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Entries in stories (12)

Saturday
Jun112022

Creative People

I'm one of those people who has learned through living that there is nothing and nobody in this life to cling to.

I am a metaphor looking for a meaning.

I feel free to move away from safe familiar places and keep moving forward to new unexplored areas of life. Floating. If I had a penny for every time someone asked me when I’d settle down I could afford a world hypothesis!

Yes. I could bid on blessings. I’d sacrifice pre-linguistic symbols and create silent metaphorical abstractions. My linguistic skills would evolve into love, into discursive logic. 26,000 year-old Paleolithic iron and copper paintings create a secret symphony of ancient stories in a Spanish cave. Shamans experienced visions for the tribe. Oral transmission said a Griot.

No lengthy drawn out off-the-wall abstract explains my small empty self to anyone by virtue of who I was, am, and will be.

Life is a palimpsest. Trade security for adventures.

“There are two stories in the world,” I said to the Moroccan as we carried boarding cards through the Casablanca terminal. “A stranger arrives in a village or a stranger leaves a village.”

“Yes,” said Omar, a blind writer overhearing their conversation, “we might add there are also stories about love between two people, stories about love between three people and stories about the struggle for power. Stories are about characters revealing emotion through dialogue and action.”

He handed me a pile of yellow papers wrapped in rushes.

“A gift for you. It contains a farrago of evidence. Keep it simple.”

“Thank you.” Where do I find you?”

“In the caves south of Ronda. It’s a long walk.” He disappeared into Baraka.

ART - Adventure, Risk, Transformation, A Memoir

Human beings and creatures flowering and dying in the void.

Monday
Oct142019

A Century is Nothing

This is a camelo, Spanish for a tall tale.

Hello. May this find you well. Please allow me to introduce myself. My name is Omar. I am a Touareg Berber nomad from the Sahara desert in Morocco.

I am a blind prescient writer in exile.

This is my story about how I and other tribal members met a strange kind man named Mr. Point immediately after 9/11. He just showed up and the Sahara is a big place.

When others hear this tale they express disbelief. “How can that be?”

Living Baraka, a supernatural energy and magic power practiced by our people, his appearance was, shall we say, expected. He is a poet, shape shifter, cosmic comic clown and literary outlaw.

Now it happened that we traveled together just like you and I now and we formed a community. We shared many tales and I have taken the liberty of including them here with some of my own stories. We enjoyed amazing adventures together.

I confess this narrative is not linear. In a sense, this is for and about children: innocence, curiosity, empathy, and playful pure intentions. Children love inventing stories and hearing them.

Stories are essential like air and water.

My friend and I love to travel and besides calling the Sahara home I also inhabit a very real magical late Paleolithic Spanish cave in Andalucía. It encompasses 26,000 years of art and history. The word ‘history’ comes from the Greeks. It means story. This explains the title, A Century Is Nothing.

Someone in our tribe said, “Imagine the earth is 24 hours old. To see a perspective of how long humans have been around, imagine they’ve been on the planet for only the last 60 seconds.”

Marco Polo, a famous traveler near death in 1324 at seventy left his famous epitaph for the world. “I have only told the half of what I saw!”

Keep an open mind and fasten your seat belt as we may experience a little turbulence during flights of imagination grounded in invisible particles of reality. In the event of a water landing your heart-mind may be used as a flotation device.

We’ll meet again. May your journey be filled with loving kindness, compassion and authenticity.

A Century is Nothing

Monday
Aug212017

Suicidal Clare

A cell phone played. Omar rummaged in his robes. A depressed suicidal woman named Clare in Washington State was on the Suicide Hot Line. It may as well have been shit out of luck S.O.L. He switched from Arabic to English.

“Yes?”

“I am trying to save my insecure relationship from jealousy.”

“Jealousy’s a disease. It eats people alive. What are you looking for?”

“I am looking for love and meaning. Can you help me?” She had all the questions.

“I am only an emissary between people. Between you and your dream.”

“It’s a nightmare. What’s going to happen to me?” 

“You’d best be prepared for armies of touts, hustlers, beggars, thieves and economically loveless destitute men. They will want to escort, guide, lead, and administer their opportunity,” he said.

