spill ink

Writers and artists know it's all about choosing your tools wisely.

In our case it's a well traveled 15-year old Mont Blanc Meisterstuck 149 piston fountain pen, with a 14K gold nib and platinum inlay. The art of writing. Language, writing, culture and civilization.

Been with us since passing through Hong Kong en route to a hotel management gig in Beijing. It's the feeling, joy of heft, ink distribution and quality. The edge on Moleskine paper, touch, sensory stimulation. Slowing down.

If you use a fountain pen you know what we mean. These days people crank out material with anything handy. Just a small suggestion to test out a fountain pen next time you're in the market for a quality writing instrument. Savor the precision.

Many Chinese students learn writing using them, especially at the pre-university level. Maybe it's the ancient influence of calligraphy and the fine arts. Before ball points and gels become ubiquitous in their lives.

An Edinburgh, Scotland school teaches students how to use a fountain pen.

"The pens improve the quality of work because they force the children to take care, and better work improves self-esteem," principal Bryan Lewis said. "Proper handwriting is as relevant today as it ever has been."

Let's have a meeting! Yes. English teachers unite!

Let's get dressed. Pack our Moleskine notebook filled with poetry, drawings, dreams, stories and visions. Let's collect one fountain pen filled with green racing ink. Remember water. You've gotta have H2O where you go. It's gonna be a hot one. Seven inches from the mid-day sun.

Let's go to a class tomb on old campus surrounded by luscious green trees straining to light. They are a canopy of welcome relief. Rose petals wither on the ground.

Smile and greet your compatriots, your stalwart educational guides. Take a seat. Look around. Engage your senses.

Gaze out the window toward the lake. It is shimmering. You hear scraping. What is it? Local workers are building a wall. A new Great Wall. Exciting. History in the making. How do they do it?

It's simple. Materials and raw labor.

Ten local village men and women - who do most of the heavy lifting - bags of cement, trowels, shovels, a few plastic buckets, water, piles of gray bricks, empty drums for support, some boards, and a couple of wheelbarrows.

Step 1. Build rickety scaffolding using drums and boards. Remove the old steel fence. Discard to side.

Step 2. One team mixes cement and water. Shovel into buckets. Another team puts bricks into a wheelbarrow and pushes it to a dumping area.

Step 3. Men wait for women to hand them bricks and buckets of cement. They slather on the goop and align bricks. Brick by brick the wall goes up. It blocks the green sward, blue lake and wild flowers.

Only the sky is safe.

Step 4. Another team coats the exterior with a bland gray mixture.

It's never going to be finished. Art is like that. It's so beautiful we feel like crying.

Someone steps to the podium and starts speaking - using exquisite language - about the value of education. Cost benefit analysis. Profit and loss statements. How we have a huge responsibility to our shareholders.

During a brief moment of silence you hear a shovel, a trowel and laughter.

Another day dawns in paradise.

Simple Voice

After a reliable narrator

established a voice

geography, atmosphere, tone, conflict and cinematic jump cut action

employing minimum wage universal themes

like time, boredom, passion, loneliness and alienation

in an unforgiving universe of meaningless existence

with humor and curiosity holding hands

casting characters like plot

dragging others around

chained to their personality defects and character flaws

wearing original death masks

surrounded by distracted

simple, noisy, gadget addicted

compassionate illiterate peasants

in a play waiting for Godot

no one shows up

nothing happens

writing with a Mont Blanc 149 fountain pen

using Royal Blue invisible ink

on blank parchment

was pure luminous joy

Yangon, Burma

Short Fast & Deadly

How slow can you go?

Walk at the speed of a camel.

Design charcoal elements of crisp fire

infants scream at talking head women

driving young ones crazy

in out in out

their tongues bang like pistons

on a desultory 125cc engine propelled by virgins

returning home with their unblemished shy dignity intact.

One woman fans skewered buffalo meat to a crisp.

A Lao grandmother cradles an infant. She has diabetes Type II.

Shuddering wedding photos are frozen on a wall. It never turns out like people imagine.

