Journeys
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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
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Tuesday
May092017

Myths Became Stories

Zeynep said, “I am a rose thorn and Winter Hawk. Wings instinct and heart. My razor talon tears meat from bones to feed my creative Hunger Angel.” - (Everything I Posess I Carry With Me)

“I am a cognitive psycho-neurolinguist,” said a gravedigger. “My specialty is languages. Lost tongues. Wandering deep in the Tarim Basin following the Silk Road through Central Asia I discovered the 4,000 year old Tocharian language and Afansievo culture. It was a proto-Indo European language with Celtic and Indian connections established by trade caravans and explorers. I suspect it is Qarasahr or IA based on an Iranian dialect.”

Mircea Eliade, a historian of religions said, “Myths tell what really happened. Myths suggest a reality that cannot be seen and examined. Myth is truth trying to escape from reality. A myth is a story of unknown origins, sacred stories based on fear and belief containing archetypical universal truths. They are in every place and no particular place.”

Marcus Aurelius - "Everything is only for a day, both that which remembers and that which is remembered."

*

History became legend.

Legend became myth.

Myth became story.

(What you wanted - Myth - Actuality)

This anthropological fact accompanied Lucky wandering among unfinished construction projects and abandoned manuscripts in China, Turkey, Indonesia, Vietnam, Cambodia, and Laos.

He joined millions of emaciated migrant refugees passing shattered bricks, broken hopes and strangling dangling cables connected to nothing in particular.

Shoddy incomplete dust dreams and quick profit schemes thrived where political thugs disguised as beauticians, missionaries and NGO social workers living in penthouses and driving Land Rovers exploited villages stealing land, rivers, mountains, children. Extorting money.

Their rule of law was a truncheon named GREED.

*

Sophisticated command and control procedures thrived. Corruption stole millions. Substandard schools pancaked 10,000+ children from one-child families in a Sichuan earthquake.

Garment factories in Dhaka crushed wage slave workers stitching designer labels at a discount.

In May 2014 an inefficient unregulated profit-oriented private coalmine in Soma, Turkey caught fire, exploded, burned and collapsed killing 301 miners.

The angry Teflon Prime Minister (now President) visited the disaster. “This is a fact of life for poor illiterate underpaid miner slaves. It happened in Britain in the 19th century,” he said to widows and families. An angry miner booed him. He slapped the miner. “If you boo the Prime Minister you get slapped.”

His aide, a frustrated soccer player wearing a suit of armor kicked a miner on the ground being held by police. Aide screamed, “Dissent is TERRORISM!”

The ruling AKP Justice and Development party said it was all a mistake: the mine explosion, slap and penalty kick.

Violence, denial and repression are a way of life here, said Zeynep the younger creating a myth.

The Language Company

Friday
May052017

Mandarin Duck, Cadiz, Spain

Omar remembered a daughter in Cadiz. Faith worked at Mandarin Duck selling paper and writing instruments. She practiced a calm stationary way.

“May I help you,” she said one morning greeting a bearded stranger. She knew he was a forcestero. His eyes linked their loneliness minus words. She averted her eyes. He was looking for quick painless intimacy and ink.

“I’d like a refill for this,” he said, unscrewing a purple cloud-writing instrument with a white peak.

Recognizing the Swiss rollerball writing tool she opened a cabinet and removed a boxes of thin and medium cartridges.

“One or many?” she said.

“Many. I don’t want to run dry in the middle of a simple true sentence.”

“I agree. There’s nothing more challenging than running empty while taking a line for a walk.”  

“Isn’t that the truth? Why run when you can walk? Are you a writer?”

“Isn’t everyone? I love watercolors, painting, drawing, sketching moistly.”

“Moistly?”

“I wet the paper first. It saturate colors with natural vibrancy.”

“With tears of joy or tears of sadness?”

“Depends on the sensation and the intensity of my feeling. What’s the difference? Tears are tears. The heart is a lonely courageous hunter.”

He twirled a peacock feather. Remembering Omar’s Mont Blanc 149 piston fountain pen, he said, “I also need a bottle of ink.”

