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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in art (209)

Sunday
Nov152020

Two Hearts

After detox and affirmations in Tacoma I accepted a new tennis teaching job at a Richland athletic club in the high eastern desert.

I lived between the Hanford Nuclear Reservation leaking toxic waste and a military high-grade uranium destruction site.

Sweet earth. Delicious water.

Glowing in the dark improved my writing visibility at night.

Clean and sober I wrote a small children’s book about trust and love.

Two Hearts On A Grand Precious Adventure has The Prince of Yogurt and the Princess of Chocolate on a quest for the beginning of the ocean. I self published it as an e-book.

I turned my attention to big work. I sifted through worn travel journals, old letters, faded yellow evidence papers, typed manuscripts, stories, fragments, poems, and photographs gathered from wandering Earth.

For two years I wove threads into a non-linear draft of epic adventures entitled A Century is Nothing.

I murdered my darlings and rearranged sentences in the farrago. They were stories about people telling stories about people in stories experiencing courage, transformation and impermanence.

I researched markets. I mailed out the synopsis with query letters. Fifty rejection letters from literary agents sang a refrain. “Sorry, doesn’t meet current mainstream needs. Too edgy. Needs more heavy, deep, real, personal Vietnam insight and growth. Fewer characters. Bottom line: I can’t make my 15% selling this.” Wallpaper. So it goes.

*

One morning I went to the Richland P.O. for stamps.

Taken from the Hubble Space Telescope they were named Eagle Nebula, Ring Nebula, Lagoon Nebula and Galaxy NGC 1316.

I enjoyed a stimulating discourse with a young unarmed postal woman about the amazing galaxies and how incredible it was to contemplate them living five miles away from fifty-five million gallons of buried radioactive waste left over from W.W. II seeping 130 feet down toward water tables along the Columbia River.

“Fascinating,” she said.

Editing material for my book I read a faded yellow page marked Top Secret Evidence.

“It’s called Technetium, TC-99m,” said an Indian scientist on a shuttle between reactors. “This is the new death and we know it’s there and there is nothing we can do to prevent it spreading.”

The waste approached 250 feet as corporations vying for energy contracts with D.O.E. discussed containment options and emergency evacuation procedures.

Scientists read Robert’s Rules Of Order inside the organized chaos of their well order communities. Hanford scientists, wives and children suffering terminal thyroid disease ate roots and plants sprinkled with entropy.

As the postal worker and I talked, a frantic mother yelled at her daughter, “DON’T touch the stamps!” because at her precocious age, curiosity about the expanding universe developed her active imagination.

Holding a Nebula space dust galaxy in my hand I told the postal woman how we are a third the life of a 13.7 billion year-old universe. She handed me change and said, “That’s interesting. I never looked at the stamps before.”

“What happens next?” said Plot.

ART - Adventure, Risk, Transformation - A Memoir

 

Ethnology Museum, Hanoi

Saturday
Oct312020

Widow Remembers

In the United States of Amnesia it was all too clear to Marian sitting on the wooden chair in the kitchen staring out a double reinforced storm window into spring’s garden.

She hadn’t slept well. Again. Last night was difficult with perpetual arthritic sore joints and eternal emptiness next to her in the brass bed. She’d stayed under the comforter reading longer than usual this morning. It was a clean sparse room with a thick Persian carpet.

Closets were crammed with clothing she’d give away.

While she had hardcover nonfiction stacked everywhere in the living room, her bedroom reading were intellectual monthly magazines and estate agent ads.

She sat on the chair where Richard sat for thirty-odd years in his frayed blue terrycloth bathrobe perusing the newspaper. He rose early to feed sparrows, bring her the morning paper and coffee, tease and laugh with her, talk and return to the chair.

She was shifting into another reality.

Sparrows arrived at the rusty bread pan feeder hanging from the split brown patio roof. The structure sagged toward earth. Jackdaws, jays and robins patrolled dew diamonds as light shaved crabapple, cherry, maples and elms. She needed to call the mower man. She needed to check the pressure on the old black pump down near the fence. It was going to be a hot day and it was wise to water early or late.

The hands on a grandfather clock above the yellow cabinet lined with medication bottles were dead just after one. A stopped clock is right twice a day. The key collected dust.

She didn’t know where she wanted to live the rest of her life. She was surrounded by memories and basement stuff.

Tons of tools, collectables and junk: lathes, hammers, chisels, planers, boxes of screws and widgets, papers, books, clothing, boxes of seventy-eight RPM records going back fifty years, canned goods stacked on dusty shelves, sturdy battered suitcases, moth balled suits, boxes of vintage wine, shoes, an old broken pinball machine, photo albums, European and Russian travel guides, a forgotten pool table, lumber, a black Singer sewing machine in working order, a crimson pin cushion, needles and spooled multicolored threads.

