Knife Sharp Man

One morning after Saigon noodles in a cold alley a man, 60 after wars and cold hard survival prematurely ages humans, sits sharpening a knife for a woman customer, redefining the steel.

No left foot. He curled his leg stump back resting it on a boot.

In the afternoon he walks past with a shuffling gait. He's wearing a green fatigue shirt, hat, motorcycle helmet, carrying his worn red plastic bag of simple tools. Knowing his truth, not knowing his story. A land mine or a stray bullet?

His left boot is an old combat relic, a discarded war object. It is split down the front.

It is brutally hot. The sun is behind him. How does he feel? Where is he going? Home for lunch and rest? Looking for more dull edges.

I am always walking, he said. I stop, find work, sit, sharpen an edge, get small money, put away my tools, put on my fake foot and walk. I eat noodles or rice on the street. I nap. I walk and work until dark. Then I go home. Home is where they have to take you in.

I am a storyteller with tools for sharpening life’s dull imperfections and sharp mirror reflections.

I am surrounded by amputees, he said. They approach me on their crutches, their hands out. They wheel themselves down the street on little trolleys, without legs, low to the ground truth.

A one-armed young man wears an old blue baseball hat. He sees local businessmen approaching. They wear fresh pressed white shirts, leather shoes and shiny silver belt buckles.

He takes off his old hat. Holds it out. It is empty. They ignore him.

He puts it on his arm stump, runs his one good hand through his black hair, puts his cap on and moves down the street. 

I am in the army now, he said, an army of the legless, the armless, armies of physically wounded forgotten humans. They know you and you know them.