Journeys
Cloud
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Wednesday
Oct162013

sanctuary in the maelstrom

keep doing what you are doing
i won't be here long
ink dances with dust
deep craggy sunken brown face
opium addict wears old green pathet lao army pants
a plastic string belt
threadbare patched jacket
sandals
lint in his pocket

Tuesday
Oct152013

Less is more

The more we learn, the less we know.

WEIRD: Western, Educated, Industrialized, Rich, Democratic

Sunday
Oct132013

Random probability

"Tell everyone you know: "My happiness depends on me, so you're off the hook." And then demonstrate it. Be happy, no matter what they're doing. Practice feeling good, no matter what. And before you know it, you will not give anyone else responsibility for the way you feel - and then, you'll love them all. Because the only reason you don't love them, is because you're using them as your excuse to not feel good."
 - Esther Abraham-Hicks
transcend  Read more…

 

"Statistically, the probability of any one of us being here is so small that you'd think the mere fact of existing would keep us all in a contented dazzlement of surprise. We are alive against the stupendous odds of genetics, infinitely outnumbered by all the alternates who might, except for luck, be in our places.

Even more astounding is our statistical improbability in physical terms. The normal, predictable state of matter throughout the universe is randomness, a relaxed sort of equilibrium, with atoms and their particles scattered around in an amorphous muddle. We, in brilliant contrast, are completely organized structures, squirming with information at every covalent bond.

We make our living by catching electrons at the moment of their excitement by solar photons, swiping the energy released at the instant of each jump and storing it up in intricate loops for ourselves. We violate probability, by our nature. To be able to do this systematically, and in such wild varieties of form, from viruses to whales is extremely unlikely; to have sustained the effort successfully for the several billion years of our existence, without drifting back into randomness, was nearly a mathematical impossibility.

Add to this the biological improbability that makes each member of our own species unique. Everyone is one in 7 billion at the moment, which describes the odds. Each of us is a self-contained, free-standing individual, labeled by specific protein configurations at the surfaces of cells, identifiable by whorls of fingertip skin, maybe even by special medleys of fragrance. You'd think we'd never stop dancing."
 - Lewis Thomas
Lives of a Cell: Notes of a Biology Watcher
running after my hat  Read more… 

 

Friday
Oct112013

Chaco Canyon

Anasazi creation stories echoed on the wind.

In the Plains Indian culture, Trickster is the bad news messenger capable of speaking any known or unknown language. The Trickster is vain and deceitful, obsessed with sex, loves to make pranks, falls in and out of trouble and always recovers their stasis. Trickster taught me Keres, the language of the Pueblo, the middle heart space between earth and sky.

Languages are my specialty. Lost tongues.

Down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets recording taxes on oil and linen; a special material ancient Egyptians considered ritually pure under the protection of the goddess Tayt. The hieroglyphics, line drawings of animals, plants and mountains revealed stories of economies and commodities.

In Nevali Cori we found 9,000 year old shards of pottery depicting dancers.

“These images,” said a team of metaphorical diggers, “reveal a fictional common ancestor created as a way to integrate their community.”

A camel hairbrush cleaned pottery shards. “Anything else?”

“Well,” said one digger on his hands and knees, sifting dust, “we surmise these images established a collective discipline in their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space,” said Omar.

Down washed out rocky New Mexico roads sixty miles from Aztec is Chaco Canyon. It is twelve miles long and one mile wide. It is a complex Anasazi Pueblo culture community nation from mid-800 until a fundamental shift left it abandoned around 1115 due to overused land, a lack of trees, drought, and failing crops. It was the social and economic center of life, an American Cradle of Civilization in the San Juan Basin. Their physical wheel of life reflected the pueblo worldview.

They were master builders constructing stone villages and six large pueblos of multiple stories with rooms larger than previously known. They began with simple walls one stone thick using mud, mortar, rubble, and the veneer of facing stones. Later they used large blocks of tabular sandstone chinked with smaller stones set in mortar and later covered with plaster.

The largest of the big houses is Pueblo Bonito 800-1200, four stories high with 600 rooms and 40 kivas. A kiva is a sacred religious area, a circular room without windows with a smoke hole at the top where the men of the village would climb down a ladder to sit, smoke, and share history and legends. There was a raised stone bench reserved for the “Speakers.”

Once a year to prepare for the Earth Renewing Ceremony, the Masked God Society would whitewash the interior walls of the kiva and repaint sacred symbols on the interior stone pillars.

Chetro Ketl, dating from 1020, had 500 rooms and 16 kivas with a large plaza. Ketl had a great kiva and remnants of carved birds, prayer sticks, arrows, and discs.

Pueblo del Arroyo had 280 rooms and 20 kivas. The Kin Kletso Pueblo, built in two stages around 1125 had one hundred rooms with five enclosed kivas.

Chaco was an advanced social and trading hub. Raw turquoise was imported from distant mines. People made necklaces, bracelets and pendants. Seashells, copper bells, and the remains of macaws and parrots suggested they traded with Mexican cultures, perhaps the Toltec.

Chaco Canyon was a spiritual center. Journeys became pilgrimages. Residents were in direct contact with elemental cosmos life: mountains, clouds, thunder, air, earth, and sun. They were connected with mysterious truth and beauty.

At one time 10,000 people lived in 400 surrounding settlements. They developed 400 miles of engineered and planned prehistoric roads connecting their communities. 

A Century is Nothing

Wednesday
Oct092013

Practice

My body.

My breath.

My practice.