Ambivalent

Bursa, Turkey residents heard, “Woo, woo,” and clip-clop hooves grooving asphalt.

A thin man who’d escaped the Armenian genocide in 1914 by hiding in a mountain cave with Plato’s shadow of illusions hovering over his formless form commanded a rolling wagon filled with shredded silver wire.

A black trash bag on the rear contained cardboard and a draft of The Language Company.

He snapped a long whip at a white horse wearing brown blinders. Red, green, yellow and blue wool tassel tufts waved from its sweat beaded neck. Small copper bells tinkled.

His wife’s thin, happy hungry face was a skeleton of bones. Her senses were accustomed to roots, soil, inhaling damp earth smells and back breaking labor in spring rain, summer heat, cool autumn winds and frozen earth.

Riding next to her husband hearing leather lash skin felt good. A reassuring stimulus snapped air. The horse pranced along cool be-bop jazz cobblestones in time with Monk on piano, Pastorius on bass, Rollins blowing his horn, Blakey pounding percussion and Zeynep's cello complementing the steady clip-clop rhythm.

They were richer than a poor parent’s skin. They owned their stomach’s hunger.

“Here we go,” they sang in Kurdish.

Nearby, a cafe below the TLC teachers’ apartment went broke. A wild garden blossomed.

An old man arrived with his scythe. His well-adjusted eyes surveyed nature's vociferous beauty. He unwrapped a golden yellow scarf from the curving blade of his hand-me-down tool.

The scythe was eight feet long tapering to a sharp point.

Sitting on a wooden stool he refined an edge with wet-stone strokes.

Waving, he cut a waving garden.

Death watched. Ambivalent.

At that precise moment a blue monarch butterfly probing nectar of the gods whispered turquoise wing secrets to a red hibiscus in Laos.

The Language Company