The Play Begins

Attention Ladies & Gentlemen!

Civilization is sterilization - an agreement to avoid the abyss. You look into the abyss and the abyss looks back at you. 

History is the symptom and people are the disease.

This is a long dream sequence, said Zeynep, author of The Language Company. Mirrors are metaphors like Banlung, Cambodian nill gemstones of the Mind-At-Large. Keep a diamond in your mind, reflecting 10,000 points of light.

WE create myths and stories … We build sandcastles … We used to be someone else and we traded them in.

Hold a mirror to the sky reflecting Beauty. Hold a mirror to the ground reflecting a muddy path. Hello Truth. Hello Beauty. See all the beauty without hope or fear. Life is sad & beautiful.

It’s a long walk. Walking makes the road. Nothing more. Nothing less. Less is more.

We play with reality, impermanence and illusions of reality. We cultivate ambiguities, create imaginary identities and play with fact and fiction. We use lies to tell the truth. Fast, short and deadly. In the future more than five words is a run-on sentence. A life sentence ran away.

What’s the next question, said Grave Digger. I love good dirt. I know two things. Look at my hands.

I know the solution and wait for the problem, the opportunity, the big SURPRISE, said Leo, Chief of Cannibals. Can we know death, said Leo, Good question, said Z. One should die at least once to appreciate life. One must die before they live. Most people are born alive and slowly die.  

WE are born dead and come to life.

Kill the Buddha. Kill yourself. Suicide is an honorable Asian way of saying goodbye with honor, dignity and respect. Buddha said, I show you sorrow.

A blossoming voice has purity, love and truth. We know illusions of desire, anger, and ignorance. Pain, suffering, fear, loneliness and alienation kills the spirit, said Rita, author of Ice Girl in Banlung.

Alienation embraces uncertainty … Embrace the chaos.

A heartbeat contains a universe of infinite possibilities, said Zeynep, What is the difference between possibility and probability, asked Tran, polishing his prosthetic left leg.

We dissolve monkey mind thought clouds and fleeting sensations to enhance our awareness and potential, said Omar a blind Tuareg Ghostwriter.

What does it mean to be a human being? Are you a human being or a hungry ghost?

The reader completes the work of art.

Yes, said Devina, buy a ticket take the ride.

We are in exile with stealth and cunning.

Book of Amnesia, V1

Life is unbearable, said Poo. Farewell cruel world.

Pessoa

Pessoa: impersonal medium

a conduit

write on impulse

intuition

a stranger to himself

externalized what he thought, felt & dreamed

Book of Disquiet

We are in exile with stealth and cunning.

Question? How much does silence cost? Depends.

            Deep silence = deep bliss.

            In my silence only my voice is missing, said Fernando Pessoa in The Book of Disquiet.

            Money buys silent bribes.

            Bamboo Nomad said, Open your head, heart and mouth if you want to practice speaking tongues with me, I am a facilitator.

            I am a storyteller, said Zeynep from Bursa, Turkey. We communicate telepathically.

A-dolts don’t get it.

            Q: How many types of people are there in the world? Three: people who make things happen, people who watch people make things happen and people who don’t know what the fuck is going on.

            Funny sad true unpleasant facts. Like melting icicles, exploding galaxies, a meaningless universe and orgasms. Reality is the funniest thing happening. It’s difficult to take any of this seriously. People should play more.

            How did I grow?

            The bigger the fear the bigger the defense. Can you hear yourself think? Yes, it’s important to keep a running monkey mind dialogue going to express emotions, ideas and awareness of illusionary sense details, distractions and existence. You are critical mass expressing art.

            Socrates asked the big question: HOW TO LIVE?

            Establish character nuance with emotional honesty and a sense of the fantastic. It’s essential to establish a conte\x/t. Give me an example of compression.

            They came, burned, raped, pillaged, trussed up their loot and gone. Excellent. I know everything and can say nothing. I know nothing and can say everything.

            Tell me about hanging out. Travel writing uses novel techniques. It explores a place, discovers and/or invents characters, selects and tailors experiences and arranges the action to give the narrative shape and motivation.

            Time is history.

            Space is geography.

We are bushido warriors with Zen clarity insight and wisdom.

The majority of adults are, in my little clear, concise, precise deadly specific opinion based on empirical experience tyrants, rigid, autocratic, blind in one eye, easily distracted, idiots, depressed, angry, insecure, resentful, neurotic, suffering from illusions, greedy for money and power and CONTROL and so on.

I love their personality and character faults.

They take drugs or escape into phone madness to erase pain and memory. They struggle to forget. They take Soma to BE on a perpetual holiday from mind numbing tedious monotonous life. They become soft and pliable sheep…easily manipulated by viral media machine messages. Burroughs called it The Soft Machine.

Book of Amnesia, V1

Chapter 15

Earth peoples, oceans wave,  celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.

They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.

He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Their relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.

What conflicts exist?

-Human vs. Human

-Human vs. Nature already mentioned.

-Human vs. ______><_______

-Human vs. self. Do I or don’t I? Is it safe?

-Nature vs. Nurture

Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran. I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.

She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words, Yeah, said Rita, What did you say? I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom, Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.

Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters, Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Asian market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart.

Fear sells. Fear is a universal language.

Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation  ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.

I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite. Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.

Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A sincere writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.

A work of art is never finished. It is abandoned, said Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.

We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information, Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.

Book of Amnesia V1

A flower has profound responsibility.

Ukiyo-e

Photography allows us to look into the mirror for clues

suggestions / warnings / about who, what and how we are

memorable / elastic / unwavering

Overtime

I shared a fairy tale with 80 freshmen in Utopia. Once upon a time in the long now there was a continent, a landmass floating on water. White barbarians labeled it Asia on dusty maps. Deep inside Asia were vast lands, rivers and mountains.

Overtime, a historical bandit with a reputation for laughter, magic, fear, superstition, and an insatiable appetite for diverse languages, customs and cultures lived in jungles and forests. Others preferred living in remote mountains.

Jingle, jangle, jungle. Using natural materials they created musical instruments, simple weapons, homes, fish traps, snares and tools like looms. The women had babies, wove cloth and prepared food. Men fished, planted crops, domesticated animals. Children in extended families learned life lessons.

One day a boat filled with white men sailed down the heart of darkness to a village deep in the jungle. They wore shiny clothing, spoke a language the people didn't understand and carried weapons that made a lot of noise and scared the people. They pretended to be friendly by offering gifts. The leader of the village welcomed them. They had a party.

Life is a party. Too soon it's yesterday.

Mandalay, Burma

Every day more white people came down the river on boats named Destiny. They were on a quest for gold and slaves. Owning, using and discarding slaves had proven to be an essential part of their historical evolution on other continents. Their mantra was cheap people, cheap labor, cheap raw materials, cheap goods, cheap markets and much Profit.

We are civilized and you are savages, said the white men. We have religion. It is called Greed & Wealth. We are on a mission from the great chief. We control fire. We control time. We control people. We control nature. We have machines. We take what we want.

The village gave them hospitality and shelter and friendship. The white men were greedy. They took control of the village, the people and the jungle.

Every day the white men marched their slaves deep into the jungle singing, we control nature. We shall overcome. They spread diseases. They planted fear. They planted envy and jealousy. They manipulated villages against villages. They divided and conquered, one against the other. History taught them well. They harvested wealth in the form of people, precious stones, rubber and every useful raw material. They were never satisfied. Their appetite grew and grew.

One night a village shaman said, to survive we travel to new jungles. Our dream is to be a free person in a free country.

The 80 applauded. That’ll be the day. Tell us another fairy tale.

Ice Girl in Banlung

Mandalay