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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Entries in street photography (416)

Thursday
Sep202018

Literary Agent Orange

Rip my heart out. Build the tension with cinematic pace. Then en masse in a dramatic climax they escape the clutches of the evil manipulators. In the falling action they join a safe community women’s shelter based on healing, recovery, regaining personal strength, dignity, self-respect, empowerment.

         They learn new job skills like cutting and selling ice.

         They learn how to weave. They discover their life needle leads a story thread. They take control of their life.

         They form love killer groups and hunt down men and women who betrayed them. The women kill them with love and compassion. The denouement is their brutal REVENGE. Best served cold. Calm, detached and honest. Short fast and deadly.

 

         BUT, said agent alliterated, I’m pretty. I’m pretty busy reading obscure vague query letters and synopses filled with vowels, consonants, phrases, sentences, paragraphs, tough love, mysteries and dime store romance, not to mention salacious graphic comics.

         Get to the verb. Get to the action. Establish a scene. Paint a voice. Develop characters, narrative, structure, plot, thematic unity, setting and multiple marketing platforms from recycled manuscripts. Pulp. Keep me turning the page.

Make the characters want something even if it’s a drink of water in the middle of the Gobi. Everyone needs water. Leo can tell you about the value of water in the Gobi.

         You mean, said Ice Girl, writing is like standing on the edge staring into an abyss called civilizationwith Leo, a courageous noble savage cannibal wearing an alarm clock around their neck committing sewer side with absolute free will above shimmering blue pools of incandescent liquid molecular frozen particles with brave stone cold clarity immobilized at heights of illusionary immaculate freedom seeing their immortality, their deepest fear in ROOM 101 alongside brave OTHERS unflinching in their love, compassion and goodness, this infinite potential?

Destiny in eternity? Where all points end at infinity? Where eternity plays with time? Before jumping they yell, People think art is easy. Tell them it’s like jumping off a 12 story building every day. JUMP!

         Yes, said the agent. I know it can be heart breaking. You develop your wings after jumping.

         You don’t know the meaning of heartbreak said Ice Girl. I’ve buried more people than you’ve published. Once I witnessed an old man wearing a rainbow knit cap write Eternity on a paper napkin in Planet Paradise, a coffee joint in Eugene, Oregon.

He torched Eternity with a match. His tired traveling blazing eyes watched Eternity burn to a cinder. Black and white ash and dust fluttered from his fingers. He mumbled incoherent incantations about fate’s joke, meaningless life, existential choices, irony and consequences. Something like that, said the agent with vague ineptness. Life is a chess game of experiences we get to play.

         The burning seer burned his inner light. He walked into a world trailing ash, feeling wind in his heart. Sun burned his retinas. Tides of time in the long now ebbed and receded where the event horizon blurred his cognitive facilities.

He lapsed into a stream-of-consciousness run-on sentence talking to shadows, ghosts and shamans. He approached the point of universal consciousness with mind-at-large where fiction memory dream and imagination are the same thing. He confronted the endless abyss. He jumped. He saved himself, said Ice Girl.

         Go on, said agent. The publishing world is a crapshoot. A casino. After expanding the narrative angle give me mythical evil, cold blooded sadistic mega maniacs, corrupt politicians, civil servants, millions of poorly paid laconic Asian teachers, nurses, doctors and financially motivated international bankers and politicians practicing fraud, sexual harassment and NGO graft under the auspices of organized crime.

Saturday
Sep152018

Finch's Cage

In Sapa, Vietnam I discovered a side street and thick cold java at a run-down Internet cafe. I sat outside.

Finch had a yellow chest, red beak and brown feathers. It was outside a plate glass door. It’d escaped from its small yet safe bamboo cage in the main room.

Someone, perhaps the young mother worried about her wailing infant or her brother worried about dying of boredom or her old mother worried about dying alone had left the cage open.

Finch sang, “Where’s my home? What is this beautiful world?”

Finch hugged the ground. It looked at green trees waving across the street. It saw a deep blue sky. It inhaled clear, clean mountain air. It heard birds singing in trees but didn’t understand them. Their songs were about nesting, exploring, flying, clouds, trees, sky, rain, warm sun, rivers, bark, worms, snails, and melodies of freedom.