“Will they be gracious or benevolent with their tricks, traps, deviations and detours offering fake potential to save me? Will their well formed greed based on my desire, an illness of imaginary needs plead for my attention deficit disorder?”

“Yes. Eight hours on the ground in Morocco will seem like twenty-four. You’ll become a character in your own low budget film. It will open in small art theaters. You’ll be all the characters in the comic tragedy.”

Listening to Omar, I imagined everything as the suicidal woman’s voice assaulted the blind man.

Clare was too poor to pay attention.

She was beat. Omar knew Clare would be an expendable extra in an independent film. If she didn’t get real smart real fast she’d be lost in the drama. She needed a new identity theory. She’d change her name to Clarification.

The story was complicated with many jump cuts.

I remembered Ann, a New York literary agent’s advice. “Keep the big themes in mind and give us strong narrative structure.”

“Why? It’s not linear or logical.”

“I can only represent you if your work has these ingredients. Publishers want books for a general readership. It’s a tough market now. 175,000 books were published in this country last year.”

“I’ve survived markets in many countries Ann. It’s a miracle I’m alive to tell the tale. Traditional publishing is all about marketing, branding, product, price and placement with a hook.”

“True. It’s too disjointed and sporadic as it stands. You need you to express more artistic and emotional beauty. I expected more from your time in Vietnam. I want to feel what you felt. I want you to expose your vulnerability. I want to detect patterns and opportunities.”

“Vietnam was FUBAR, Ann. like Iraq, like any conflict.”

“What’s that mean?”

“Fucked Up Beyond All Recognition.”

“Oh, I see.”

“This is honest work Ann. Memoirs and stories are about hunger. Some are even about food. This is edgy gonzo shit. It blends creative nonfiction with memoir, travel writing, personal essay, literary journalism, social commentary, magical realism, and ethnology. I’ve asked myself, who or what has come alive? I’ve let it speak. I’m a conduit.”

“Tighten it up and send me your revisions. You can’t be a one-trick pony in this business. I need to make 15% off your genius because I’m the expert. What else are you working on?”

“At the moment I’m traveling with Omar, a blind Touareg Berber from Morocco who lives in a Spanish cave with a tribe of survivors after 9/11. He’s one hell of a storyteller and we’re sharing tales. He’s given me a stack of paper higher than Everest to read and revise. His daughter is a word-weaver of serious renown working on a new narrative structure in an isolated Spanish pueblo. Together we’ve weaved 180,000 words so far. It’s about levels of personal and spiritual awareness, emotional growth, 9/11 repercussions, terrorism, religion, cultural prejudice, and healing.”

“What’s your hook in fifty words?”

“How oral traditions, myths, and truths are passed in verbal form from generation to generation in a highly metaphorical way. Stories are primarily a comic vehicle for moral instruction or spiritual guidance. Tragic narratives have been overused since the Greeks and Europeans. A tribe’s customs and structure...healing, authenticity, awareness, alienation, loneliness, boredom...it’s just a fucking book for God’s sake ...sheets of paper inside two pieces of cardboard...we’re breaking up Ann. I can’t live with him and I can’t live without him, this blind muse of a seer. I’ll call you when I get back to the states of conspicuous consumption. To the states of amnesia.”

Meanwhile, Clare changed long distance carriers to get a better plan. She failed to plan and planned to fail. She whispered to Omar on a tenuous connection, “I played a willing manipulative victim. I wanted to kill myself. I wanted people who loved me to feel guilty and responsible for my suffering. My life is fear and ignorance. I collapsed inside my chaos, fear and grasping. I had to ask for help.”

“I see,” said Omar in a clear clairvoyant voice.

“I tried a walking meditation. It was really hard. I crawled. I walked. I tried to run. I collapsed into the quicksand of my neurosis. I wanted to fly like an eagle. My monkey mind went nuts. I slowed down sensing a new beginning inside me, inside my life. I walked on the curvature of the earth.”

“Marvelous. You have to break down before you break through.”

“I need to see you,” she said. “Where can I find you?”

“At Paleolithic caves south of Ronda.”

Before their connection died Clare related a quick story.

