Finch's Cage

After seeing Tao I found an Internet cafe and sat outside.

I met a human-bird.

Finch had a yellow chest, red beak and brown feathers. It was outside the plate glass door. It had escaped from its small bamboo cage in the main room.

Someone, perhaps the young mother worried about her wailing infant or her old mother worried about dying alone or her brother worried about dying of boredom had left the cage door open.

Finch was outside. It sang, Where’s my home, what is this beautiful world?

Finch hugged the ground. It saw trees across the street. It saw a blue sky and inhaled clear, clean mountain air. It heard birds singing in trees but it didn’t understand them. Their songs were about nesting, flying, clouds, sky, rain, warm sun, rivers, bark, worms, snails, and melodies of nature’s freedom.

I wondered if Finch would fly away. I hoped so however I knew it was afraid to go. It was obvious.

It lacked real flying experience, where you lift off beating your wings to get up and get going to escape gravity’s weight pulling you down as freedom pulls you up into everything new and exciting reaching an attitude or altitude and you turn glide and relax feeling air beneath your wings. You soar free.

Finch, conditioned to a caged world of perch, food and water looked and listened to the world. This was enough.

Finch retreated from the possibility of freedom and pecked at loose seeds in a narrow crevice below the glass door. It smelled the dark stale room where the cage waited. It needed someone to rescue it.

It sang, Help, Let me in. I want to come home. I’ve been outside and I’ve seen enough. It’s a big scary place. I promise I’ll never try to escape again. I was curious, that’s all, I’ve seen enough. Please let me in.

Finch was amazing in its beauty. Yellow, red, brown, bright-eyed in its small alert aloneness.

An old woman came out, trapped it in a purple cloth and returned Finch to its cage. She closed the bamboo door and snapped the latch shut.

Did you learn your lesson little bird, she whispered.

Finch sat on its perch, had a long cool drink of water singing, Thank you now I am truly happy.

The old woman didn’t understand this language, muttered under her breath about inconvenience and shuffled down a long dark hallway to kill a chicken for lunch. 

Book of Amnesia Unabridged

Pack Light

After completing a one-year English teaching-facilitating job with Devina as my mentor near Jakarta, Indonesia in 2009 I returned to Nam.

Farewell to the tyranny of a private school with dusty clanging Catholic church bells. Devina guided the educational program with unconditional love and compassion.

Omar advised: Travelers need to remember when packing for adventures like going to the grocery store or the eye doctor to see clearly, because eyes lie…or walking across rice paddies to see friends  ... break bread, have sex, visit neighbors  ... greet strangers, marry aliens and burn or bury relatives whispering GOODBYE  ... I’m off to join the circus maybe forever  ... because one never knows if they’ll return, to pack their sense of humor.

Why do people look back at their bamboo shack, camp, home, village, invisible city or continent as their stone cold empty lost eyes see & remember with terrible clarity?

They are Visceral Realists.

They need to remember it because they are afraid they’ll never ever see it again.

They need to burn the image into their heart-mind memory in case it’s potentially, probably, possibly their final chance. In other words Don’t Look Back.

Nothing behind, everything ahead.

Are your needs being met, Rita asked Tran.

Yes, I have a prosthetic limb, I get around.

Omar walked the walk and talked the talk. Many travelers forget to pack their sense of humor. Perhaps they don’t consider their sense of humor essential on their super serious adventures into foreign worlds.

Worlds are filled with transcendental borders, beauty, humans, languages, sensations, smells, sights, sounds, dirt, dust, sweat, mirrors, and reflections without a GPS, compass or app.

It’s a long walk.

You’re never lost, there’s only healthy uncertainty about your position, said Rita, speaking of landmines, rice paddies, napalm, orphanages and terrified acid scarred abused girls and women.

Strange, said Omar, You’d think they’d remember to keep it light, stay calm, focused, let go of ego and expectations and enjoy their travails, I mean travels with a sense of humor… packing a sense of humor means less baggage and less fear.

Before you swim past a wand man/woman at airport security you don’t need to put your sense of humor in the plastic box so it can roll through the x-ray machine, said Devina, You don’t see travelers collecting their sense of humor after passing through security, intuitive travelers keep it with them  ... Many forgot it at Home Sweet Home where Serious lives.

After you pack everything cut it in half. Caress your sense of humor. After immigration laugh through the Nothing To Declare green zone, said Omar … Walk into freedom.

Book of Amnesia Unabridged

Ambivalent

Bursa, Turkey residents heard, “Woo, woo,” and clip-clop hooves grooving asphalt.

A thin man who’d escaped the Armenian genocide in 1914 by hiding in a mountain cave with Plato’s shadow of illusions hovering over his formless form commanded a rolling wagon filled with shredded silver wire.

A black trash bag on the rear contained cardboard and a draft of The Language Company.

