Mahling

Rural Burma.

Blindfish heads whisper The Sea, The Sea. Silver scales reflect light.

A woman hacks chickens. Blood streams down circular wooden tree rings.
The gravity of thinking sits on a suspended handheld iron pan scale.

A white feather sits in the other pan.
Balance.

Twenty-six varieties of rice mountains peak in round metal containers or scarred wooden boxes.

Horse drawn cart traps unload people and produce. Neck bells tinkle: Star light star bright first star I see tonight, I wish I may I wish I might get the wish I wish tonight. Well. Fed horses paw dirt.

Ancient diesel tractor engines attached to a steel carcass hauling people and produce bellow black smoke.

Old wooden shuttered shops with deep dark interiors display consumables, soap, thread waiting for a conversation, stoic curious dark-eyed women, others laughing at the benign crazy traveler. 

A ghost-self sits in meditative silence, absorbing rainbow sights, sounds, colors, smells, feeling a calm abiding joy.

Wander and wonder.

Two new teachers arrived for three weeks. One tall relaxed American male has serious eyes. His Irish female’s unhappiness confronting the hardship assignment masked emotional distress and deep bitterness.

She lived at the girl's dorm fifteen minutes away by dusty footprints. I feel isolated, she lamented.
Cry me a river, said human nature.

Hardship and deprivation develops character, said an Asian child.
Don’t give me that crap, she said. I have twenty years of teaching experience and this is hell.

Hell is other people, said Sartre.

Be a good Catholic girl and make a confession, said Personal Problem.
It’s life lesson #5, said a child.

Yeah, yeah, said the whining adult eating her frustration and anger garnished with succulent tomatoes.

The world is a village. 

Script

“The future is in garbage, I’m telling you. Be a trash collector and find all kinds of cool, interesting stuff people throw away,” said one. “They buy it, use it, forget about it, get bored with it and trash it. I’ll start a recycling center. We can exchange old stuff for new stuff. Like blood.”

“That smells nice,” the garbage collector said to the sage burner.

Yangon, Burma

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

ART

Yangon, Burma

Language

I’m broiling on the balcony of my tree house. Getting down and dirty after years away from the typewriter.

Covered in world dust and needing oil it’s a small portable dangerous machine. It transforms life energies by weaving adventures. Thread follow needle.

I am a peripatetic traveler and literary outlaw.

Mandalay, Burma

I’m lucky to get it down now and make sense of it later.

I’m a mirror in the mandala of my labyrinth. I am Labrys, from the Greek for a two-headed axe. I write with passion and vision. Short fast and deadly.

My mirror reflects everything. It absorbs desire, anger, ignorance, passion and suffering.

Beauty has no tongue.

I’m confident and self-reliant exploring the human condition. Human energies, frequencies and vibrations reflect languages, lives and attitudes. Dreams dance reflections.

Mirror reveals emotional trust, wisdom, peace and love with truth and compassion.

Meditate on the process of your death.

Suffering is an illusion.

Your mask eats your face.

My mirror is dust free.

Creativity dances in language.

Language is oral, gestures and graphic.

Oral and gestures dissipate.

Symbolic graphic is constant.

This awareness enlightens you after years of wandering. I have been here for 1,000 years. It's easy to imagine what humans are going through.

Everything you know is a lie.

Keep a diamond in your mind.

ART - Adventure, Risk, Transformation

Hsipaw, Burma

Freedom

A virus has no social affiliation, race, religion, gender, nationality, bias, prejudice, expectation, politics, economy or wishful thinking.

Humans have love, respect, tolerance, patience, curiosity, courage, grit, perserverance, loyalty, forgiveness, compassion, authenticity, nature, art, creativity and a sense of humor.

Life gives you the test first and lessons later. So it goes.

Burma

Light Language

A few poetic words about Kampot morning

Energies

Frequencies

Transmissions

Cool fresh dawn breeze

Swift lets in kitchen prepare bird nest soup using saliva

Boys tear down wedding celebration immaterial

after food, conversations, songs, dance concert

celebrations in narrow park garden

red bunting where loud happiness

spills into a brown river below a green silent mountain

Funky second-hand shop discovers Burmese cheroot

aha flashback to Mandalay market purveyor of rolled leaves

Dancing possibilities at dawn

Delicious stream-of-consciousness

Be invisible little angel of light

Have mercy

Wushu meditation

Comedy

Chanting monks flame orange voices

Ageless Vietnamese woman pushes wheeled trash treasures

Her spine curves toward tomorrow’s promise

Mystery light

Sensation perception intuitive

Line

Shape

Shading

Discernment

Detachment

Calligraphy

Breath

Line pressure

Sign language

Songlines

Optical Delusions

Illusions of separateness

No time

No space

Singularity

Life adventures – plot is a character looking for an author

Grow Your Soul