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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Friday
Apr182025

Martha’s Zen Card

I am a short story.

You are a novel.

It never occurred to Matt to buy indigenous cultural music while traveling.

Martha his girlfriend considered it essential.

Music made her edgy and alive.

When she heard music she danced.

She returned to her primitive self.

She danced naked.

Ballet. Flamingo. Tango. Cha-cha. Lambada. Waltz.

He wrote naked verbs. They loved naked. Naked cherished syllable skin music.

They wrote danced and lived like they were dead.

One day they will be. It's now or never.

They were free. It's the way to be.


Culture is what you are. Culture means you can forget.

Nature is what you can be.

People are nature's tools.

Passing through Body Sat Quiet in Asia on a three week, “Look, don’t think” holiday from frozen Europe they happened into an 8th century tourist town music repository.

They smelled music before they saw it. Seeing music is an art form. Synesthesia.

In music like life the end of the composition is not the point.

A music boy handed Matt an orange book. Write your melodic request here. Matt opened the book. A vignette floated free.

An orphan girl popped out of blank pages: I am sorry. Goodbye and good luck to you and your family. These are our famous last words. Big vocabulary. Tongues speak. Small life. Big chance. Yeah. Yeah.

The Hunger Angel watched 24/7 in the big leagues.

Sanitation workers in green environmental vests with broom music swept streets for the New Year. Make it new. Make it new.

We should be so lucky to have crystal clean sheets.

Every day is a new year.

One day is like a minute.

One minute is like a day.

That's relativity. All my relatives are dead.

Never trust an atom. They make up everything.

When you know what you don't know you realize character with social intelligence, integrity, humor and courage.


Courage is an unknown word in our head and heart. Running away is our way. Every day I have the blues. No one loves me but my mother and she could've been lying too.

You absolve in the rhythm when you have adequate life experience.

Silence and hunger are identical naked twins.

Fear and Ignorance produce Expectation & Greed.

I am good at two things:

Eating and sleeping.

Fighting and fucking.

Laughing and crying.

Reading and writing? That's for idiots.

The less I do the fewer mistakes I make, said Insecurity.

The fewer mistakes I make the less I am criticized, said Fear.

It's easier to do nothing, said Doubt.

We know the essence of survival. Keep your fucking mouth shut.

One day, Bliss’s part-time lover said, buy me a TV.

NO.

You have a job, a mother, a 12-year old daughter, two brothers, no father and no husband. I gave you money to buy a bike for your daughter and she lost it, money for clothes, money for medicine, money for food, money for temporary naked lust and currency sobriety. You play me for a fool. You’re fucking crazy.

Her arrival was sporadic at best. She visited randomly at 8:37 for a shower, fucking and another shower.

He explored her lips, thin neck, small ears, crest of skin throat, narrow brown shoulders, pinpoint breasts with tongue talk, flat belles letters, long legs and played his way into her valley of potential.

He loved giving her oral pleasure.

Edging rose lips long and deep.

Slow sweet.

Little man in a boat sang, merrily, merrily, life is but a dream.

She reciprocated playing his bone flute.

Riding the pony, priming her G spot grinding hard and fast she exploded with precision and extra ambition whispering, Give me a baby. Give me a baby.

He deferred chromosomes. Fat fucking chance, there's no way under the tropical son I'll give you anything but short time, money, temporary love and the high hard one in your strike zone with runners in scoring position.

Here’s the pitch.

She stayed until 9:45 and left for work at an upscale spa wearing aromatic Grecian urns. He gave her 20 bones. Feed me.

Familiarity breeds contempt.

Get out of my life, said Telepathy. You are subservient and I am stupid to put up with this shit. He creased her indifference into a cumulus cloud. It rained goodbye and good luck.

She sat on the bed with her back to him. Sniffle, sniffle.

Her fake tears formed rivers named Regret and Hopelessness and Indifference.

Fish behind twelve Lao dams to provide electricity to Thailand fed 60 million Asians downstream in deltas.


His NO created black-eyed daggers. They stabbed him with hatred, loss, self-pity, violence and starvation. Revenge is best served cold with DNA.

They put on death masks.

Your mask eats your face.

They walked out into tropical heat. Separate directions.

Waves of loneliness shuffled down a broken street. Children dying of malnutrition at a health clinic on the coroner of Hope cried as desperate mothers received free blue placebos.

The day after tomorrow belongs to orphans and lucky losers with Wabi-Sabi.

Wabi - the beauty of the most ordinary circumstances and objects.

Sabi - feel one's own sharp existence.

Martha and Tolerance danced through life.

Monday
Apr072025

Books

I invite them to Phu Bai. We stood in the shade of the old small faded airport building. It’s a clear memory of my arrival when I was a green nineteen. I needed to see and feel the area again.

I’ve carried a copy of Omar’s book, A Century Is Nothing from Turkey to Indonesia to Nam. I considered making a sacrifice in Nam. Burn it.

First thought, pure thought, said a Zen monk.

