Dead Dog

Hope is the last thing that dies, yells Dave’s wife. Take out the garbage fat man, lose face idiot, hide your shame, raise your voice like a torn flag of authority, signaling your displeasure with infants, get them in line, shape them up because you can’t ship them out.

You will raise them to yell with the best of them. They will yell and bellow like stuck pigs bleating sheep and cackling crows sending shivers down your spineless pitiful form filled with regret, anger and fear manifesting your tight choking life under long cold florescent lights in a shattering glare.

They will grow up to be passive-aggressive yellers. They will burn you and carry your photo to the village artist who will memorize your face in black and white tones. On the family altar we will look at your frozen 8x10 face forever and give you fruit and water offerings.

We  burn incense so your spirit can eat, so it will not be angry and return as a yelling, demanding, hungry ghost or an invisible reliable scripter. You will perform your filial duty

One day in the near future of now, your dead ancestors will remember sounds, words, phrases and life sentences called talk-speak until they achieve the decibel level required to rejoin the family’s formless form. They will compete in yelling contests with speaking monkeys.

Someone - a parent, spouse, child, boss, lover, or stranger yells. I ignore old yeller. Doesn’t matter who it is, family or friend. Ignore the humans, beasts and gods. Old yeller yells again a little louder. No answer. I wait for them to yell louder, said a ghost hiding in Silence.

Silence is Form, Style, Sensation, Nothing and the Reality of Death.

After I’ve made them yell three times I answer with a whisper. They can barely hear me so they yell again and again. I have conditioned them to my living nightmare. To teach them a lesson I answer with a Whisper. They can’t hear me. They have to raise their voice to compete with other yellers around them.

They are distracted by sensory stimuli overload.

I embrace chaos in the glare of ancestor memories. My sweet revenge.

I reject them with silence, a deadly comprehensive weapon.

Two ghosts whisper - give them 1,000 lashes with your tongue.

I have 1,000 arms and 1,000 eyes.

My name is Avalokiteshvara.

I am a Bodhisattva of compassion for all beings.

I churn the Ocean Of Milk at Angkor Wat.

I am infinite wisdom in the ocean of wisdom.

*

Ha Noise people evolve in small tight spaces where voice people practice perpetual eternal racket over each other and don’t listen and yell louder while others ignore them and the yelling gets vicious like the starving dog downstairs, howling, Feed Me!

Angry Dave pisses in his underwear and his wife lives in her pajamas, the Vietnamese national costume  ... They are a cheap red pastel cotton decorated with brown pandas. He yells at her and the kid because he had no choice in the matter when his father and mother told him he was going to pay big money and marry the slob who learned to yell and ignore her parents while growing up which is how they grew into this higher intelligent life form  ... to reproduce.

Their destiny is to breed, work and get slaughtered down on the killing floor.

I pass narrow minded little hovels guarded by locks, doors and rusting metal curtains. Alleys are crammed with sardine dwellings. Discarded sofas, people cooking in alleys using round perforated compressed coal, workers haul cement, bricks, wire, and stones creating glorious Marxist production methods using a knife, hoe, scythe, axe, hammer, and control stick elephant. All fine well and good being a means to an end everything.

An end to a means the end, the means steams beans, streams data.

Lying in a neighborhood street packed with screaming, beeping careening manic cycles, garbage carts, kids playing fast and loose and women selling wilting produce from broken bamboo baskets was a dead dog. A chilled out sausage dog with splayed legs, glassy brown eyes. Inert. This spectacular spectacle attracted everyone. They escaped homes/shops holding something valuable and precious.

CUT! yelled the Director

Characters froze in place.

Sewing ladies held a thread in air, a woman chopping greens a leaf, a man oiling a bike a can, a woman working meat caressed a knife dripping blood  ...  

a girl held her red balloon, a retired man his glass of urine beer  ...  

a grandmother gripped her grandkid everyone staring at the dead dog as twilight rush hour motorcycles beeped impatient musical cacophonies negotiating through the blind crowd to get home to families, sex, food, television and safety before dark.