He snapped a long whip at a white horse wearing brown blinders. Red, green, yellow and blue wool tassel tufts waved from its sweat beaded neck. Small copper bells tinkled.

His wife’s thin, happy hungry face was a skeleton of bones. Her senses were accustomed to roots, soil, inhaling damp earth smells and back breaking labor in spring rain, summer heat, cool autumn winds and frozen earth.

Riding next to her husband hearing leather lash skin felt good. A reassuring stimulus snapped air. The horse pranced along cool be-bop jazz cobblestones in time with Monk on piano, Pastorius on bass, Rollins blowing his horn, Blakey pounding percussion and Zeynep's cello complementing the steady clip-clop rhythm.

They were richer than a poor parent’s skin. They owned their stomach’s hunger.

“Here we go,” they sang in Kurdish.

Nearby, a cafe below the TLC teachers’ apartment went broke. A wild garden blossomed.

An old man arrived with his scythe. His well-adjusted eyes surveyed nature's vociferous beauty. He unwrapped a golden yellow scarf from the curving blade of his hand-me-down tool.

The scythe was eight feet long tapering to a sharp point.

Sitting on a wooden stool he refined an edge with wet-stone strokes.

Waving, he cut a waving garden.

Death watched. Ambivalent.

At that precise moment a blue monarch butterfly probing nectar of the gods whispered turquoise wing secrets to a red hibiscus in Laos.

The Language Company

CPR on Martha Ann

A minstrel tuned a lyrical oud singing.

I look up to the tree house balcony and scream to myself to slow down because there is a speed trap up ahead but no one hears me or cares.

Wind - ruh - in Arabic meaning breath and spirit, filters my voice, sounds of oral history away.

My fingers are a sparrow hawk diving on unsuspecting prey.

fredom is knowing how big your cage is

I suspect he’s found a sleeping policeman stretched across the road near the intersection on Hard Drive south of Tacoma where the young girl got blasted by the partially blind old retired man living on a pension going to the drugstore to get his wife’s prescription filled last winter as she walked her dog along Bride Sport Boulevard braving hard slashing winter squalls flying East across Budget Sound full of homeless derelicts and sexual offenders out on parole from Paradise prison where 2,500 convicts incarcerated for drugs, sexual crimes and murder repair bicycles.

They donate them to charity. They make furniture for $.26-36¢ per hour in a Classless IV state owned operated “tax reduction” industry producing chairs and tables doing draftsmanship, sewing, upholstery, laminating, cutting, measuring, finishing, sanding, packing, and shipping maple office materials near state hospitals for the criminally insane and military bases full of calibrated B-52 bombers, with Cobra attack helicopters collecting dust on runways in the city of Lakewood facing financial cutbacks in police states and garbage collection taxes due to voter initiatives, rising interest rates, trillion dollar debt, and a collapsing economy.

It was foggy with crumpled forgotten leaves next to the young girl’s broken life as her dog licked her hand trying to say, “It’s ok now, get up, let’s go home,” as drivers blasted their horns out of callous indifferent anger because they were late for dinner yakking on cell phones negotiating magnificent commercial deals with con people, scam artists, confidence men and sharks swimming below the surface of appearances looking for the key to financial consumer heaven impatiently pulling around innocent bystanders trying to glimpse the disaster inside the labyrinth without a center.

The heat from my last bitter cigarette says it’s too hot for smoking. I know all too well that chemicals in the smoke, such as nicotine, create growth factors causing scar tissue. The beta TGF§ is an autocrine cytosine - meaning once it is elevated due to smoking it creates its own synthesis and eventually forms tumors in a slow deadly process.

I accept my addictive habit as a genetic DNA snub or behavioral choice.

My fingers fly. Bird shadow mirror paper as harsh hot dry winds whip down the Willamette Valley.

Perspiration slides down creased faces as motivated men dig graves and hammer nails with machines in the heat of making it happen, making it perfect and serene in the superficial media controlled culture. They create fantasies of new promises and utopias surrounded by manufactured needs exceeding passionate desired appetites called Desire and Greed.

I sit in my fragile tree house living on the edge of somewhere else keyed into vibrating hammers striking nails home. In my tree house I put it down where it belongs. Chamber a word round, aim and fire. The American way is to fire first and aim later.

Lock and load crashing echoes through space, followed by another crashing bore expending taxpayer’s dollars and foundry worker finances.

I scream hot molten lead words.

My youthful naiveté led me across an ocean of innocent waves to hot humid heaven jungles.

I was born dead in Vietnam and slowly came to life. 1969.

I’ve missed sitting here doing this. Confronting my shadow, my primitive, instinctive nature is scary.

I want to get up stretch my long thin arms go for a run burning calories and fat molecules. I swallow air savoring the world.

I am too full of sorrow to eat anymore.

I need a cold drink, need to paint a watercolor or manipulate a digital image with Dada surrealism placing a dragonfly rippling silence with translucent wings inside a Japanese ZEN meditation garden with carefully raked oceans of sand.