Together with Omar we used fire, crucible alchemical combinations, diversities, sweat, blood and tears to create it so I’d use fire to release it.

Save books, build a library.

Books are universes of ideas, experiences, feelings, visions and paths, destinations obliterated through discovery, reminding memory. They are worlds of dreams, stories, dramas, plays, songs, histories and guides into new visceral experiences.

Pages sing their laughter with wisdom, song, and poetry. Grow Your Soul.

Live forever with paper’s tactile sensation. Voices of reason, comedy and tragedy are skintight drum stories. They are oral transmissions recorded on parchment, vellum and illustrated manuscripts in Gaelic talking tongues, etched on Sumerian clay and painted on Asian scrolls.

I didn’t burn it. Down the road I gifted the brick to three Asian women passing through Saigon in late 2009. They had Chinese ancestry from Hong Kong and lived in Australia. I said a blind friend named Omar wrote it so I signed it laughing letting it go with them.

Thanks for the book.

You’re welcome. I hope you enjoy it.

It took all three to carry it. They staggered up guesthouse stairs with the epic opus. After breaking down a wall they struggled to get it through an opening.

People need to break down before they break through.

They discarded cheap Vietnamese souvenirs to maneuver the monster into a bag. We’ll have to check this beast all the way to Sydney.

People use words to make walls, said Zeynep.

People use words to make bridges, said Rita.

Bridges over walls, said Devina. It’s a mind map.

Show someone a rectangle, said Z. Ask them is this a door or a wall?

When you build a wall think of all the things you leave outside, said Tran.

Yes, said Leo who knew a lot about dynasties and firewalls.

Some veterans return to Europe, Korea, Iraq, Afghanistan, Bosnia and the South Pacific. Others remember to forget or forget to remember returning in their memories, dreams, reflections, flashbacks and nightmares. Some write it down and make sense of it later.

Don’t try. Do.

Book of Amnesia Unabridged

You could not step twice into the same river; for other waters are ever flowing on to you.

Heraclitus (c. 540–480 BCE)

Sunday
Mar302025

Train to Hue

A friendly grandfather, grandmother and their g-daughter are on the train going to Saigon to visit friends and relatives. Born in Hanoi, she’s been studying in Czechoslovakia for seven years. Sprawling Hanoi is new for her.

We roll though night lulled by the rhythm of click-clack rail language. At 4 a.m. a bone white moon dances with clouds and silent stars over rice paddies, forests and black mountains.

I went to the dining car for java at dawn. I saw a Hobbit inside a dark blue hooded sweatshirt framing wisps of brown hair, angular face and perfection facing a woman.

Wow you are a beautiful elf, I said. She looked up, smiling. Thank you.

I join her and her mom. They were away from Switzerland for five weeks, doing the SE Asia circuit. Simone, 19, is sincere and direct with piercing green eyes. She will begin a Hotel & Tourism management school in Zurich in the fall. She’s been traveling the planet since the age of two.

Her mom is a journalist and businesswoman. No nonsense. World wise. She leaves to find her husband.

We talk about the hospitality business and attention to detail. It’s called MBWA, I said, Management by walking around. I worked in Hyatt, Shangri-La and Ramada International operations. It’s about guest service and marketing. Get out of your office and on the floor. Get a head in the bed.

I’m really excited to learn so much, she said. You will make an excellent General Manager. I hope so, if I do I will give you a meal and bed.

 

Her stepfather wanders in after dreaming. He’s a professional cellist, teacher, diver and photographer. We talk about music. The cello is closest to the human voice, he said. In an opera when the music drops in a romantic or high drama point it’s the cello you hear. He mentions Jackie Du Pre and her genius. She did it all at 42 yeah, it’s strange for me and other professional musicians, after the performance and all the applause it feels so strange to return to a hotel room alone.

We met by chance on purpose with destiny dancing in the wood paneled dining car, a memory of an era with slow meandering train travel.

Hue was the ancient imperial capital of Vietnam from 1802 to 1945. We walked to the Citadel near the Perfume River and across a bridge toward long walled interiors. It’s filled with exhibits, temples, rooms, black and white photographs, art objects and paintings. One image shows an arena where they staged fights between elephants and tigers.

It rains heavy and the women disappear. Sam and I shelter under a pagoda roof with a young Vietnamese couple. She teaches poetry. Sam asked her to tell us a poem.

Thunder & Lightning. She jumps. Rain pours on fields, old marbled stones inside green.

Initially shy she recites a poem. It is musical and mysterious. It is about love and two people missing each other. Her voice is strong. She feels this poem through her, it is her life and history, all the creation stories and songs and poetry she learned growing up. Her voice is angelic. Her melody, rhythm and voice flows as rain thunders. Lightning flashes and dances. We applaud her performance. She is retiring, relieved.

Sam and I sing and perform Singing In The Rain for them, circling around stone pillars, twirling with the lyrics, feeling the music. Rain dance. They laugh.