ACTION!

A thin old man emerged from his small dark space, perfect for hiding from strangers, invaders and dust. He grabbed the dog’s two rear legs lifting it in the air, dripping blood. He was a hunter holding a wild hare following a successful adventure on the moors. Wild hounds flushed it running wild, filled with fear and free. They treed it, trapped it and killed it.

His inscrutable face showed no emotion. He held the dripping dead dog.

Blood formed a small pool on pavement surrounded by angry confused voices of friends, neighbors, and strangers pealing like bells in his cerebral cortex offering suggestions, advice, warnings, predictions, songs, rituals, chants, musical operas and significant silences minus appropriate words inside or outside the mystery and quality of death personified so he stood there holding the legs until he laid the dog in the gutter and the dog’s body relaxed itself into itself.

He turned away from neighbors and beep-beep fascination. He entered his dark interior space with shadows and ghosts.

Book of Amnesia Unabridged

Pack Light

After completing a one-year English teaching-facilitating job with Devina as my mentor near Jakarta, Indonesia in 2009 I returned to Nam.

Farewell to the tyranny of a private school with dusty clanging Catholic church bells. Devina guided the educational program with unconditional love and compassion.

Omar advised: Travelers need to remember when packing for adventures like going to the grocery store or the eye doctor to see clearly, because eyes lie…or walking across rice paddies to see friends  ... break bread, have sex, visit neighbors  ... greet strangers, marry aliens and burn or bury relatives whispering GOODBYE  ... I’m off to join the circus maybe forever  ... because one never knows if they’ll return, to pack their sense of humor.

Why do people look back at their bamboo shack, camp, home, village, invisible city or continent as their stone cold empty lost eyes see & remember with terrible clarity?

They are Visceral Realists.

They need to remember it because they are afraid they’ll never ever see it again.

They need to burn the image into their heart-mind memory in case it’s potentially, probably, possibly their final chance. In other words Don’t Look Back.

Nothing behind, everything ahead.

Are your needs being met, Rita asked Tran.

Yes, I have a prosthetic limb, I get around.

Omar walked the walk and talked the talk. Many travelers forget to pack their sense of humor. Perhaps they don’t consider their sense of humor essential on their super serious adventures into foreign worlds.

Worlds are filled with transcendental borders, beauty, humans, languages, sensations, smells, sights, sounds, dirt, dust, sweat, mirrors, and reflections without a GPS, compass or app.

It’s a long walk.

You’re never lost, there’s only healthy uncertainty about your position, said Rita, speaking of landmines, rice paddies, napalm, orphanages and terrified acid scarred abused girls and women.

Strange, said Omar, You’d think they’d remember to keep it light, stay calm, focused, let go of ego and expectations and enjoy their travails, I mean travels with a sense of humor… packing a sense of humor means less baggage and less fear.

Before you swim past a wand man/woman at airport security you don’t need to put your sense of humor in the plastic box so it can roll through the x-ray machine, said Devina, You don’t see travelers collecting their sense of humor after passing through security, intuitive travelers keep it with them  ... Many forgot it at Home Sweet Home where Serious lives.

After you pack everything cut it in half. Caress your sense of humor. After immigration laugh through the Nothing To Declare green zone, said Omar … Walk into freedom.

Book of Amnesia Unabridged

welcome to the freak show

Write about that unpleasant fact, said the agent. Literate types want something to read while stranded in a foreign airport when an Icelandic Norse goddess volcano explodes creating a huge swirling cloud of ash complicating their mundane superficial lives with anxiety. Pass me some Xanax please. Life happens where sheep feel anxiety as a subterranean level of FEAR.

Travel isn’t fun. It’s an adventure.

Many humans love living in the past filled with regret being exhausted by their monkey mind where it is very comfortable … They absorb static or moving pictures to escape their terminal condition needing electronic reality and soft machine material…They burn out brain cells staring at little screaming screens … Cheap effective pervasive advertising permeates their consciousness speaking of Faust and making a deal … Dying is a grim comic business. It’s messy. It’s more expensive than anger.