“There was a horrific accident.”

“What happened?”  Omar knew what he didn’t know.

God and Allah and the devil are in the details.

“Crazy men took planes and crashed them into city sky scrapers. The big apple.”

“I see.” He paused to hear more. It was a learning tool he picked up moving through the world’s worst nightmare manifesting historical fairy tales where Poverty and Wealth raised children named Expectations.

“Yes,” she said, “it was shocking.”

“Has the healing started?”

“Healers are working overtime. It’s going to take forever,” she stammered.

“Yes,” he said, “17,000 children in the world starve to death every day. Poverty is the real terrorism.”

“Oh,” she said, “I didn’t know that.”

“It’s just a thought.”

She couldn’t believe he didn’t know. Media masters in her right wing country had assembled their militant word/image arsenal and persuaded, cajoled, sold, exchanged, blasted, admonished, punished, harangued and scared them shitless, informing them how it affected their little world.

They ate fear like there was no tomorrow.

She was one weak sister. Being depressed and suicidal didn’t help. Friends, family and media convinced her the world was one huge scary place and she was a small expendable organism. Her habitat was on a well-exploited fault line. They sold her fear, healthy doubt and compassionate uncertainty in a nice neat little package. She consumed the whole enchilada.

“Omar and his friends knew many would remain in their complacent darkness,” said a veiled woman in the compartment.

They turned to her.

“It was very comfortable there. They would always live in shadows, oblivious to historical truths blinded by five senses, colors, sights, sounds, vibrations and frequencies. They were transparent h-saps. It went right through them. Clear through.”

“How do you know this?” said Omar.

“Their world is made of glass, their vision obscured by ignorance and compliant stupidity. They needed a large dose of painkillers and glass cleaner for their belief windows. Tears softened their pain. They wiped down the days of their demise,” she said looking out windows flashing their reflections. She had old deep wise eyes.

“How do you see this prophecy?” said Omar.

“My name is Rose. I am a seer. I was born in the dark of the moon. I remember the future.”

“Where do you come from and where are going?”

“I’m like you and your companion here. Passing through.”

 The three of us were very comfortable with the dark arts, shifts, universal frequencies and manifestations.

The Heart Sutra said, ‘emptiness was form and form was emptiness.’

A Century is Nothing

Friday
Jun092017

The world is made of stories not atoms

I’m filled with wild passion.

A mind-expanding drug of curiosity, delight and freedom increases my awareness.

The eternal present is a long now.

My power is big medicine. It’s a sacred connection to Gaia after 60,000 years of paying attention to details.

I observe a spider meticulously wrapping an insect with thin microfilaments. Spider recycles her old web on the periphery. They haul it to a diamond center. It vibrates in a soft breeze.

Does the spider have any intention when building the web of catching the insect?

Does the flying insect have the intention of finding the web?

Where does instinct end and intention begin?

One instinct is to sit in meditation. Another instinct is to take risks.

 

To do great things you must take great risks and suffer greatly.

JUMP over the abyss.

My serenity is not purchased over the counter with pharmaceutical coupons. No dust collects on my mirror reflecting an elegant universe in my heart. In my expanded state I am a breath of fire, a lightning bolt sacrificing fear, doubt and uncertainty.

I shatter myth.

Lightning bleeds off my charge creating transformation.

I am an unemployed fortuneteller. I am ahead of the future. The day after tomorrow belongs to me.

I am a gravedigger/archaeologist. Soil is my groundwork. Look at my hands. I know two things. See good dirt under fingernails. I am the soft sand of sleep calming tortured hearts.

Abracadabra! My feminine nature hurls her lightning bolt even unto death. She is a death deferred. She is on death row with a short reprieve. My tranquility is a lethal injection of travel.

It’s 100 degrees in blistering sun. I work hard and fast pounding typewriter keys, digging graves, discovering artifacts.

I dust history off history. I destroy the present to discover the future.

I hammer keys in a new form of construction business. Before bits, bytes and gadgets.

The world is made of stories, not atoms.

Shovels plow archaeological deserts reflecting passion and curiosity. An archaeologist inside a tomb waving Diogenes’s lamp yells, “Every bit we dig out tells a little more about the story.” They unearth a story revealing communities, customs and cultures.