And that was just part of the mess down there. She never descended anymore. No need or desire. She’d seen it all, throwing up her hands accepting his passion for collecting stuff and messing around, resigning herself to inevitable destiny and retreated to the sanctuary of erudite literature and domestic tasks above ground zero in light and air. She prospered in the realm of intellectual property in life of the mind.

Thirty years is a long time to be with someone. Nancy, the hospice worker was a big help, her stepsons assisted make arrangements. A retired young brother lived north off I-25. He gave her connection and comfort.

Being Steamboat Springs natives they survived the depression in the 30’s by ranching, coal mining and power plant maintenance in Nucla.

Education formed their character. All of them escaped mountains for city schools. Universities gave them the opportunity to use their intelligence. They became engineers, teachers and geologists.

She was a secretary at ARFC in Denver when she met Richard a year after his wife died. She was a single mother and her son Timothy lived in Steamboat taking care of his grandfather until he passed on.

Timothy was in Mensa, had a degree in geology, built a Harley from scratch and resembled Custer. He was a friendly no-nonsense individual in the spirit of the West.

He worked long tough hours on the Western Slope as a supervisor for a mining operation dealing with poor maintenance records, inept management and the frustrations of trying to keep all the heavy equipment up to standards.

“It’s 8,000 miles to the center of the Earth and we’ve only drilled down 7.5 miles,” he said one afternoon to Geronimo sitting on a plateau as sunset light played across red, brown, golden sediment strata.

She knew everyone would help when she got around to making the decision. This chapter in her journey was letting go by accepting the fact she couldn’t stay here forever. The place was forty years old.

She’d sell it and get an apartment on a bus line near shops, a library and friends. She was only seventy and mobile. She didn’t need assisted living.

She missed knowing he was tinkering with something down there. She missed his dry sense of humor. It was going to be a long hot day.

ART Adventure, Risk, Transformation - A Memoir

Friday
Oct232020

Warrior Spirit

His pale skin outlined bones. His blue eyes were radiant and clear.

I opened the veil. Snow sky, flying clouds and soaring birds.

“What day is it?” he said.  

“Saturday.”

Icicles melted along a roof edge. Drops reflected rainbows. Across the valley a laughing father and son shoveled spring snow off stonewalls.

“May I have more ice please?”

I spooned comfort. Sky eyes rested on my face. I handed him a long piece of Gringsing, a sacred healing cloth from Bali with a story about its creation.

“It’s lovely,” he said, running thin purple vein fingers over fabric.

“I love you,” I said.

I breathed in his suffering and exhaled my love.

Feeling no pain he rested. We talked about roses, seeds, seasons, English gardens and nature. We sat quiet holding hands.

A spoon of ice comforted his dry lips. His manners never ceased, always a “thank you” for simple sweet essential ice.

Our visit was rich in quiet contemplation. His mind was alert. His thoughts flowed quick and easy. He’d pause and stare away when I opened veils. Dawn light. Afternoon light. Twilight. Sky clarity.

“It’s beautiful,” he said, a smile creasing his sallow face.

He was now. Marian and my brother Tom shared their comfort and love.

“Two things start to go when you’re over fifty,” he said. “One is your mind and I can’t remember what the other thing is.”

His warrior spirit moved on with a clear vision. His spirit accepted all. I was content to be present. Grateful to be with him seeing his joyful face, feeling his soft hands, rubbing his facial stubble and massaging worn skin.

I witnessed his joy, reflective spirit and letting go with dignity, authenticity and silence. Sharing green grapes, water and ice he said, “You know, it’s not about death, no,” shrugging thin shoulders.

His swollen left hand passed over his skeleton frame like a shaman. “It’s strange, how fast the energy is leaving me.”

“Yes, death doesn’t bother me. It’s just the energy started leaving quicker than I imagined. Still, I never imagined I would live this long. I thought maybe 72 or 73 years, so I never imagined I would live this long.” 

His voice and vision was strong.

“Sweet dreams, dear father,” kissing lips and forehead. I hugged his left arm and shoulder feeling bones. “Thank you for a fine lovely day.”

Bless his heart full of goodness, compassion and light. I read a letter to him about how I appreciated his love, kindness and virtues.

“You always were a dreamer,” he said.

Yes, always to be a dreamer, how in his heart, his truth comforted me.

For three days we cried, laughed, sharing stories knowing in our hearts it was a letting go. Our love was perfect.

I held his hand, rubbing his thin back and legs, tickling his toes, “Oh, no you don’t,” he laughed squirming. I rubbed his cheeks, kissing his forehead.

Our time together was pure. We understood the process of letting go without desire or attachment. Clarity and wisdom blessed us.

