New Front Page

Greetings,

So, as usual I'm experimenting with the site design and decided to make the "Living on the edge," blog the "Front Page," that opens when you visit.

'It's like this,' said the seer during discussions discussing this eclectic option. 'Why start with Myths and Innuendos when people can immediately access the blog slog?'

'Excellent point,' I said. 'Everyone already knows about myths because they are alive. Most subscribers, visitors and friends have already seen the Myth page, read the book blurb and assorted philosophical insights.

'They are probably bored to tears wondering, why don't those two genius types get their electronic act together and streamline this baby so we don't have to click through to explore new stuff?'

'Clearly,' said the seer. 'Take the ideas and forget the words.'

Enjoy your travels through the Ha Noi neighborhood of reality and dreams. Feel free to drop us a line.

Metta.

On the sidewalk is a feather and a q-tip. Existential awareness.

A broken building at a temple in Ha Noi. Loving lines.

A man hauls out his heavy trash. His destination is the cart. A distant speck, horizon.

Sapa Theatre

Greetings,

 All the tears, rivers of loss. Introspection.

 Now here below mist mountain market. Java. The Vietnamese tourists pulling around their weekend rolling suitcase carts. They are here to eat, gamble, sing, dance with  strangers, and buy cheap Chinese plastic products. 

They are an army in high heels, floppy hats, sunglasses, shiny belts, and lost eyes.

They run to stand in front of the Catholic Church to have their photo snapped off. Most ignore the local girls. A woman slows down in her long march toward consumerism to look at a H’mong girl’s offerings; a handmade belt, a think colorful wrist wearable, a thin wallet. The wallet is thinner than the girl.

Once the the woman slows down she is surrounded.

A chorus of voices, “Buy From Me! Buy From Me!”

The woman faints. Another buyer takes her place near blue tarp patchwork junk dealers. Watches, cheap imitations, pants, shirts, knickknacks. 

The eyes of youth scanning 6:05 a.m. Elements - elaborate colors and fabrics. Threads. Threads.

Street theatre.

Red tied school kids in uniformed mass hysteria, deprived of sleep stagger uphill to a bright yellow school building where a young boy pounds out a rhythm on a ceremonial drum. Come all yea faithful, joyful and trumpet.

Two big brown dogs dogs hump on the street in front of the stoned church where tourists gather for a photo shoot. Local Vietnamese women selling this market are armed with camera bags poke and prod the women, husbands, boys and girls, lost and found into manageable groups for the moment. The moment they will remember forever. The moment framed on their family alternative votive candle flaming, this moment. Caught in time. Frozen alive! 

Here we are, she said to her friends later. Look. A church. I am in front of it.

A blond European tourist wearing rubber flip flops walks past the scene. Her t-shirt says, “Love My Bones.” I wonder if she is a specialist in marrow transplants.

I am smiling at every stranger along life’s magical story time inside the heavy forested, along steep stone trails. Yellow wildflowers fill the fields where water buffalo graze.

So there I was at 6:16 a.m. as the V tourists poured into Sapa. They poured off the bus, wearing red cotton baseball hats designed for the Great Union Hotel. It sprawls across green hills above the church. A fore lorn bunch of exotic creatures. They travel in bunches, like bananas. 

The economy class of style, luxury, and pizzazz-a-lama and the H’mong were already hard at work - pushing their handicrafts. These ebony, black spinning colors, all the hand made rainbows, skirts, aprons, blue-black tribes, flowering ethnology. Derivations. 

Metta.

Black & White

Greetings,

I began learning and experimenting with black and white photography. It was about varieties of film, Tri-X, and later Ilford. Grain. Film speed or ISO in photog talk.

Then the learning process of working in the darkroom; developing, making contact sheets, selecting negatives to print, grades and quality of paper, using various chemicals. Developer, fixer, stop-bath, water. Emulsion. A negative holder, enlarger, light management, f/stops, and a timer. Expose and process the paper through the chemicals. 

Like magic, an image slowly appears. Looking for the contrast between shadows. Adjust the variables of time and exposure and play. Experiment. 