There’s nothing more expensive than poverty.

Ask Grave Digger about plot development, said Rita. Humans suffer from monkey mind. They regret genocides and fear the future. Not me! Why me? The ego loves the CIRCUS of daily distractions … it wears them down … they become lethargic, depressed, suicidal, lazy and so on… lazy people never kill themselves.

They die of boredom, alienation, loneliness and neglect.

Fate and Death conversed, I’m a funny thing, said Fate.

Yes, you are said Death.

Healthy individuals respect the monkey mind. They are present now. They meditate. They are patient, understanding, tolerant and kind. Sheep don’t read and are lazy to face their fears with courage and honesty to learn their truths. Brave ones ask why exploring flow with their microscopic pure energy … A bag of bones … Atoms … WE are pure light.

Everything is energy, frequency and vibrations.

Many are not cosmologically or ontologically or evolutionarily engaged in how the world works on a sub-atomic level. They want fast food and a remote to operate their 46-inch plasma screen with 500 channels … They eat their phone … They enjoy simple stories with simple characters, a hero and a quest … They want happy endings like orgasms. Got it?

Keep it simple stupid. KISS. Experiment with dirty realism. Give me the surface. Be a witness. Throw in some absurd human activities.

Don’t write about what you know.

Write about what you need to know, write to find out.

The role of the writer is not to say what we all can say, but what we are unable to say. - Anis Nin

Write to discover a new universe, a new skin, a new lover, an old idea with shiny tin foil packaging like a love sock named OK condom. Write about a decisive moment, like the condemned guy stepping around a puddle on his way to the gallows in Burma.

The Savage Detectives by Bolano is about poets searching for a lost Chilean poet in Europe, another quest to consider. Don’t take it too seriously. Everyone dies in the end, one more unpleasant fact about publishing and life. My tedious job is to accept or reject manuscripts. In the food chain I market it to a publisher.

Publishers have editors who read the work. Editors leave or die laughing. New editors read the work. Maybe the first editor helped us. Maybe a new editor thinks its garbage needing a major rewrite, revisions, deductions and electromagnetic fluctuations.

If so, a narrative HOOK leaves the author in the brothel-publishing graveyard, got it?

Yes, said Zeynep. Does that mean or imply you’re really a publishing prostitute with no values, morals or principles?

It’s all about money honey, said agent XYZ, And eyeballs … everything has a price, a user and exchange value in the world market of ideas, weapons, drugs, and humans…don’t give me any philosophical arguments.

You’ve been very helpful. What a great saga, said Zeynep. Now let my storyteller friends and an omniscient blind scripter show the tale.

Yes. It’s all yours. I have one question, said lick clit lit agent, how long have you been here?

All fucking day said Zeynep. Here’s your ticket to the greatest freak show on Earth.

Book of Amnesia Unabridged

fear sells

Earth peoples, oceans wave,  celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.

They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.

He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Our relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.

What conflicts exist?

-Human vs. Human

-Human vs. Nature already mentioned.

-Human vs. ______><_______

-Human vs. self. Do I or don’t I? Will it eat me? Is it safe?

-Nature vs. Nurture

Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran.

I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.

She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words.

Yeah, said Rita, What did you say?

I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom.

Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.

Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters.

Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Kampot market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart. Fear sells. Fear is a universal language.

Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation  ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.

I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite.

Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.

Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.

A work of art is never finished. It is abandoned, said Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.

We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information.

Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.

Book of Amnesia Unabridged

Question

Question? Is the problem or surprise the form, a formless form or the form of the formless forming sea foaming form? If so, can it be understood by reducing, redacting, paralleling, associating another journey? Can you break the continuity of the journey with memories of an ephemeral I ? Yes … It’s not a problem, it’s a surprise, said Impermanence.

Who am I?

I am a who to what I am.

Why am I here?