A digger explains how it works. “This stuff we roughly estimate is between 1,800 to 1,990 years old. We use a method called carbon dating. It measures the amount of carbon-14 remaining in ancient material.”

“What is it?”

“Carbon-14 is a radioactive isotope of carbon found in all organic matter. Scientists determine the age of fossils and artifacts by comparing test results to an international standard. We’ll send it to a lab for analysis.”

“Beautiful. Let me know what you discover, what you learn.”

Tourists find. Travelers discover.

Explorers sift discoveries through mesh screens. A delicate camel hairbrush caresses historical fragments. They dig toward 8,000 well-rested Chinese terra-cotta warriors in battle formation standing ready for excavation.

Chariots, horses and supplies with trapped Mandarin survivor voices echo toward the surface causing vibrational shifts.

Confucian scholars join them. Buried since 210 B.C., guarding Qin Shi-huang-di, the first Emperor of China, their collective consciousness breath creates tremor waves near Xian, the capital of Imperial China.

Warriors stand silent on the edge of the Gobi desert along the Silk Road. Voices sing swirling word storms. They hear brushes shovels, earth moving equipment and hammering keys approach their hidden truth.

“They are coming for us,” said a warrior.

In my inner garden of crimson stimulus I tend wild roses. Nostrils scent sense.

I have a responsibility to the thorns.

Tuesday
May092017

Myths Became Stories

Zeynep said, “I am a rose thorn and Winter Hawk. Wings instinct and heart. My razor talon tears meat from bones to feed my creative Hunger Angel.” - (Everything I Posess I Carry With Me)

“I am a cognitive psycho-neurolinguist,” said a gravedigger. “My specialty is languages. Lost tongues. Wandering deep in the Tarim Basin following the Silk Road through Central Asia I discovered the 4,000 year old Tocharian language and Afansievo culture. It was a proto-Indo European language with Celtic and Indian connections established by trade caravans and explorers. I suspect it is Qarasahr or IA based on an Iranian dialect.”

Mircea Eliade, a historian of religions said, “Myths tell what really happened. Myths suggest a reality that cannot be seen and examined. Myth is truth trying to escape from reality. A myth is a story of unknown origins, sacred stories based on fear and belief containing archetypical universal truths. They are in every place and no particular place.”

Marcus Aurelius - "Everything is only for a day, both that which remembers and that which is remembered."

*

History became legend.

Legend became myth.

Myth became story.

(What you wanted - Myth - Actuality)

This anthropological fact accompanied Lucky wandering among unfinished construction projects and abandoned manuscripts in China, Turkey, Indonesia, Vietnam, Cambodia, and Laos.

He joined millions of emaciated migrant refugees passing shattered bricks, broken hopes and strangling dangling cables connected to nothing in particular.

Shoddy incomplete dust dreams and quick profit schemes thrived where political thugs disguised as beauticians, missionaries and NGO social workers living in penthouses and driving Land Rovers exploited villages stealing land, rivers, mountains, children. Extorting money.

Their rule of law was a truncheon named GREED.

*

Sophisticated command and control procedures thrived. Corruption stole millions. Substandard schools pancaked 10,000+ children from one-child families in a Sichuan earthquake.

Garment factories in Dhaka crushed wage slave workers stitching designer labels at a discount.

In May 2014 an inefficient unregulated profit-oriented private coalmine in Soma, Turkey caught fire, exploded, burned and collapsed killing 301 miners.

The angry Teflon Prime Minister (now President) visited the disaster. “This is a fact of life for poor illiterate underpaid miner slaves. It happened in Britain in the 19th century,” he said to widows and families. An angry miner booed him. He slapped the miner. “If you boo the Prime Minister you get slapped.”

His aide, a frustrated soccer player wearing a suit of armor kicked a miner on the ground being held by police. Aide screamed, “Dissent is TERRORISM!”

The ruling AKP Justice and Development party said it was all a mistake: the mine explosion, slap and penalty kick.

Violence, denial and repression are a way of life here, said Zeynep the younger creating a myth.

The Language Company