Children of the dust

Omar said, Down on mean street near the Khmer House of Blues filled with wailing songs of loss, betrayal, neglect, abandonment, misery, hope and have mercy on slide guitar backed by a harmonica in the key of C crying in her heart, a girl stared up at a mirrored skyscraper watching the wheel of life flash prisms into the sky.

She’s been turned out and turned down faster than a housekeeper working with imported Egyptian threaded linen with a 300 count. No lye. The thermostat of her short sweet life seeks more wattage. She faces a severe energy shortage if she doesn’t find food.

Like Tran, she is a quadriplegic, an amputee with one good leg after finding a landmine on her way home from school. She is one of 26,000 men women and children maimed or killed every year by landmines leftover from ongoing or forgotten conflict.

Reports from the killing fields indicate there are 110 million landmines buried in 45 countries. It costs between $300-$900 to remove a single mine.

It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Angola, Iraq, Ukraine, Laos, and Afghanistan are the most heavily mined countries in the world.

40% of all land in Cambodia is unused because of landmines. One in 236 Cambodians is an amputee. She hears children crying as doctors struggle to remove pieces of metal from their skin. She cannot raise her hands to cover her ears. Perpetual crying penetrates her heart. Tears of blood soak her skin.

The technical mine that took her right leg off that fateful day as she walked through pristine rice paddies near her village expanded outward at 7,000 meters per second as ball bearings shredded everything around her.

It may have been an American made M18A1, shallow curved with a 60-degree fan shaped pattern. The lethal range is 328 feet. Maybe it was a plastic Russian PMN-2. She never saw it coming. She didn’t die of shock and blood loss.

A stranger stopped the bleeding and shot her up with morphine. All the strangers and happy ghosts carried morphine. Standard issue. Grateful, she speaks the language of silence.

Book of Amnesia Unabridged

Visceral Realists

By Rita

We are in a small sleepy river town in southern Cambodia, said Rita. Faded yellow neglected French colonial buildings face a river, corroding iron bridges and green mountains.

A block long incomplete cement shell of a new market to revitalize neglected downtown failed. $70,000 start-up costs. Nada. No takers. It will never be built because of Fear & Superstition & Ghosts.

From 1975-1979 the Khmer Rouge hung severed heads along the walls to teach survivors Life Lesson #1.

Shut your mouth and blend in.

Survivors stir woks and sell the same thing. Boredom.

Don’t speak of gruesome true facts, said Leo, It reminds me of my Chinese atrocious atrocities, genocides, purges and 40 million peasants starving to death. Let them eat grass, bellowed Mao waving his little Red ideological book. Eat my red words comrade. Peasants stole copies from the Friendship Store. This makes great toilet paper, said the proletariat.

Kampot is famous for black pepper, which is nothing to sneeze at, said Rita. The Shakers live in Ohio. One minor quest of the literary outlaws is to get the pepper from Cambodia to Ohio. Buy land. Two buy sea. Water dilutes the effectiveness, taste and aroma. The pepper will need to be grinned down by hand. A Khmer laterite stone pestle and mortar is ideal. Most adults here are confused and sullen and apathetic breeding happy children, said Rita.

For good reason, said Tran. I know how it feels to be an abandoned ghost with a disability in double jeopardy. I’m laughing because I am a survivor … everything is fucking hysterical above ground. I lost my right leg when I stepped on a landmine playing in a field near my village south of Da Nang. I was five. I lost my family in the war. Maybe they died. Maybe they wandered away.

You never know.

The sleepy town, villages and country are famous for people experienced in Milling Around, said Rita. For cultural, historical, educational, environmental, emotional, intellectual and economic reasons milling around is a popular daily activity.

This unpleasant fact cannot be denied or ignored or forgotten like Tran’s missing leg. It needs to be up front because it is a clear immediate fact and way of life.

Limited job opportunities, substandard education, lack of medicine, faint hope and inconclusive futures enhance Milling Around.