I wondered if Finch would fly away. I hoped so however I knew it was afraid to go. Perhaps it lacked real flying experience, the kind where you lift off fast beating your wings to get up and get going to escape the weight of gravity or memories filled with attitudes, beliefs, values and fear pulling you down.

Free, you turn and glide, relax and soar.

Finch being conditioned to the caged world of bamboo with a perch, food and water looked and listened to the world.

Finch retreated from the possibility of free flight and pecked at loose seeds in a narrow crevice below the door. It smelled the dark stale room where the cage hung on a wire. It pecked under the frame. It wanted someone to rescue it.

It sang, “Help! Let me in. I want to come home. I’ve been outside and I’ve seen enough. It’s a big scary place. I promise I’ll never try to escape again. I was curious, that’s all. I’ve seen enough. Let me in.” 

Finch was amazing in it’s beauty. Yellow, red, brown and bright eyed in its aloneness. 

An old woman opened the door. She trapped Finch in a purple cloth and returned Finch to its cage. She closed the bamboo door and snapped the latch shut.

“Did you learn your lesson little bird?” she said.

Finch sat on its perch, enjoyed a long cool drink of water and sang, “Thank you. Now I am truly happy.” 

The old woman didn’t understand this language.

Muttering under her breath about inconvenience she shuffled down a long dark hallway to a kitchen where she killed a chicken for lunch.

Mandalay

Thursday
Aug302018

Heavy Duty in China

Lucky walked to Ankara, Turkey from China in a convoluted adventure.

After Ankara he walked to Bursa.

Another invisible citiy in a schizophrenic totalitarian country trapped between East & West, between past and future being petrified ossified present on the Phosphorus.

+

Preparing for strenuous escapades he performed a Tibetan tantric sitting meditation for three centuries, three decades, three years, three months, three weeks, three days, three moments and three breaths.

In-out. Spiritual awareness. Mindfulness.

My body. My breath. My practice.

Tibetans survived with a profound sense of humor and resilience considering 60+ years of Chinese oppression, genocide and nomadic exile from the Land of Snows.

Lhasa, Tibet

After walking meditations in Lhasa he wandered south of Chengdu to Shuangliu in Sichuan.

He facilitated English, meditation, chess tactics/strategy and how to be more human with eighth graders for a year.

One afternoon John, a smart, kind Chinese teacher passed him.

“Where are you going?” said Lucky.

The Office of Morals and Re-Education. I have to copy tracts and texts.”

“Why?” - the dreaded question word.

“I’ve been removed from my class responsibilities. Not enough students passed their semester exam. It’s my duty to teach them. If they fail it’s my fault.”

“You’re a fine teacher. Duty is a heavy systematic responsibility in a dystopian Communist country. How long will you copy texts and tracts?”

“Who knows? Could be weeks or months. Maybe I will die in The Office of Morals and Re-Education writing an incomplete sentence. This is my life sentence. Tragic. The Teacher Performance Evaluation Committee will decide my destiny.”

“Good luck John. Welcome to the system.”

“Thanks. It’s my fate. I need some luck. See you around.”

The Language Company

Cambodia

Friday
Jul062018

Silent Potential

Dirt path yellow flowers
Kids collect plastic bottles, cardboard treasures
Slow day in a universe of unlimited potential

Energies
Enter stone zone
Machines, transport, street food sellers, balloons

A HA
Black and orange butterfly lifts into air from stagnant water
 
Composure present grounded with music curious eyes
Pregnant pigments
 
Joker card discovered in market dust
Pocket talisman
 
Little red house over yonder
PSP music echoes laughter

Razor blade in water coagulates light
Two dogs sleep in sultry shade

Old woman with broken teeth curls into hammock
Destined to be

Silent

Red dusty 2x4 entrance planks
small ditch
Littered with plastic bags bottles and shy language
Acquisition

Curious kids ask what is your name?
Sky

Tuesday
Dec262017

Ambiguity - Ice Girl

Chapter 23.

Chugging down the street, antiquated ¼ ton trucks recycled from catastrophic invasions, wars, death, suffering, bombings, and genocide carried 1.7 million people dying from forced labor, starvation and execution illuminated by historical footnotes.