“What color? We have black, blue, red. British racing green just came in.”

“Racing green! Cool. Hmm, let’s try it.” Omar would be pleased with this expedient color.

He switched subjects to seduce her with his silver tongue.

“Are you free after work? Perhaps we might share a drink and tapas? Perhaps a little mango tango?”

“I have other plans. I am not sexually repressed. I am liberated. I have a blind secret lover. Here you are,” she said handing him cartridges and inkbottle with a white mountain.

He paid with a handful of tears and a rose thorn. His ink stained fingers touched thin, fine and extra fine points of light. Faith and her extramarital merchandise were thin and beautiful. She was curious.

“If you don’t mind my asking,” she said. “How old are you?”

“Older than yesterday and younger than tomorrow.”

“I see.”

“It was nice meeting you. By the way, have you seen the film, Pan’s Labyrinth, written and directed by Guillermo Del Toro?”

“No, but I’ve heard about it. Something about our Civil War in 1944, repression and a young girl’s fantasy.”

“Yes, that’s right. It’s really a beautiful film on many levels. It reminded me of Alice in Wonderland.”

“Wow,” she said, “I loved that film, especially when Alice meets the Mad Hatter. Poor rabbit, always in a hurry, looking at his watch.”

“Funny you should mention time. A watch plays a small yet significant role in the Pan film.”

“Really? How ironic. I’ll have to see it.”

“Yes, it’ll be good for your spirit.”

He pulled out a Swizz Whizz Army stainless steel, water resistant Victoriabnoxious pocket watch.

“My, look at the time! Tick-tock. Gotta walk. Thanks for the ink. Create with passion.” He disappeared.

Faith sang a lonely echo. “Thanks. Enjoy your word pearls. Safe travels.”

Under the Banyan tree he sat on a park bench in weak sun, fed cartridges into a mirror and clicked off the safety. It was a rock n’ roll manifesto with a touch of razzmatazz jazz featuring Coltrane, Miles, Monk, Mingus and Getz to the verb.

A Century is Nothing

Monday
May012017

not true

interrupted Omar’s suicidal literary agent speaking through voice snail. It’s impossibly probable.

You make your own truth from embroidered lies.

I know everything and can say nothing about beginnings, arc, tension or sustaining a plot. Something has to happen to move it along with narrative flow, character development, conflict and action. Make me cry. Give me emotional honesty so I feel for the protagonist.

Grab me by the throat in the first clear short sentence.

Make me pay attention.

Give me a sharp emotional marketing hook hanging above a mainstream marketing platform in cheap plywood Asian brothels where evil greedy men with POWER threaten and violently abuse orphaned sex slave girls.

Where they buy them or steal them from poor families in China, Thailand, Vietnam, Laos, Cambodia, Burma, Bangladesh, Nepal and Sri Lanka and season them for five years in rooms, use them, abuse them and discard them on the mean old street.

They are commodities like rice. Rich men buy virgins for $5,000 a pop. Open my legs. Plow the fertile soil between my legs. Open my feeble, nonchalant and passive innocent broken heart-mind. Throw in some Asian culture like Chinese opera, Indonesian gamelan music, 3-act dramas, ballet, The Art of the Fugue by Bach and dancing Apsara dancers on 8th century laterite Angkor Wat ruins being strangled by cotton wood roots.

Show me how superstitious evil men believe fucking a virgin gives them super strength enabling them to leap over tall virgins with a single organismic shudder. Give me a small organic boom-boom death in eight seconds. Get to the verb.

            “Ok, said Rita, an orphan in Cambodia and independent writer/publisher of Ice Girl in Banlung. “Unpleasant facts are littered through this work like lovers, countries, butterflies, natural phenomena, rice and hot sex.

            “Cambodians have been screwed by history, war, violence and predatory politicians. Let’s Make A Deal. Do the numbers. 15% (and rising) of Cambodia has been sold to China. They’ve invested $16.9 billion. They bought the government.