It kills time alleviating boredom, the dreaded lethargic tedious disease. Milling Around kills the human spirit. No Initiative. Period. How sweet. How charming. It’ll take another generation to clean it up with high hopes. Cambodia is alive with ghosts.

Zeynep, Rita, Tran, Devina, Leo and Omar are invisible ghosts feeling comfortable with energies, vibrations and frequencies. They are floating experiences.

Immediate and direct, said Zeynep. I am western on the outside and eastern on the inside, a chameleon and a prescient systems analyst.

This is a talk-story.

Impermanence and non-attachment is reality. Movement is my mistress and my meditation. WE are here to go. The deeper the silence means deeper the bliss.

I am the music between the notes. I am the silence between hammer and anvil music. I am the poetry between the lines.

I became my ghost-self in 1970 after 364 days in never-never land, leaving Vietnam in one coherent piece, said a reliable narrator. Where I met Tran in a hospital. He taught me courage. After a war everything is easy.

Z: As a writer and artist I bear witness revealing my imaginary sense data using a Mont Blanc 149 piston driven fountain pen, Moleskine notebooks, watercolors, brushes, and cameras. I won’t go into the technical details about the optical equipment.

I am two cameras said Rita. Kinds?

I am a sweet little Leica D-Lux 6. I am a bulky Nikon D-200 with a 35mm 1.4 lens. Ya gotta Leica the Leica. Play sounds. It’s small with excellent optics. Black with a cool little red circle on the front. Small and powerful like me. One for my left eye and one for my right eye. Dual dynamic visual acuity.

How do we interpret visual sensation? I am chained to the earth to pay for the freedom of my eyes, said Omar the blind seer.

Begin with a telescope then use opera glasses then a microscope.

I am a prime lens, said Z. From the spotlight to the floodlight and back to the spotlight.

I am the truth of your imagination, said Leo.

I am synesthesia personified possessing the ability to hear colors and see sounds, said Tran.

I may grow old, but I will never grow up, said Rita. She shared a story about Cambodia. The kingdom has a long violent history. Remember the Killing Fields, S-21 high school prison, and genocide with 1.7 million people killed, slaughtered, raped, mutilated, gone, erased. Year ZERO. Can you wrap your mind around that factoid?

It was a third of the total population. People don’t talk about it because they are super superstitious. Survivors live with the cold hard unpleasant fact. Old people are rare. It is curious. It’s 2023 in the long now.

Writer: After writing and editing The Language Company in Kampot for five months I moved to Battenbang for three months. A Khmer boy in a Battenbang java & tea joint said the reason everyone stares at me is because all my generation was killed. They see you as a ghost, he said.

I am Happy Ghost.

I am surrounded by happy, laughing, curious, kind, childlike, grateful and beatific humans. Comedic. Sweet. How simple life is. How monosyllabic.

Yeah, yeah. Let’s dance, said a survivor.

Book of Amnesia Unabridged

welcome to the freak show

Write about that unpleasant fact, said the agent. Literate types want something to read while stranded in a foreign airport when an Icelandic Norse goddess volcano explodes creating a huge swirling cloud of ash complicating their mundane superficial lives with anxiety. Pass me some Xanax please. Life happens where sheep feel anxiety as a subterranean level of FEAR.

Travel isn’t fun. It’s an adventure.

Many humans love living in the past filled with regret being exhausted by their monkey mind where it is very comfortable … They absorb static or moving pictures to escape their terminal condition needing electronic reality and soft machine material…They burn out brain cells staring at little screaming screens … Cheap effective pervasive advertising permeates their consciousness speaking of Faust and making a deal … Dying is a grim comic business. It’s messy. It’s more expensive than anger.

There’s nothing more expensive than poverty.

Ask Grave Digger about plot development, said Rita. Humans suffer from monkey mind. They regret genocides and fear the future. Not me! Why me? The ego loves the CIRCUS of daily distractions … it wears them down … they become lethargic, depressed, suicidal, lazy and so on… lazy people never kill themselves.