 Voices blended billowing black diesel dust with forgotten cultural memory in swirling red dust.

  Two barefoot mendicants walked past Ice Girl. One looked content. He wore simple tattered white cotton cloth. A red and white-checkered kroma scarf knotted his head. 

  He carried their possessions in three white rice bags on a bamboo pole balanced on a shoulder. A tall gaunt man followed their trail of tears.

  Man #1: These bags are heavy. I am tired of carrying them. You carry them. He dropped the bags and pole on red dirt. Crash!

  Startled birds flew. A brown river changed course. A woman stopped sweeping dust. A rich man getting out a black SUV smiled at prosperity. A young boy fondling his fantasy without objection paused. A prone passive girl suffering from eternal hunger in a plywood room waiting for fake love blinked. An infant dying of malnutrition cried in its sleep. A mother waiting for medicine holding her child shifted her hip weight. A monk in a pagoda turned a page of script. Ice girl massaged cold reality with an edge.

  The man walked over to a large water cistern. He splashed his weathered face. He drank deep. 

  His friend stooped over, adjusted bamboo through twine, hoisting the pole and bags onto his shoulder.

  Man #2: Where are we going?

  Man #1: Muttering to his feet in red dust, Down this road.

  The Wild West red dust town bigger than a village welcomed smaller. The dexterity and fortitude of millions shuffled along in a flip-flop sandal world filled with joy, opportunity, risk, chance, fate, and destiny.

  They devoured French pastries and flavored yoghurt.

 Ambiguity, contradictions and paradoxes assumed the inevitable. Assumptions and expectations wore Blue Zircon, seeing harlequins.

 A boy near Angkor Wat sawed crystals of clarity in his tropical kingdom. He saw but didn’t see while standing in a blue hyperventilated dump truck holding his rusty trusty bladed saw. Blocks of ice disguised as solidified water were longer than the Mekong feeding Son Le Tap Lake.

  He unwrapped blocks. He sawed. He tapped a musical hammer at precise points defining worlds of experience into melting scientific sections.

  His co-worker loaded condensation on thin shoulders. He carried melting weight to a bamboo shack. He dumped ice into an orange plastic box. A smiling woman frying bananas over kindling gave him Real notes. Thank you for the cold.

  Carver carved. Tap-tap-tap.

  The woman assaulted ice with a hammer, shattering fragments to refresh java, coconut and sugar cane juice. Ice blocks melted latent potential. 

  An old woman in pajamas sweeping dust heard ice weep, “Hope is the greatest evil. Her daughter whispered, “Evil doesn’t exist.”

  History, war, violence and predatory politicians have screwed Cambodians, said Ice Girl.

  Let’s Make A Deal. Do the numbers. 15% (and increasing) of Cambodia has been sold to foreign investors. 1.7 million out of 11m were massacred. Millions are illiterate. Millions are subsistence farmers. It is a rural agrarian society. They produce what they need to survive. They eat, sleep, fuck and sit around.

  Any day above ground is a joyful day in paradise, she said. Paradise is a country where genocide survivors are happy. They are free people in a free country. Ecstatic. They laugh, run, play, plant, harvest, work, breed and die. But they live in fear. They are afraid the past will become the present. Time is a scary circle.

Annual red, green, gold, yellow and white fireworks celebrating the end of the genocide regime blasted black sky. A child sang, “The wicked witch is dead!”

  Another child sang, it’s a brave new world minus four old dying relics waiting to die of old age during a $100,000,000 dollar international show trial for genocide between 1975-1979.

  They deny their role.

  Not me! I was only following orders. I don’t have to accept responsibility for my actions.

  That’s what they all say.

  No, please. Have mercy. Authority ordered me to kill them all. Yeah yeah.

  Denial will kill you, said an illiterate man cranking up electricity purchased from Vietnam. How quickly people forget, said a blind historian rewriting Khmer stories.

Media buys people, said Ice Girl. I sell frozen facts. That’s the truth. Facts and truth are not related.

  Numbed silence covered rice paddies. Traumatized and anesthetized survivors cried, Send in the clowns. Send in the politicians and bankers and thieves and Chinese manipulators.

  Same-same but different, said a hungry girl in a plywood shack waiting for Freedom to say OK.