How did I get here?

How did I grow?

Q has three parts:

a)  What is an objective, universally acceptable definition of good and evil?

b)   What is the nature of evil? The question is the answer. It is not in this tale, play or manuscript.

c)   What is the relationship between consciousness and matter?

Q. Where does the real end and the artificial begin? I am a superficial person, said Grave Digger … I pretend to be who I am in my future. I know two things. My hands. My work is never finished.

Q? Does fate control our free will? Yes.. Fate cannot lie. If fate doesn’t make you laugh then you don’t get life’s joke, said Laughter Therapy … Ha, ha, ha.

Q? Should we worry about the style? No. Should we worry about the form? No. Worry is interest on a bill yet to come due. No guilt, regret, fear, or monkey mind. Monkey loves the circus of sensory overload. We live in a world of forms.

Form is emptiness and emptiness is form.

A C-19 virus transmitted by Asian bats to humans in late 2019 is not a surprise. A pangolin ate bat shit. The pangolin was trapped, died and ended up in a wet market. Consumers bought it, sliced it, cooked it, and served it at parties. Delicious. Infected humans traveled and transmitted C-19 to millions around Earth. So it goes.

Holy bat shit! said Robin a cape crusader wearing a mask practicing social distance.

Q: do we have to capitalize the first letter of every sentence? no is the short answer no.

Q: what is strange? Life is strange, bizarre, comic, tragic and very short … Life is a brief clear precise concise life sentence. How do stories, vignettes, jazz poems, journalism fragments, and system analysis communicate with each other?

A: They walk dirt paths, ford rivers, scale mountains, explore jungles, valleys and estuaries and cross metaphysical existential borders … they build sandcastles near the sea. They practice telepathy … they are time travelers. Aliens.

They meditate on the process of their death.

The dance and dancer are one.

As a mystic and prescient person, Zeynep you have the responsibility to be honest. Be light about it. Think big and stay in the particular. Know what keeps you motivated and happy. Autotelic. 

Next question Z, How do you stay fresh and centered? You make it new day-by-day, said Z, Make it new. A storyteller staying in one place goes blind, we move around before becoming native and dull. Before we think and act like local sheep.

Lost confused passive ones living in Inertia, a state of mind, perfect the art of MILLING AROUND in Country ABC, said Rita, They speak in monosyllables Yeah, yeah. Big vocabulary. 2% are awake. 98% are asleep. The majority are afraid to ask the WHY question.

Fear is a killer. Life is a killer.

People asking questions get slaughtered. See the Killing Fields on page 101 - the last room you want to enter. Keeping your big fat fucking mouth shut is wise and prudent behavior to survive post-genocidal truth ghosts. It is an unpleasant fact. If you open your trap someone cuts out your tongue.

In this peculiar particular situation expert scientific witnesses have proven beyond a shadow of a reasonable doubt and doubt has a shadow with logical coherence … that WE, being expert witnesses, reliable narrators and noble natives living with our DNA genius bear witness to alienated, lonely, bored, listless, passive Earthlings meandering with no purpose, lost, unimaginative having zero curiosity and staring with blind eyes - due to severe emotional, mental, physical traumas with memories of suffering, genocide and ghosts.

They remain childlike, tender, sweet, kind, and hospitable with a terminal case of confusion and loss forever, hiding in deep shadows, addicted to dumb phone entertainment boredom.

Their beating hearts caress resignation, despair, depression, lack of initiative or incentive based on fear of punishment, or loss of face or humiliation with hard-wired SHAME. They live a meditative Buddhist spiritual way of identity and culture.

They are easily distracted. Kids play. Forever young. Adults have perfected the art and style of Pretending To Be Busy.

What art. What beauty. What style. What form. What context. What a formal pertinacious way. What objective truth. What verisimilitude.

Here are some true facts, said Rita an orphan and independent author. Unpleasant facts are littered in this epic like lovers, countries, butterflies, social systems, food and transformation.

Book of Amnesia Unabridged