The intensity of the rain slows. We walk through drizzle. The sun reflects diamonds off stones inside shallow water pools. Prussian blue skies decorate mountains. Sun drenched fields lie emerald green. A solitary gray elephant stands near a banyan tree anticipating a golden stalking tiger.

We walk over a bridge, over a river, over a world.

Book of Amnesia Unabridged

Sunday
Mar232025

V Train

At dusk I severed a Hanoi alley to a lake for fresh air and sky to sit at a motorcycle repair shop with iced java. Two females dressed to kill using their hot naked sex passed on a cycle negotiating potholes, dust, and rocks with SMS direct.

A woman burned paper money in an old can to celebrate her new house, prosperity, honor and respect for her ancestors. Your location cannot be determined, said SMS.

On the balcony with pink flowering bougainvillea I enjoy green tea and white yellow clouds with quick rainstorms sharing whistle songs with free raptors as others died on balconies in cages.

After two weeks avoiding whizzing whirling dervish motorcycles, I ventured to the train station before high noon. It is a long faded yellow French cement block. I passed a window with a red sign, Brigade Leaders Collect Team Tickets Here.

I am a leader without a brigade. The narrow room has bolted blue plastic seating and numbered glass windows. At the end of the room next to the W.C. a huge mirror in a heavy brown lacquered frame creates an illusion of surreal space.

Counter #2 is where foreigners get tickets. Options include soft sleeper, soft seat, hard seat and no seat. I’m taking the SE1 overnight train from Hanoi to Hue, the ancient capital on the Perfume River known for art and architecture. Resplendent.

Omar asked me to burn his book A Century is Nothing at Phu Bai south of Hue in a symbolic fire ceremony.

I would like a ticket to Hue please. One way.

A woman behind thick glasses said, Soft sleeper.

It wasn’t a question it was a statement. She knows foreigners taking the night train want to sleep, have children take care of them when they are old and dying of loneliness while cooking over coal fires or forest shards admiring natural scenery before it’s gobbled up by corrupt companies as powerless locals improve their standard of living by hustling a little middle class economic dream.

Tonight, said the woman, sharply.

No, Sunday please.

She pointed to a calendar on the counter.

Number 19.

Yes.

She punched in the numbers. She pulled out a pink ticket.

That’s 533 Dong or $33. She showed me the number on her calculator. I paid. She handed me the ticket and dropped crumpled bills on the counter like leaves fluttering from a dying tree. Boredom enveloped her.

It leaves at 1930.

Thank you. Track #9 Car #1 Room 15/16.

Where are you from? said a Hanoi pedicab man.

I am a ghost from everywhere.

What is your country?

My country is my hand – see, five rivers.

How does it feel to be moving or sitting free and anonymous with laughter dancing down all the days? Excellent. Where do I park this empty vehicle?

*

Memory spoke: My mind is empty, said the sad old man in his small dusty Istanbul leather shop. My mother is 65. She has cancer. She has tried chemo and radiation therapy. I don’t know what to do. People come into my shop asking questions, What’s this price, How much is this, too many questions. How can I help them, what can I do?

Perhaps, said the stranger, You should just be with her. Give her the comfort she needs now. Give her water. Give her your love. Sit with her.

Yes, he said with sad deep eyes, It is difficult to be here now, gesturing around his shop crammed with shoes and bags and leather aroma.

*

A Turkish train chased moon, seawater and oil freighters. Two veiled lovers held hands at a station. Heavy green and purple grapes draped fences around barbwire stations. A sad long-faced man waiting for his life to unfold stared at the ground.

He’s married to his mother and her tomato-based history of love, regret, unemployment and zero opportunities.

A commuter ferry sailed across the Bosporus in elemental light. Visions of a Blue Mosque, spires and silver domes sparkled as blue waves swelled hearing artists carve Churning The Sea of Milk at Angkor Wat in the 9th century.

Book of Amnesia Unabridged

Monday
Mar172025

Rain

A heavy rain mutes voices with refined elegance. Moisture softens edges where words slash and stab, committing heinous crimes inside the imagination of lovers stranded in the long sad misfortune of falling water.

The moisture is a blessing for farmers huddled below brown and yellow ponchos planting rice in geometric rows as shallow water stalks reeds.

Rice steams in cauldrons being stabbed by steel spatulas as university students stare at empty bowls.

Farmers don’t know them, see them or begin to imagine the spoiled ravishing eaters with heads bowed over chipped white rice bowls, not in gratitude but in hunger’s anger being never satisfied and talking with their mouths full spilling grunts of MORE.

The farmers plant rice. They walk along brown dirt dikes inspecting a precious state owned agrarian kingdom as pouring rain music bounces off the surface, slides down leaves, collating green feathers.

Twilight’s heavy mist collects in thick clouds rolling over green forested mountains caressing valleys, streams and rivers, layering fields where silent men and women plant rice stalks one by one becoming invisible.

It’s a poetic landscape painting, said Leo.

Book of Amnesia Unabridged