  Freedom laughed, I’m not saving anybody.

  Paradise survivors are happy because they are alive, said Ice Girl. They started over after Year Zero. 14 million now have enough food, clean water, medicine and Socratic educational critical thinking opportunities in a NGO fabricated world to rebuild their identity, self-esteem and life.

Culture means you can forget

It will take another generation, or sixty years given the average life expectancy, to recover revive and renew our simple uncomplicated life.

  Down the road, Alice in Slumberland, a human pretending to be an economically depressed Khmer teacher making $40 a month minus gifts told her students: You should just blend in. During genocide people who asked quest-ions disappeared.

They vanished. They became extinct.

Asking quest-ions was not allowed. Asking quest-ions is seen as strange and startling and dangerous. Dangerous people ask quest-ions. People who ask WHY are a clear and present threat to growth, development, intention, incentive and robotic daily comatose poverty existence. 

  Accountability is a foreign language.

  Economic terrorism is an unpleasant fact. Personal incentive is rebellious and counter-productive to maintaining the status quo ho, ho, ho.

  An a priori communication theory without facts or truth or  thought or doubt or wonder or curiosity or hard quest-ions is a male land mine survivor without legs living on Ground Zero. He rests near a pagoda waiting for compassion from strangers. A bookseller of genocide memories smokes a cigarette w/o hands.

  Where are the female land mine survivors? Leo asked. Maybe they are dead and gone, said Ice Girl. Maybe they live somewhere safe with someone taking care of their daily needs. Removed from Fibonacci’s spiral and the golden mean.

  Ready for a trick quest-ion, she asked. Sure. What’s louder than a group of Khmer people? I don’t know. Another group of Khmer people.

  Get used to it, she said. Volume. Signal-Noise. They love distractions. They live, eat and breathe distractions and signal-noise. They love talking over each other. The one who talks the loudest without saying anything is the winner.

  Most are too poor to pay attention.

  Listening is hard work, said Leo.

  Silence kills people, she said. Fear of death is one long conversation. They’ve been traumatized by their past into the immediate present facing unknown scary futures. It’s a time machine, a time warp and a shift in consciousness.

  For example, said Leo it’s curious seeing the FIRE inside the cement stove in the local java/tea shack at 0615 along a muddy road in Battenbang. Orange and bright red flames heat water, consume kindling.

  Words crackle, spit, and dance with laughter's sensation of heat. Kindling stands stacked like 12,000 orphans in 269 safe places waiting to exonerate memories of loss and abandonment.

  It’s a male thing. They are over forty and survivors of The Dark Years. The men wear fresh pressed short-sleeved white cotton shirts and black pants. They talk about business, jobs, kids, wives, girlfriends, weather, facts, opinions, big plans, construction projects, myths and ghosts. They eat fried bread drinking brown tea and thick java. Spoons create music with glass. 

  1.7 million ghosts dance through their silent conversations. Ghosts whisper, What if I die here? Who will be my role model? All my role models are gone.

  Feed me, feed me, cried an Asian ghost to their family burning sandalwood incense.

No one talks about it. Silence is golden. Men prefer to talk about the long now. Ghosts live in the past. Living in the past is time consuming. Leave it there, said one. Half our population is under thirty said another. They have no memory of the past.

Education is the key, said another. We missed our chance. The only chance I had, said one, was to run and hide in the jungle. My education was nature. Look at my hands. I spend my days in an office rewriting our sanitized history. History is time, said another. Geography is space.

  My dream is to be a gardener, said one. He watches Leo mine an unexploded episode from a notebook. The gardener realizes a notebook, once used by Authority to write down names of the dead or soon to be, is now a potential source of liberation and memory.

  He works at Bliss, a meditation retreat.

  I love gardening, he said in Khmer. We have nature as our common teacher. Yes, said Leo, Your work here is beautiful.

  He’s a 60-year old genocide survivor. White t-shirt, blue shorts and black flip-flops. His silent black eyes contain all the secrets of his survival.

  How did you survive, asked Leo. I ran away, I hid in the jungle, then into the mountains, deep, very deep, deeper than unconscious memories of life’s transient nature.

