Journeys
Words
Images
Cloud
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

Amazon Associate
Contact
Thursday
Mar222018

World Poetry Day

Language river

Brown life highway

Mountain silent

Clouds fly around

Here we go

Wednesday
Mar212018

Floating World

Calligraphy - breath, pressure, line
Shadow of white butterfly
Voices ebb and flow
Fingernails trimmed

Share river
Floating world
Mercenary butterfly shadows
River language

Color zen
Create like a child
Less is more
Dream it
Feel it
Dance it

Live it

Sunday
Mar182018

Loom Of Time

You returned with secret joy
Yes she says my dream of you is unfolding

She caresses silk threads on her loom of time
Your sensitivity and serenity calms me he says

Before dawn
The Mekong is water
Fog obscures distance
She stands at a window looking for him

On the river
His net flies over still deep water
Threads and knots of jungle vine grace surface
Sink into silence

Hearing the Mekong sing
She returns to the source
Dreaming voiced silent whispers
Silence becomes her desire
Gratitude her awareness
Calms her tortured heart

A leaf leaves the tree of life
Flutters like a heart beat

Transparent water bowls sing
A purple lotus rows from mud

At her loom
Her pattern begins with purple silk
Her base
She runs threads through thin lines of balance
She spins out golden threads for new diamonds

Weaving her meditation
Her voice

Hands fingers heart-mind

Friday
Mar162018

Chase Money

There was a man in a poor village.

Everyday he went into the mountains searching for gold.

Everyone said he was crazy.

After forty years he found gold, returned to the village, exchanged the gold for cash, bought a rope, tied the money to one end and the other around his waist.

He ran through the village dragging money behind him.

Everyone said he was crazy.

“What are you doing?” they yelled.

“For forty years I’ve been chasing money and now money is chasing me.”

Subject To Change

North Lao Weaver

Saturday
Mar102018

Street Talk

Captain Tremendous Tremor here again with an update from the dead zone of grieving Chinese parents and crushed kiddies. One reality shows to go ya where Big Brother wraps barbwire around collapsed schools preventing parents from rescuing 10,000 kids. Educational corruption and fear thrives in a Brave New World.

If you want to play you must pay. We know so much and understand so little.

“I don’t understand a thing. Let’s take the day off and be creative,” sang Zeynep, “grab our cameras and tale a walk.”

Lucky and Zeynep passed through ephemeral effervescent worlds healing strangers. Free non-transferable luck was distributed to the needy.

Air simmered grilled meat aromas in a tomato culture as swirling silver musical spoons tickled tea glasses. Seven tonal notes create cosmic spectrums.

Inside Ulus alleys near Ankara laughing blacksmiths with calloused hands burnished musical metallic containers. Friends forged balconies, grates, bars and enclosures on anvils with Thor’s hammer. Gateless gates.

A coal man loaded bags of black on his back. A cornered Russian mistress wearing diamonds on the sole of her shoes waited for rich monkeys. A weaver loomed geometric silk ikat threads. A father taught his son the art of carpet repair. Needle led thread. Dusty stories coagulated and copulated on teakettles rusting atop Roman burial slabs covered in binary codes.

Expanding universal maps and NSA spy satellites collected data.

Total information awareness. TIA.

A peasant woman rolled dough to make ravioli-like manta pasta. A brown snail carrying its spiral galaxy home scaled green and white stones as waving antenna received signals from orbiting space-time Dream Sweepers.

Head scarfed Kurdish women inside stone path shadows near crumbling straw packed homes with broken wooden slat shutters sat in a sacred circle talking and rolling spicy grated seeds into grape leaves. Thick meaty fingers toiled. Heavy 24-caret golden bracelets reflecting scattered light led to undiscovered archaeological sites for sore eyes and a doctoral thesis on amalgamated dust.

“It’s true to report that everyone in Turkey is psychologically well adjusted, employed and content with their free life,” said Zeynep.

“You’re dreaming, delusional or telling real lies,” said Curious.

“Made in the shade, cool baby,” Lucky said. “This is to say with precise specific clarity they have the courage to speak, are never tired or afraid of falling in love and marrying someone outside their rigid social and/or economic class. They take amazing risks and suffer greatly with gratitude.

"Photographing the universe they rent time-share apartments in black holes sucking matter into a void. Some scribble or doodle unintelligible non-linear calligraphic ideograms. The majority disappears into phosphorescent television monitors where they absorb political blather and fake reality shows. Media buys them. They give up their consciousness and miss the show.”

In Bursa a father + two son trash collection team pushed a rolling cart loaded with discarded plastic computers past crumbling Ottoman buildings secured behind barbwire and rusty locks. Faded orange and blue pigments peeled a long lost hollow bell.

One freezing morning a grandmother staring at Ottoman history lifted her child’s child to an iron-grated window. Zeynep, an invisible street photographer present with empathy squeezed a soft shutter release. A whirling dervish painting with light in continuous mode murdered time.

“Freedom is essential in my life. I control the result with spontaneity. I develop real relationships and embrace extreme situations. I’m a photographer who needs to travel. If I stay in one place I go blind.”

“Our images communicate light, story, form, emotion, information and raw aesthetics,” said L.

“Emotional impact. Photography is more art and intuition than process and procedure,” said Z.

In a warm art studio overlooking a fast icy river flowing from Uludag a female flute player fingering emptiness explained melancholic notes. Her chattering laughing friend created marbled flower art using pinpoint dabs of color in a tray filled with hot wax.

A white seagull’s calibrated internal navigation system negotiated air currents with Winter Hawk, Lone Wolf, 101 Screaming Eagles and Labrys of raging violin string theories. Piano melodies and hard bop jazz improvisation reinforced Bamboo resilience.

A 19% waxing crescent moon danced with clouds. Moon remembered moons in Augustine Fujian. Eat moon cakes, said Curious. Feed dead ancestors with filial duty. A cruel heartless forgotten forgiving month heard sky welcome moon. Clouds explored atmospheric conditions.

HELP screamed in a literary agent’s slush pile.

Help was a bulldozer leveling forests to harvest trees outside Phonsavan, Laos.

Vietnam bought them all. One tree = $10,000.

Chopsticks chairs tables toothpicks. Wood you believe it?

Lighter than Winter Hawk’s feathers, HELP made fun of people.

Invisible howling soft wing energy manifested Beauty. Letters. Signs. Symbols. Metaphors. Observations. Unpleasant facts.

Help expressed brevity. How are you? I'm short, said Brevity.

Help played with variable truth-value meaning.

Help, a landmine in Cambodia below the surface of appearances in a luminous landscape reaching infinity weighted for sensation.

 The Language Company