I meditate on my breath and the process of death.

I forget how to type on mirrors received from Mongols along the Silk Road.

I whisper to myself, “I would rather do it well than badly, but I’d rather do it badly than not at all.”

Ten talons tear at twenty-six keys.

I need to stop people from dying.

I need a commitment-free lover to explore the vocabulary of touch.

My mirror is a hard reflection in my pale hands. I digest words, strings of vowels and consonants forming letters held together with cosmic ethereal portable imaginary glue invisible indecipherable delicate foreign symbols.

Faces blur in the heat of rotating emergency lights reflecting off a magic prism hearing a frantic 911 AMR plead for someone to get the IV going. Administering CPR to the child, I remember my sister, Martha Ann, 13, when she was dying from leukemia and needed life.

I follow procedure. I shake Martha Ann, screaming, “Help!” open the airway, look, listen and feel for a pulse. After two breaths I check the carotid pulse near her Adam’s apple, find the landmark on her chest and do CPR for 1 minute, pressing 1 - 1 1/2 inches deep. I do five compressions and administer a breath every five seconds.

Drenched by tears I look up as traffic swirls past us.

I resume CPR knowing I have, at the most, two minutes to help her. I know two things about this reality:

1) the dead can’t feel any pain and 2) they can’t talk.

Below me oral traditions echo through my heart-mind as nails sing, brushes excavate ancient papyrus. Camel hair caresses rice paper shovels and doors. Silver axes cut the forest down for small caskets.

“Look, it is one of us,” the Turkish tree said when the axe handle came into the forest. Slamming hammers beat nails into coffins.

I hum an old tune. Language is a virus. La-de-da.

Spinning emotional fire visions flow, associate, blend, dive and dance on point performing a plié at the barre.

Steeled letter keys strike hammers, blasting iron nails, merging into Maple, Ash, Cherry and petrified wood.

Iron forged edges bite hard earth releasing soft dust. Brushes reveal artifacts as conspiratorial alarm bells bing bang bong salutations at the end of a line.

A manual typewriter carriage slams home inside the middle way.

Buddhists say you should cultivate the perfect balance of wisdom and compassion.

If you have too much wisdom you are unfeeling, cold, like marble.

If you have too much compassion you become too sentimental.

I resume CPR.

Weaving A Life, V1

emotion expression

Everything going in an ear comes out as language.

A tool for emotion and expression.

The greatest sorrow is the death of the heart.

Life is found in a desperate situation. - Chinese proverb.

All you have to do is take out the garbage, said a writer. Separate the cans, glass, plastic, paper products, adverbs, and adjectives. Editors want it short fast and deadly. They want to feel a character facing obstacle(s) and their motivation. They want characters to reveal themselves through dialogue and action. How is the character living and feeling? Focus the lens through the protagonist’s eye. Live forever.

Make it immediate and dramatic. Show their vulnerability, their worries, hopes and fears. Use active verbs. Be specific so we feel the experience. Clarify the narrator's interpretation.

Please continue with your delightful story, Jamie.

Yes, well, it needs a central character, like Omar here, he's a good one with a woven thread and laborious languorous tension to move it along now doesn’t it? As I was saying before you went off a tangent Point, which I see you are prone to do, he understood their wingspan.

See, one of the largest nesting colonies of tawny vultures in Europe was here. While living and hiking in the region he’d seen several species: the golden eagle, Hieraetus fasciatus, Aquila heliaca, Hieratus pennatus, and Circaetus gallicus. Goshawk and the Egyptian vulture also inhabited the Sierras.

Amazing. I once was a screaming eagle in Vietnam, said Point. Strange place for eagles eh? Remind me and I’ll spin you a tale about them.

Ok. A large vulture grabbed air toward the mountain cliffs, sailed along the rocks and it was difficult to keep it in focus because their brown body blended perfectly with trees and mountains. It sailed, banked, disappearing into cover. Breaking through clouds another vulture flew into the sun splashing hillside and peaks in blazing light. It dropped in elevation, turning, showing quick flashes of golden feathers, brown body, in and out colors as the bird played on the air. Really incredible I tell you.

Then it flew near ridges turned toward his position for a moment, just long enough displaying complete wingspan and I’d guess a good 6-8 feet across, then it blended into the foliage finding its mountain perch.

Excellent. Nothing like a little free form flying exercise in the morning I say. Free morning drafts. Gets the blood flowing, lowers the heart rate and strengthens the spirit, said Omar.

Spirit of flight, flight as freedom the vision they must have, said Jamie. Imagine, if you will, how it feels to be rising on air, feeling the slightest push or pull as wind whips past you and you climb into and through clouds flying past you. You circle through endless space able to maneuver, balance, floating higher and higher. He felt good feeding small birds watching big ones fly. Always maintain your awareness.

History is the symptom.

People are the disease.

Language is a virus.

Weaving A Life, V1