They die of boredom, alienation, loneliness and neglect.

Fate and Death conversed, I’m a funny thing, said Fate.

Yes, you are said Death.

Healthy individuals respect the monkey mind. They are present now. They meditate. They are patient, understanding, tolerant and kind. Sheep don’t read and are lazy to face their fears with courage and honesty to learn their truths. Brave ones ask why exploring flow with their microscopic pure energy … A bag of bones … Atoms … WE are pure light.

Everything is energy, frequency and vibrations.

Many are not cosmologically or ontologically or evolutionarily engaged in how the world works on a sub-atomic level. They want fast food and a remote to operate their 46-inch plasma screen with 500 channels … They eat their phone … They enjoy simple stories with simple characters, a hero and a quest … They want happy endings like orgasms. Got it?

Keep it simple stupid. KISS. Experiment with dirty realism. Give me the surface. Be a witness. Throw in some absurd human activities.

Don’t write about what you know.

Write about what you need to know, write to find out.

The role of the writer is not to say what we all can say, but what we are unable to say. - Anis Nin

Write to discover a new universe, a new skin, a new lover, an old idea with shiny tin foil packaging like a love sock named OK condom. Write about a decisive moment, like the condemned guy stepping around a puddle on his way to the gallows in Burma.

The Savage Detectives by Bolano is about poets searching for a lost Chilean poet in Europe, another quest to consider. Don’t take it too seriously. Everyone dies in the end, one more unpleasant fact about publishing and life. My tedious job is to accept or reject manuscripts. In the food chain I market it to a publisher.

Publishers have editors who read the work. Editors leave or die laughing. New editors read the work. Maybe the first editor helped us. Maybe a new editor thinks its garbage needing a major rewrite, revisions, deductions and electromagnetic fluctuations.

If so, a narrative HOOK leaves the author in the brothel-publishing graveyard, got it?

Yes, said Zeynep. Does that mean or imply you’re really a publishing prostitute with no values, morals or principles?

It’s all about money honey, said agent XYZ, And eyeballs … everything has a price, a user and exchange value in the world market of ideas, weapons, drugs, and humans…don’t give me any philosophical arguments.

You’ve been very helpful. What a great saga, said Zeynep. Now let my storyteller friends and an omniscient blind scripter show the tale.

Yes. It’s all yours. I have one question, said lick clit lit agent, how long have you been here?

All fucking day said Zeynep. Here’s your ticket to the greatest freak show on Earth.

Book of Amnesia Unabridged

fear sells

Earth peoples, oceans wave,  celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.

They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.

He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Our relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.

What conflicts exist?

-Human vs. Human

-Human vs. Nature already mentioned.

-Human vs. ______><_______

-Human vs. self. Do I or don’t I? Will it eat me? Is it safe?

-Nature vs. Nurture

Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran.

I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.

She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words.

Yeah, said Rita, What did you say?

I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom.

Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.

Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters.

Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Kampot market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart. Fear sells. Fear is a universal language.

Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation  ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.

I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite.

Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.

Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.

A work of art is never finished. It is abandoned, said Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.

We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information.

Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.

Book of Amnesia Unabridged

Giants

Try this, said a famous short story writer named Raymond Carver. Write 25 words. Cut it to 15. Cut it to 5. This is what dead editors and hatchet men did to my work.

Let me try, said Leo…here are 25…Once upon a time there was a tribe of orphans from Asia who escaped from captivity and abusive life where they were forced to … (haul shit, fuck evil men, work in a factory making electronic gadgets)

Fine. Next?

Let me try, said Tran. Here are 15 … A tribe of orphans escaped the tyranny of forced labor and ran away to be.

Good. Next?

Let me try, said Rita. Here are 5 … The scared orphans ran away.

Precise, said RC, Keep it simple and short. Shorter is better. Less is more. Short, fast, deadly.