They breed work and get slaughtered.

They trade hands and hearts.

She skewers another hypnotic form of laughter to preserve her ugh ugh conversation.

Fat lost European tourists waddle past.

With an accusatory tone men get smashed on weak beer.

A mechanic hammers one sharp line of description vs mundane observation.

Exile spills midnight blue Mont Blanc ink next to attention deficit disordered humans dancing 10 seconds down dirty.

Write short, fast, deadly.

Ikat silk designs drape well.

Non-listeners living abject cause and effect seek meaning with suffering and loss, accepting no responsibility.

Someone else controls their existence.

Milling Around, a fine art, embraces kindness and compassion. 

Mandalay, Burma

Mandarin Duck, Cadiz, Spain

Omar remembered a daughter in Cadiz. Faith worked at Mandarin Duck selling paper and writing instruments. She practiced a calm stationary way.

“May I help you,” she said one morning greeting a bearded stranger. She knew he was a forcestero. His eyes linked their loneliness minus words. She averted her eyes. He was looking for quick painless intimacy and ink.

“I’d like a refill for this,” he said, unscrewing a purple cloud-writing instrument with a white peak.

Recognizing the Swiss rollerball writing tool she opened a cabinet and removed a boxes of thin and medium cartridges.

“One or many?” she said.

“Many. I don’t want to run dry in the middle of a simple true sentence.”

“I agree. There’s nothing more challenging than running empty while taking a line for a walk.”  

“Isn’t that the truth? Why run when you can walk? Are you a writer?”

“Isn’t everyone? I love watercolors, painting, drawing, sketching moistly.”

“Moistly?”

“I wet the paper first. It saturate colors with natural vibrancy.”

“With tears of joy or tears of sadness?”

“Depends on the sensation and the intensity of my feeling. What’s the difference? Tears are tears. The heart is a lonely courageous hunter.”

He twirled a peacock feather. Remembering Omar’s Mont Blanc 149 piston fountain pen, he said, “I also need a bottle of ink.”

“What color? We have black, blue, red. British racing green just came in.”

“Racing green! Cool. Hmm, let’s try it.” Omar would be pleased with this expedient color.

He switched subjects to seduce her with his silver tongue.

“Are you free after work? Perhaps we might share a drink and tapas? Perhaps a little mango tango?”

“I have other plans. I am not sexually repressed. I am liberated. I have a blind secret lover. Here you are,” she said handing him cartridges and inkbottle with a white mountain.

He paid with a handful of tears and a rose thorn. His ink stained fingers touched thin, fine and extra fine points of light. Faith and her extramarital merchandise were thin and beautiful. She was curious.

“If you don’t mind my asking,” she said. “How old are you?”

“Older than yesterday and younger than tomorrow.”

“I see.”

“It was nice meeting you. By the way, have you seen the film, Pan’s Labyrinth, written and directed by Guillermo Del Toro?”

“No, but I’ve heard about it. Something about our Civil War in 1944, repression and a young girl’s fantasy.”

“Yes, that’s right. It’s really a beautiful film on many levels. It reminded me of Alice in Wonderland.”

“Wow,” she said, “I loved that film, especially when Alice meets the Mad Hatter. Poor rabbit, always in a hurry, looking at his watch.”

“Funny you should mention time. A watch plays a small yet significant role in the Pan film.”

“Really? How ironic. I’ll have to see it.”

“Yes, it’ll be good for your spirit.”

He pulled out a Swizz Whizz Army stainless steel, water resistant Victoriabnoxious pocket watch.

“My, look at the time! Tick-tock. Gotta walk. Thanks for the ink. Create with passion.” He disappeared.

Faith sang a lonely echo. “Thanks. Enjoy your word pearls. Safe travels.”

Under the Banyan tree he sat on a park bench in weak sun, fed cartridges into a mirror and clicked off the safety. It was a rock n’ roll manifesto with a touch of razzmatazz jazz featuring Coltrane, Miles, Monk, Mingus and Getz to the verb.

A Century is Nothing