Black & White

Greetings,

I began learning and experimenting with black and white photography. It was about varieties of film, Tri-X, and later Ilford. Grain. Film speed or ISO in photog talk.

Then the learning process of working in the darkroom; developing, making contact sheets, selecting negatives to print, grades and quality of paper, using various chemicals. Developer, fixer, stop-bath, water. Emulsion. A negative holder, enlarger, light management, f/stops, and a timer. Expose and process the paper through the chemicals. 

Like magic, an image slowly appears. Looking for the contrast between shadows. Adjust the variables of time and exposure and play. Experiment. 

It's easy to fall into the trap of using color, or does color use us? The eye is easily fooled because it is passive. Cut through the colorful clutter and express yourself through shades of gray.

As Picasso said, "I just want to know one thing. What is color?" A pigment of our retina cone imagination.

After finishing the Sapa galleries I decided to do a project documenting my neighborhood here in Ha Noi using the small brilliant laser-like Leica in the B&W mode. 

No expectations, no logic. Keeping my blind eye open to light, movement and how they play. Do they play well with each other? That's a relationship question.

Some results were straight from the hip, the point-and-shoot-chance-is-all approach. No digital manipulation. Delightful. A dream dance.

A writer is lucky to get words down and try and make sense of them later. Same with making images. Here's to NOT making sense. Our brains have evolved to predict, establish meaning and detect patterns. Disorientation begets creative thinking. 

Here's the gallery.

Metta.