It's easy to fall into the trap of using color, or does color use us? The eye is easily fooled because it is passive. Cut through the colorful clutter and express yourself through shades of gray.

As Picasso said, "I just want to know one thing. What is color?" A pigment of our retina cone imagination.

After finishing the Sapa galleries I decided to do a project documenting my neighborhood here in Ha Noi using the small brilliant laser-like Leica in the B&W mode. 

No expectations, no logic. Keeping my blind eye open to light, movement and how they play. Do they play well with each other? That's a relationship question.

Some results were straight from the hip, the point-and-shoot-chance-is-all approach. No digital manipulation. Delightful. A dream dance.

A writer is lucky to get words down and try and make sense of them later. Same with making images. Here's to NOT making sense. Our brains have evolved to predict, establish meaning and detect patterns. Disorientation begets creative thinking. 

Here's the gallery.

Metta.

Andy Warhol

This is from Volume 56, Number 16 - October 22, 2009 issue of The New York Review of Books by Richard Dorment. He reviews three new books about the artist Andy Warhol.

...Warhol asked different questions about art. How does it differ from any other commodity? What value do we place on originality, invention, rarity, and the uniqueness of the art object? To do this he revisited long-neglected artistic genres such as history painting in his disaster series, still life in his soup cans and Brillo boxes, and the society portrait in Ethel Scull Thirty-Six Times. Though Warhol isn't always seen as a conceptual artist, his most perceptive critic, Arthur C. Danto, calls him "the nearest thing to a philosophical genius the history of art has produced."

...Warhol's friend Henry Geldzahler, a curator at the Metropolitan Museum of Art, recognized that the artist's two great innovations were "to bring commercial art into fine art" and "to take printing techniques into painting. Andy's prints and paintings are exactly the same thing. No one had ever done that before. It was an amazing thing to do."

...As Danto explains in his brilliant short study of Warhol, the question Warhol asked is not "What is art?" but "What is the difference between two things, exactly alike, one of which is art and one of which is not?"

New York Review of Books. Read more...

Andy Warhol Museum...

"I don't know where the artificial stops and real starts." - Andy Warhol

Metta.

Life > Logic

Greetings,

Lover of numbers, mathematics, and logical contradictions. Life is a paradox. We are a metaphor. How's it feel to be a metaphor, contemplating perception and sensation? Are we overwhelmed by the perceptual data flow?

Look around. You'll see, observe many humans completely insane with their perceptual overload. Their hard wired receivers are overloaded with INCOMING data. It's scary, downright frightening. Pure fear.

Zombies and automatons. Willing slaves to their personally created hell on earth. Their want. Their perpetual state of being distracted. It's all they know, this life of distractions. 

I'm having coffee yesterday with a very intelligent friend. We hadn't seen each other for six weeks. She kept pulling her cell out of her pocket. Reading the screen. Texting someone. Out there. I didn't say a word. I stopped talking when she did this. I just observed her behavior. She never said, "Excuse me." 

Must be really important I figured.

Can you imagine how she may have felt if, during our short time together I said, "Excuse me but you are really boring me. I can't stand it. I need to text someone. I need to use my phone to connect with someone who is not here but I really wish they were because you are boring me."

Text me baby. Tell me about your situation. Your sweet distraction. Text me your insecurity and loneliness. 

Speaking of scary, what's scary is seeing all the crazy Ha Noi motorcycle drivers texting while they zoom along narrow crowded streets in heavy traffic. Talk about a logical death wish. 

Text this: Meditate on the complete cessation of your perception. Of your sensation. Poof! You disappear into bliss. No time, no boundaries.

Maybe it's not the answers we need to ask but the questions we need to know. All this.

"If you don’t know much about infinity, for instance, you are invited to check in to “Hilbert’s Hotel” — which, with its infinite number of rooms, can miraculously accommodate additional guests even when it’s completely full."

LOGICOMIX

Written by Apostolos Doxiadis and Christos H. Papadimitriou. 

Illustrated by Alecos Papadatos and Annie Di Donna

Read more...

It all adds up.

Metta.