Language Animals

Q: what’s the essential difference? People who think, experience life as a comedy. People who feel experience life as a tragedy. What did you expect? I ask you.

Archetypes are a universal collective unconscious symbolic truths. Humans are symbolic language animals, using abstract metaphors and cognitive ability to speak in tongues.

Oral (Voice) and gesture (Sign) languages dissipate.

Graphic (Art) languages are constant.

Incorporate your power of laughter and active imagination, said Devina. Ph.D., Education, Indonesia.

Hey, cool idea, said Rita, orphan writer from Banlung. We can use random precise episodes for stories.

To survive in this crazy world we need stories, air, water, sex, shelter, food and freedom, said Leo, activist monk. Everything here in Utopia is pure surface, said Leo, Air and water are free although the quality is dubious and getting worse … Sex is expensive like anger and stolen children. Shelters are ferns and rushes mixed with shoddy cement and crap bricks. Cheap building materials. Food is rice and gruel.

If it ain’t on the page it ain’t on the stage, said Tran.

Will our adventure have a themes like boredom, loneliness or alienation, with a plot looking for characters and conflict, asked Devina, Timeless metaphorical motifs of love, treachery, betrayal, revenge, choices, consequences, morals, ethics, free will vs. determinism, values and abandonment with humans struggling to get something, like a glass of water? Will it have satire, irony, symbolism, and sex?

Yes. It reveals user exchange value. It speaks about the power of using money for sex and using sex for money. One hand washes the other, said a limbless amputee with no emotional connection.

It was a warm summer day. They were naked in a meadow of sunflowers. She was blind. He was deaf. They held hands. Skin was their unified electromagnetic field of tactile language beyond feeble illiterate words. Fate introduced them at an NGO charity ball.

            Blind is a famous concert pianist.

            Deaf is an explorer at Angkor Wat.

            He scaled her keys.

She explored his mountains, jungle geography and intricate hand-carved limestone designs at Banteay Srei temple.

They had a tacit agreement to be gentle and kind with one another. Peel my skin like sweet aromatic fruit, she whispered, I am your skin mistress, one must sacrifice the peel to enjoy the fruit. Play my flute, he said.

Yes, said Omar, a blind writer and a nomadic storyteller. Omar wrote A Century Is Nothing in green racing ink using a Montblanc 149 fountain pen. Be the ink. Be the paper. Flow.

You need eye & hand & heart. Two won’t do.

Few read it. Fewer understood it said Omar, Our stories contain, if an empty container can contain anything, the basics of drama, action, conflict, rising action, a climatic orgasm, falling action, resolution and empowerment with heart-mind emotions and delicious mouthwatering freshly baked chocolate chip cookies. Yummy.

The emotion is so thick you can cut it with a finally honed Turkish scythe, saber, or word sword.

Word machetes in Cambodia sever families and futures. You will experience what the characters feel, taste, touch, hear, and smell revealing themselves through action … Like neglect, poverty and illusionary potentials? Yes, if the characters were any thinner, they’d be Japanese Sumi-e rice paper, or 1,000 handmade paper cranes at a Shinto shrine. Fly me to the moon.

17,000 world children die of starvation every day, said Grave Digger. Look at my hands.

Wow, Zeynep said, Let’s make it heavy, deep real immediate and dramatic. Focus a lens. Floodlight or spotlight? Yes, said Devina, Shine a light on illuminated skin with sharp bamboo needles dipped in Sumi ink.

Focus on an existential puzzle palace… Our memories make us who we are … They define our values and character … We cultivate memory’s history to sustain our lives.

Everyone builds their sandcastle with layered memories. Everyone works on his or her own personal puzzle.

I’m going to need your help with inner dialogue where characters reveal their insecurity and strength, their desire for self-preservation with values like love truth beauty compassion instinct and intuition because they have to survive.

As Rita and Tran know if you survive you are a WINNER. Life loves a winner. The soft machine loves a winner. Survivors want to prolong the inevitable, said Death. Some want fame. Some want recognition. Some could care less and don’t try. Fail better. Do.

Let’s see their fears and strengths, said Leo  ... Their fear of hungry ghosts & the poverty of food, love, and security is strong, said Devina, Strength and trust releases ego and expectations  ... all the expectations are external  ... circumstances outside character affect their psyche  ... environment affects silly humans  ... smart humans affect their environment  ... see their struggle to accept their authenticity. It requires courage.

See their fear and courage when alone with others … see their courage accepting loss forever  ... see their fear of starvation on physical, emotional, spiritual and psychological levels  ... see their courage of adventure.

Write one true sentence. See their skill to write short sentences, said Omar.

Book of Amnesia, V1