            “1.7 million out of 11m were massacred by human genocide animals. 40% of our land is filled with unexploded ordinance. Millions are illiterate. Millions are subsistence farmers. It is a rural agrarian society. They produce only what they need to survive. They eat, sleep, fuck and sit around.

"Milling around is an art form. Khmer are soft and kind. They have a good heart. They are not as mercenary as the Vietnamese. They drift through your sensation, perception and consciousness with the speed and grace of a cosmic Lepidoptera. The trick is to tolerate bland empty eyed star gazing starrers and hustlers with Patience, your great teacher.

            “Bored after five minutes they lose interest. Bye-bye butterfly. Let’s pretend to be exactly who we are. The Great Pretenders. Be careful who you pretend to be.”

            “Thank you Rita. Whew, what a mouthful,” said the blind literary agent.

            “Yeah,” said Rita. I spill sounds and smell metaphors. The human condition reads history and weeps. Create memory a form of history. Rewrite history.          

“Your memory is the world and the world is a village,” said the nerve agent. “Cry me a river. Build me a bridge. Get over it.”

            “I will, will you?” said Rita.

"Maybe baby. I have a question for Lucky.”

            “He’s here.”

            “What do you recall during the one-hour full body massage with blind Flower at Seeming Hands?”

            ”Her hands were all,” I said. “Her hands were water, air, earth and fire. Soft gentle sensations. Sensing, feeling her physical sense. Engaging all her senses. Touch is her essence. She knew my body, all the pressure points.”

            “Soft, medium or hard?” Flower asked.

            “During her therapeutic touch and go I considered this vignette. How I was looking for ideas and structure and formless form and literary vulgarity. I slowed down inside the labyrinth. A writer is a dwarf, invisible and must survive.”

            Flower whispered, “I don’t like sleeping alone. It’s fucking boring.”

            It’s easy to remember loving Flower’s soft, deep real tactile sensations. She knew how to please a stranger’s skin. She lived in the middle way. Her middle way is breathing, and awareness. Her middle way is acceptance and loving kindness. It is wisdom, patience and gratitude. Non-attachment. Flower is the essence between detachment and sentimentality.

            “Eat the world with your blind eyes,” she whispered.         

“Yes my Flower, yes.”

            “Dead or blind there’s no difference,” Flower said. “People who cause you difficulties, you should think of them as very valuable teachers because they provide you with the opportunity to develop patience.”

The Language Company

Tuesday
Apr252017

Mandalay Burma Teacher Talk

Give us the fifty daze M-F 5:30 a.m. short van trip to CAE, the private school in Mandalay where you helped 10th graders become more human with humor and curiosity.

One class was from 6-7 another from 7-8.

Four male teachers left starlight and climbed into the van. Three were morose. Two early. Their dialogue mentioned sleep disorders, international menus and the quality of their shits.

One African-American guy muttered about Kuala Lumpur fast food choices cursed mosquitos smashing them on windows.

The others talked about teaching adventures in China. We are all peasants.

Exciting.

Yeah, I’m going to miss them like you miss a rock in your shoe.

I understand your student-teachers rearranged desks into groups to facilitate sharing. You played jazz, blues and classical music. They drew and colored their dream in creative notebooks. Daily.

Yes. Eye – hand – heart. Two won't do.

I reminded them their creative notebooks would sustain them for years, long after the textbooks gather dust. Long after they vomited material to pass a test. Get marks.

Give me specifics.

My room was the only team-building configuration. The other teachers maintained rows of wooden benches where students hearing a dull lecture stared at the back of someone’s empty head.

The Black guy mumbled. They replaced him with a dour business scholar from Papa New Genie.

One British teacher lectured from the book and played cartoons.

A drawling American teacher projected The Star Spangled Banner lyrics on a screen and had the class recite words.

You’re kidding me. I wish I was.

You heard parrots…”Oh say can you see…”

Our team-groups shared ideas prior to discussing diverse topics improving their speaking confidence.

In his final class Southern Comfort had them singing “Jingle Bells.”

Boughs of folly. Oh yeah.

My geniuses played a round-robin chess tournament the final two days. Great fun.