Character is action, said Omar. In a novel words reveal a character’s action. It’s internal and meditative. On stage in a play it’s all action. Writers say what others are afraid to say. They write naked. They write in blood. They write in exile. See and smell their fear strength and authenticity. Heavy, deep and real. HDR. Communicate without Voice words. WE sense their authenticity. Writers confront their mental illness every day.

They love SIGN language. Gestures. Their awareness is misunderstood when speaking in SIGN because Speaking people ignore you. Voice Ones are illiterate and interrupt each other. See their fear being alienated, bored and alone. See, taste, hear, smell their fear to BE deaf, dumb and blind.

How do people cope using gestures, said Devina. Gestures control people. Voice Ones talk over each other in their neurotic way. Loud and louder is their mantra. The loudest one is the BIG winner. Congratulations.

Here are my fears said Rita: The fear of living in Cambodia where you are always afraid looking over your shoulder and seeing the past with hard eyes because you have no imagination after twenty years of pure survival instinct with no incentive no initiative facing nightmare futures. You are afraid someone will sneak up behind you and kill you. You suffer from fear and superstition. 1.7 million ghosts swarm around you. Day in. Day out. We’re talking about some serious long-term trauma with a side order of shame and guilt. It will take another generation to clean our consciousness.

Rita: When I grow up, I will be a Fear & Superstition Manager. I’ll have booth on a red dusty road with an F & S sign. People will give me their fear(s) and superstition(s). I won’t say anything  ... I’ll smile and accept it. Thank you. Healed, they continue on their way. I burn it.

For example, they fear someone shows up in the middle of the night while they dream of peace and freedom and kills them. They fear armed strangers raping their screaming wife and daughters while they watch. They fear someone cutting out their tongue. They fear someone in their family not returning from the killing fields.

They suffer the fear of remembering & the fear of forgetting. They fear memory.

They fear losing their children, said Rita. They fear having no imagination. They fear asking why…They fear being distracted by stimuli in the environment … They fear controlling their environment … They fear their environment because it controls them … They fear living in Asian countries where, due to circumstances inside the control of aliens, parents, teachers and authority figurines they live in perpetual childhood.

Adults keep you there with fake dependency & emotional abuse. They teach you fear. You eat fear three times a day. Delicious fear they say. Have some more. They are the great manipulators. Adults are giants with giant voices and giant control techniques. They threaten you with fear of pain, shame and guilt. It’s a vicious circle.

Life is a circle, a Fibonacci spiral.

The Wheel of Life is the universe.

The universe is transformation. Life is an opinion.

When you meditate you are free from rebirth. Humans need love. Humans need compassion, kindness and empathy. They need to talk less and draw more. It’s a social and cultural thing. Giants never learned how to read or write. Giants fight, eat, fuck and sleep.

Un Pleasant factoid: 69 million children worldwide of primary school age will not  go to school this morning or tomorrow, next week, or next year.

I fear struggling to join the rising middle class in _______ without political connections and getting a degree in business, said Rita. After authority figures said a business degree was essential thousands got one. Many graduates don’t speak or care to learn English for future opportunities where they need it. They’re stuck working in dead-end paper pushing menial jobs, sweeping dreams, chopping vegetables, doing boom-boom, sleeping or slaving in the tourism sector.

They need English to speak with foreigners or to get a job.

A teacher makes maybe $1K a month minus bribe fees. They lack initiative. They fear losing control facing tiny sheep and acting like a fool in the theatre of life.

People fear questioning authority in Utopia before they execute you with a bullet in the back of your brain, said Leo speaking of historical awareness. I dance like nobody’s looking.

Yes, said Rita, I fear meeting my hungry ghost in a country where you:

a) are completely lost

b) have no comprehension what people say

c) suffer paranoia, a terminal disease

d) enjoy tedious ennui boredom carving a niche in your soul and you crave endless electronic distractions and gadget sensory overload

e) need food, water, clothing and shelter from the storm

f) have a humbling life changing experience of magnificent proportions    

g) hear a bell signifying enlightenment and satori, said Omar

Book of Amnesia Unabridged