I returned to Tacoma. On May 8th I was coaching tennis students. At 9:08 a.m. I stopped. I knew he was gone. I returned to Colorado.

A shift. Family and friends gathered for his passing ceremony. Candles and words illuminated his life light.

“He had a warrior spirit with a diamond mind. His path of light and love was a path of perfection. He demonstrated ethical and moral guidance. He allowed us the freedom to surrender old fears and habits, enabling us to cut through the net of ignorance. He was grounded in luminosity. His warrior spirit was resilient and spiritual. He has crossed the river of time. We discovered the strength to let you go. We remain blessed by your spirit.”

ART Adventure, Risk, Transformation - A Memoir

Tuesday
Oct202020

Dancing Stars

Haiku waves flow music
Winter seas

Sensation dreams
Birds sing
Passage islands horizon clouds moon
Ink sketch free air

Quality life nature laughter
Impermanence sand castles

Language of water sand patterns
Poem play
Primitive art



Waves say hello to dawn light
Easy coast sand castles

Draw dream day

Smiling Zen
At The Green House Effect a Wish Fairy wears a jade green tooth on a golden chain.
Her brown hair curls at nape.
She looks like a pixie however she is a fairy.

After hearing a visiting wizard say, “This is the first time I've seen someone make a latte with foam," she said, “Make a wish it’s your first time.”

So he did and they talked as the orange sun played with cumulus above the blue horizon of sea green. Everything sparkled, sky, sea, clouds and Wish Fairy.
Barefoot ground soft eyes slow pace
Flow

Dancing stars

Grow Your Soul

Thursday
Sep172020

Coast Starlight

Singing field holler Clarksdale blues, “Don’t cha know no’thin child?” I channel Elmore James and Robert Johnson by living, learning, laughing and loving.

Standing with my heart in bleeding hands down at the crossroads I traded my soul to the devil to play the blues.

Train whistles blew.

Above platform #5 long neck cranes flew west over Puget Sound.

“ALL ABOARD,” yelled porter Jon. I got on, the door closed and the Coast Starlight slid south.

“This is where you sleep. Upstairs is the observation car. They serve a continental breakfast at 10. Meals are included in your fare. You will be asked if you want the early or late dinner seating in the dining car.”

Train #11 rolled south along the Pacific Coast toward a railroad museum in Sacramento. Historical engines, freight cars, silver diners and big black coal stoking locomotives collected dust.

Construction maps, massive oil murals and Andrew Russell paintings of exhausted immigrants and eastern big shots in tuxedos.

15,000 Chinese workers laid 700 miles of track from Sack-of-Tomatoes to Promise Me A Story, Utah. They shoveled twenty pounds of rocks 400 times a day. 1,000 Chinese died hammering transportation rails. The Chinese built the West, Mormons the middle and Irish the East. The last spike in 1869 connected East-West railroads.

 

Travelers in the dome liner discussed characters. “He’s three French fries short of a happy meal,” said a Las Vegas nutrition teacher, pointing at a man.

“Eat fruits and veggies to reduce internal temperature for healthy results,” said CC, a doctor from central Mexico. We exchanged books about Eastern spiritual warriors.

CC read my palm lines. “You will come back as a bird, not a snake.”

“I am a screaming eagle.”

Her nails were perfect. “You have a long lifeline.” 

“What do you see?”

“Your fate line indicates either a strong profession chosen by self or higher spirit. You have a strong will and there is conflict with a hidden self in your dreams.”

“I am a higher spirit.”

“The girdle of Venus indicates promiscuity. You have protection. A deep heart line shows a heavy first love. Other deep lines show lots of anger and resentment.”

I nodded. “An early life of confusion, separation, loss, and fear of emotional trust. Abandonment. Orphan heart awareness. Alcohol played a later role with manipulation and trust.”

“You had a lot of turmoil in early life and had to overcome a struggle and nourishment issues.”

“True. My mother contracted polio when I was five. I felt abandoned. It wasn’t my fault however I felt guilty. She had my brother then a sister. I was angry coping with the responsibility, emotional distance and siblings. She became angry and abusive. She died at forty-two. I escaped the house, hitched the country, survived Vietnam and explored the planet.” 

“I see. You are a sucker for love but not a pushover. You are generous and not concerned about money. The height of your little finger indicates a high level of creativity.”

“What you say may not be real but it’s true. Or it’s not true and real. I’m working on detachment and discernment with clarity. You’re very good.”

“Thanks,” she said, smiling. “I don’t do many hands anymore, but I like you.”

Miles of rails tracking open land said hello big world. Spikes lay coast to coast. Labor. Rosie the Riveter sang her song.