  I was running from the shadows of Death. I became a living ghost, a stranger to myself. I survived hearing screams 24/7 from room 101 as generations slaved starved and died, murdering everyone, kids like you, fathers, mothers, aunts, uncles, grandparents all disappeared gone erased finished evaporated exterminated, dead.

  Yes, agreed Death. Everyone comes to me.   

  When I thought it was safe I emerged, crossing landmine paddies into a Brave New World. I walked over 1.7 million bodies and bones, smelling, tasting, hearing seeing Death. Death bones in my dreams rattled freedom and food. I never sleep. Death sees me. I feel it closer than skin on bones, closer than white on rice.

  It will take another generation before the Khmer adjust to breathing. Laughter is rare. My people have suffered hopelessness and passiveness for twenty years. That’s a humbling life changing experience, said Leo. Life is found in a desperate situation, the man said.

  They meet every afternoon in fading light after torrid heat. He waters red roses, flame orange bougainvillea, green ferns, purple orchids, hanging planters. He smiles as water rainbows cascade through white light coating green, sliding down stems, meeting petals. Water disappears toward roots below the surface of appearances.

  He sits curled up on a straight-backed brown chair smiling and silent watching Leo typing notes from a black book. I don’t know this tool, he said pointing to a plastic screen and floating artificial letters. I can’t read, no chance, it was all about surviving, labor, nature, planting, harvesting, scheming and deceiving, running, hiding, keeping your mouth shut. We work, breed and get slaughtered. Such is our fate.

  The gardener and Leo heard a voice from a local classroom: Quest-ions are forbidden, screamed overworked, underpaid and undersexed Asian teachers named Authority and Social Control.

  Ask at your peril. Anyone in the 2% group raising their hand to ask a quest-ion with confidence is shamed or silently beaten into silence. Fear and ignorance are great motivators, forever and a day. Conformity breeds conformity. 

  Curiosity is fatal, said Ice Girl. Curiosity kills more humans than war, disease, lack of medicine and starvation. Humor and curiosity are basic elements of intelligence.

  Two pale female French tourist conspirators plotted their narrative at Bliss.

  We colonized this place, said one, Giving them baguettes, war, illusions of freedom, top heavy dull administrative procrastination, fake NGO bureaucracies, administration tools, wide boulevards, imaginary legal systems, an eye for an eye, corruption possibilities and designs of egalitarian ideals, morals, ethics and principles, faded yellow paint and French architecture.

Yes, said her friend, this IS the old brave new world and I am lazy and passive and my stomach comes first. I am starving. Let’s eat our sorrow.

  She is a super thin model of anorexia boned with stellar constellations. Her grim hawk faced rotund lesbian lover has flabby upper arms. She scribbles her serious fiction-memory and sense of entitlement in an unlined black notebook with one hand while massaging her forehead to increase creative blood flow.

They examine a microscopic map of Angkor Wat
filled with unconscious alliterative jungles,
gold lame Apsara dancers,
232 species of black and red butterflies,
1.9 million anxious tourists in a big fat fucking hurry,

Chinese, Japanese and Korean robot tour groups,
crying elephants, super tour buses, 125cc motorcycles, tuk-tuks,
begging illiterate children speaking 10 European languages
hawking gimcracks
whining predatory adults with an 8th grade education
accompanied by miles of flaming plastic bag garbage,
narrow boned white oxen,

14 million attention deficit disordered citizens addicted to simple minded FACELOST entertainment,
cell phone adolescent sex text nonsense,
1,001 laterite cosmic Hindu Khmer temples stretching from Thailand to Laos and Vietnam in a boomerang circular dance evolving from the stillness,

letting go of outcomes

as the French ladies whisper,
Where did we go,
What did we see,
How did we feel,
Where are we,


Did we discover the magic eye of sudden insight or any wisdom in this totality of mystery, devotion, and sublime splendor?

 They’re on their grand Asian tour. One describes fragments of her short life with an animist talking stick.

  She cuts out brochure pictures and ticket stubs. She pastes them into her book. It will make a fine future visual memory of her ear and snow.

  Her attention span is shorter than a grisly tour for eternity at the Genocide Museum in Phony Baloney filled with 2,000,000 skulls.

Here we are.

Ice Girl in Banlung