They’d practiced chess every Thursday and Friday for a month. They focused on tactics, strategy, activating pieces off the back row, castling, attacking through the center.

They developed critical thinking skills, planning and logic, problem solving, accepting responsibility for their decisions, respecting their opponent and sharing ideas with friends.

Life skills 101.

Thursday
Apr202017

Shit Detector in Turkey (48% said no thanks)

One Sunday evening Lucky walked along a narrow Bursa street in Turkey.

Kurdish mothers in headscarves extended thick manicured necks beyond balconies observing street life. Women swept, mopped, stirred apartment dust, shaking molecules out over blood stained escarpments.

They married newly consecrated relatives during fifty-minute encounter sessions designed to use the target language in the context of remembering. The thrill of remembering old memories overlaid with new linguistic impressions.

Learning is easy. Remembering is difficult.

 

The president plays his hand.

Glorious grand immediate silent ivory piano keys waited for inspiration’s fingers. Feeling, tension, point, counterpoint, hammer strings, resonance, and chromatic silence paused with reflection and flight. Symbols of forgotten strumpets playing music between notes wailed solitary notes across an abyss.

Creased faces ironed brilliant red roses petals. Faces embedded themselves between pages in a worn black unlined notebook.

Two shy Turkish women with beautiful faces and humongous rear end collisions eating lonely tears in a tomato based culture buried ancestors.

Water exploded off pools as happy hour birds heard homo-sapiens shift erotic labia gears after assembling French cars at a Bursa eco-friendly green plant.           

“Welcome to Earth. Hello babies.”
            “Were you punished for being a dreamer?”
            “No. I was fortunate my family understood my nature. They respected my need for solitary time.”
            “I see,” said a blind beggar.
            “Wipe your glasses with what you know.”
            “I was born to be a poet like a bird is born to be a musician.”
            “Sing high, sing low, sweet chariot.”
            “Brilliant.”
            “Fascinating. We learned to say fascinating in finishing school instead of bullshit.”
            “You have a built-in shit detector.”
            “Ain’t that the fucking truth? Everyone needs a shit detector here in Turkey."

Truth is a value-based meaning factor. Can you create believable fiction-memory?”

Lucky passed his double identity twin theory below the surface of appearances at Ozmanhomogenized Gazi metro station. Two gravediggers wearing long black overcoats carried umbrella projectiles. Stepping into unknown futures they stabbed cement in cadence.

Green Metro cars slid into the station. Lucky sat across from a boy, 10, his mother and father. His father’s hands were hard calloused. They were simple working people from Van in the east. The boy smiled, fascinated by whirling prisms of light flashing past windows.

His father pulled up his son’s shirt. On his chest were two plastic suction cups and a small machine the size of a deck of cards. Ace high. A heart monitor measured his beats, his life rhythm, and his regularity. His father checked the display, saw the cups were secure and dropped the shirt.

“It is a machine for my son. It helps him,” he said with tired eyes. “We got it at Hospital A. Doctors said it was essential for his life.”

After the shirt covered his chest the boy and Lucky smiled, cupping their hands around eyes scanning the universe. They were explorers with magnifying glasses.

He’s a happy kid. Not afraid of a thing. We should all be so fortunate. Especially all the tired Turkish adults streaming their life tales, “Oh pity me. I am so, so tired.”

Talk to the kid. He’ll tell you how tired really feels.

Echoes of digger umbrella projectiles on stone faded near young lovers huddled on benches, a beggar crash landed on tarmac, head scarfed wrapped women with sacred scared eyes, children on curious adventures and wide eyed echoes along green tracks leading into dark tunnels disappearing into a wilderness of snow blanketed forests where two black shawled women negotiated muddy paths through foliage waiting for spring to thaw out relationships with nature.

Rabbits running in the ditch The Season of the Witch.

Living breathing biped accidents craved a place to happen with clarity insight and precision. Pearl letters played out on a fragile necklace of water bead molecules in an instant in eternity.

Time is a strung-out pimp looking for salvation, a fix an exit.

The Language Company

Playing a Turkish lament in Trabzon.