“Rosie” was Rose Will Monroe, a riveter on B-29 and B-24 military planes at a Michigan production plant in WW II. She was selected by the War Department for patriotic promotional films portraying a rosy-cheeked woman in overalls working outside the home. Her image was accepted by millions of women and she was credited, according to statistics of American Economic History, with increasing the number of employed women to twenty million in four years.

Named “Rosie” by her male co-workers, she symbolized women on assembly lines in defense industry jobs producing military hardware. After the war Rose drove a taxi, opened a beauty shop and started an Indiana construction company named Rose Builders. She died in 1997 of natural causes.

Rail music sang click, clack, click and clack.

 

In a dome liner, children ate watermelon and spit seeds into sky. A red haired female magician made poverty disappear. Passengers formed quick intense transient relationships between whistle stops before, during and after industrial wastelands.

We zoomed past small town wrecking yards with cars and trucks collecting rust, abandoned swings, toys, dishwashers, gardens, guillotines, baskets of severed heads, shredded tires and water soaked concave fences collapsing into community soil.

I hammered word spikes while waving to strangers stranded in their present perfect tense seeing trains carry perfect continuous tense strangers into new futures. Down the line riding the rails. Further along the road of iron deficiencies.

At a remote train station a furious man with his shopping cart home and a whiskey bottle in a bag sagged against a brick wall yelling at his slumped wife. Her old sad eyes stared far away wondering how she managed to get herself in this fucking mess away from social services, respect, dignity and love. Her heart knew if she had any common sense any strength or power she’d get up and start walking.

Her dilemma was to find a way out of the quicksand swallowing her life. She was conditioned to having someone save her. She loved being a victim and needed a martyr.

Downstairs in a converted baggage car I met a 15-year old kid going home.

“Man,” he said, “you wouldn’t believe it. I’m from Chicago, the east side, ya know, projects and all that shit and just spent the summer with relatives in Sacramento. Would you believe there are no pregnant girls out there? No guns either. Back where I’m from everybody’s pregnant and you’d better get your ass through the projects after school and home right quick or else somebody’s gonna shoot ya. My poor mom is worried sick every time I leave our place.”

He smokes, pacing the cage talking up a storm.

“Yeah, man, like I go out at night in Sacramento with friends and there were no gangs at all. People were real nice. I couldn't believe it. I’m moving back out there as soon as possible, man. I’m gonna finish school and get out of the projects. Man, I’m telling ya, I learned a lot out there. It’s all about friends and family.”

A wild deep river dancing under a full moon illuminated the boy’s silver shadow.

Passengers in a rolling living room talked about Richmond, Chicago, Washington D.C., Atlanta, and New Orleans. “Wherever this train takes us,” said a man. A retired couple from Philly saw wild Montana after thirty years in Freedom City where he worked underground connecting subconscious wires to the grid.

Clear cold thin Rocky Mountain air quickened blood streams. We’ve enjoyed rail’s clicking clacking trestle music exchanging laughter and awareness. Visions of starlight sky blends with engine headlights shattering blackness. We arrive at Union Station in Denver.

I know the field behind the station where the headless homeless heartbroken hoboes, drifters and transients exist, hide and run for their lives.

It’s a tricky place at night. It runs north way up to the stockyards near the old Coliseum, not to be confused with the one in Rome where they fed you-know-who to you-know-what. Where every cold frostbitten February, cowboys, cowgirls and plain old city folk put on the Stockman’s extravaganza awarding prizes to animals and the field runs south past the main Post Office Terminal annex and westward toward immigrant hopes and dreams up to Federal Boulevard on a rise with a church and laundromats and renovated upscale posh neighborhoods overlooking a gleaming screaming downtown Silver City skyline. The killing field is filled with tall weeds in the Platte River flood plain.

There’s a fine view of the Rocky Mountains from the field amid random acts of pre-meditated violence around small fires as drifters pray to stay invisible long enough to ride rails out of town away from the mean old street.

In the summer, children scream on the roller coaster at Elitch Gardens up on 38th and Tennyson where my aunt and uncle ran a drugstore and pharmacy after WWII. They worked their fingers to the bone, sweated their lives out and never asked for a thing. My aunt was so scarred by the Depression she maintained thirty-seven folders budgeting the cash flow by counting every penny every night.

It ain’t no field of dreams in that big lonely weed choked undeveloped tract of real estate where freights and Amtrak dome liners blow long sad whistles as buttoned waiters serve blood red Colorado tenderloin down wind from the smell of meat grilling at Coors Field where boys of summer play hardball.

The Coast Starlight sliding toward Kansas curves into a space-time bend.

Moon drinks rainwater.

Walking rails I sing with Robert Johnson…“Woke up this morning and looked around for my shoes…I got them walking blues.”

I savor impermanence. Cool blood decorates hot black keys as I bleed words.

ART - Adventure, Risk, Transformation