Lucky Foot took a hike,” she said.

“Call out the SWAT team and dogs. Hunt him down. Kill him with extreme prejudicial kindness.”

She called SWAT. The line was busy.

The German returned to TEOL and gave Ebru the key. She approached the cabinet. A rancid smell smashed her nose. “What’s that god-awful stench?”

Gagging, she threw up all over a teachers’ desk littered with empty tea glasses, cell phones and half eaten Simit pretzels. Regaining her composure she approached The Cabinet of Dr. Cagliari (1920).

She heard a ticking sound. Maybe it’s a bomb. I should call the bomb squad.

They arrived. A man in a bombproof origami suit applied a stethoscope to the front panel. Yes, something is ticking.

He drilled a hole and pushed a microscopic eye into darkness. A mirror inside the cabinet reflected a thin piece of pulsating metronomic metal. Tick-tock. Tick-tock.

“We’ll have to open this with thrilling caution. Get the Die Rector.”

The Die Rector, an economist, knew what to do. “Let’s assume there’s no fucking problem. Give me the key.”

Ebru handed it over. Everyone backed up hard drives.

The Die Rector, 56, who was scheduled for a heart-valve transplant in January, unlocked the door.

Inside was The Language Company by Zeynep, class rosters, green, yellow, orange highlighters, a magnifying glass, telescope, world globe, hourglass, a bag of hazelnuts, radioactive isotopes, a red rose with thorns, a dissolving image of a smiling ghost playing with Lone Wolf in a mountain meadow, a mirror, a dozing Black Mamba, a high voltage Dream Sweeper Machine from Hanoi, a Honer blues harp in the key of C, a magic carpet, one sugar cube, a glass, spoon, dry tea leaves, an empty bottle of Xanax, a ticking metronome, a bamboo forest, dusty footprints and rusty loudspeakers squawking:

We are Authority, Power and Control. Surprise!

Two things happened. He saw his reflection and suffered a minor heart attack. The aggressive Black Mamba struck him in the neck, injected 100ml of venom and slithered away to survive another day in paradise.

The victim collapsed writhing on the floor. He died in two minutes no more no less.

Ebru screamed, Oh no.

The bomb squad man stopped the metronome. “Time has ceased. Call an ambulance.”

The German called the Trabzon orifice. “We have a D.O.A. Die Rector in rigor mortis.”

“That's your problem, not our problem. You deal with it,” said Trabzon. “Don’t bother us with petty details. No evidence means no case. Die Rectors are a dime a dozen.”

51 Days in Turkey

Bursa, Turkey

Monday
Jun012020

Page 95

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A child painting with smoke on mirrors blasted light, “Hey. That’s what the Greeks believed. Everything was beauty and order.”

“Order, structure, design, form, function, oratory, mathematics, seven musical notes. Beauty originated with them didn’t it?”

“You got it,” said the painter. “Hey, you know what? I think we all need to take the day off and be creative.”

“The present moment is eternal reality,” whispered a child. “We live in the eternity of the instant.”

“It’s about process not product. How we learn not what we learn.”

“Whew, that’s deep!”

“Yeah, we’re all in the shit, it’s only the depth that changes.”

“Yeah, if it’s not one thing it’s something else.”

“Fools speak the truth.”

“Fools are everywhere. We dance or die. If fate doesn’t make you laugh you don’t get the joke. Truth value meaning is in the mystery.”

“Tunkashila is grandfather’s spirit. It’s wisdom and calmness,” said children in a sacred circle. “It is the way of the warrior. We are all warriors.”

Rose listened with her heart-mind. She knew others were not ready to receive the wisdom of children. Their terminal existence validated life memories where wheelchair rubber met the road.

The children were spiritual warriors with distinct vibrations and energy frequencies. The future would be a scary time for generations unaccustomed to their authenticity.

Rose knew it’d be a beautiful decision putting the disability act in their short sweet Ghost Dance - maybe in the rising action leading to an epiphany or in the falling action with heart-breaking catastrophic transformational awareness. Cut. The end. Cue applause.

“How can I know what I think until I see what I say?” said a child with reported speech. Their wheel of life played tag with crazy wisdom.  Mu-shin, their state of “no-mind” blossomed where thought, emotions and expectations did not matter.

Who’s dragging around this bag of bones? Where do I park this empty vehicle? I have poems and stories to finish that I haven’t even started yet.

“To sleep, perchance to dream.”

“A dream is an unfulfilled wish,” said a kid with a Ph.D. in Psychoanalysis from the Jung Institute in Zurich.

“What else did he say?”

“He said, ‘There is no royal road to wisdom. To arrive in the future I must journey to the past. To attain the sanity with the One, I must risk the whirling madness of the possessed. One must confront their shadow or be crushed by it.”

“I like it,” said Rumi. “What else?”

“Well, here’s another cool thing he said. “‘I liken the formation of a character to weaving fabric. You know what happens when you make a mistake? The whole pattern is spoiled. You have a choice. You can finish the garment, however it will always be botched and ugly or you can unravel the weaving back to the mistake and start again. That’s basically what analysis is about. It’s a tedious job. The patient is scared and hostile. The analyst lends patience, honesty and courage.’”

“Excellent,” yelled kids, “here’s to our being patient patients with honesty and courage.”

“Speaking of courage, I’m looking for someone who knows reading and writing,” said Rose.

“I can read and write,” said the children. "We also love drawing, singing and dancing.”

“Reading and writing is power. Dance is life. Perfect. Let’s go together,” said Rose.

Downstairs at Sacred Heart a translucent mother saw her grief reflected in Beauty’s mirror. “This is my worst nightmare,” whispered her heart-mind.

Rose said, “Afraid to face the truth adults run away. They run away carrying their fear like a heavy bag of bricks. They are afraid to see the beauty, strength and dignity of Death and letting go.”

“Why?” said mother.

“They stay away because they are afraid of saying the wrong thing. The child’s spirit is pure energy. They have the strength to let go. Adults find Death a scary thing so they run away.”

“I see,” said a gardener trimming thorns below a tree house. “I know Death’s beauty and wisdom. Metaphors and mortality exist with initial memories. Memories are figments of our imagination. I am a dreamer in nature, bigger than the universe, in never-never-cuckoo land. I am a witness collecting evidence that tells no lies. The deeper you go the deeper the bliss.”

“I live with suffering,” said Rose. “I am a pain sponge.”

The gardener said, “I administer thorn pain. I ask strangers if they desire suffering and awareness. I distribute thorns to the needy greedy. I am very busy. Demand is high. My thorn supply is infinite. I am authorized to administer inoculations in life’s weaving process. Weavers prick themselves in the process of creativity. Their blood is part of the dye.”

“Fascinating,” Rose said. “Your silver tongue doesn’t fool me. You’ve seduced and satisfied more emotionally starved women with your tongue than you can recall. I inhale suffering and exhale love. We are all Death deferred. Be grateful.”

“To know Death one has to live. To live one has to die,” said the gardener. “I meditate on the process of death. I remember the future.”

Rose’s departure created a vacuum.

The trapped mother realized her ice reality. Concise crying crystals reflected clarity. Suffering from fate and free will she danced in flames seeking her SAVE key.

Hearing a child say, “I need help,” she received a blessing.

A child whispered, “The ending is the middle.”

“The middle is the beginning,” said a child. “You can start the story anywhere.”

“We are all orphans sooner or later,” said Rose. “We bury our successes and failures in the same grave.”

Death and the gravedigger agreed. “Everyone comes to us.”

ART Adventure, Risk, Transformation