fear sells

Earth peoples, oceans wave,  celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.

They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.

He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Our relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.

What conflicts exist?

-Human vs. Human

-Human vs. Nature already mentioned.

-Human vs. ______><_______

-Human vs. self. Do I or don’t I? Will it eat me? Is it safe?

-Nature vs. Nurture

Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran.

I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.

She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words.

Yeah, said Rita, What did you say?

I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom.

Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.

Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters.

Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Kampot market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart. Fear sells. Fear is a universal language.

Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation  ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.

I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite.

Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.

Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.

A work of art is never finished. It is abandoned, said Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.

We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information.

Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.

Book of Amnesia Unabridged

The Play Begins

Attention Ladies & Gentlemen!

Civilization is sterilization - an agreement to avoid the abyss. You look into the abyss and the abyss looks back at you. 

History is the symptom and people are the disease.

This is a long dream sequence, said Zeynep, author of The Language Company. Mirrors are metaphors like Banlung, Cambodian nill gemstones of the Mind-At-Large. Keep a diamond in your mind, reflecting 10,000 points of light.

WE create myths and stories … We build sandcastles … We used to be someone else and we traded them in.

Hold a mirror to the sky reflecting Beauty. Hold a mirror to the ground reflecting a muddy path. Hello Truth. Hello Beauty. See all the beauty without hope or fear. Life is sad & beautiful.

It’s a long walk. Walking makes the road. Nothing more. Nothing less. Less is more.

We play with reality, impermanence and illusions of reality. We cultivate ambiguities, create imaginary identities and play with fact and fiction. We use lies to tell the truth. Fast, short and deadly. In the future more than five words is a run-on sentence. A life sentence ran away.

What’s the next question, said Grave Digger. I love good dirt. I know two things. Look at my hands.

I know the solution and wait for the problem, the opportunity, the big SURPRISE, said Leo, Chief of Cannibals. Can we know death, said Leo, Good question, said Z. One should die at least once to appreciate life. One must die before they live. Most people are born alive and slowly die.  

WE are born dead and come to life.

Kill the Buddha. Kill yourself. Suicide is an honorable Asian way of saying goodbye with honor, dignity and respect. Buddha said, I show you sorrow.

A blossoming voice has purity, love and truth. We know illusions of desire, anger, and ignorance. Pain, suffering, fear, loneliness and alienation kills the spirit, said Rita, author of Ice Girl in Banlung.

Alienation embraces uncertainty … Embrace the chaos.

A heartbeat contains a universe of infinite possibilities, said Zeynep, What is the difference between possibility and probability, asked Tran, polishing his prosthetic left leg.

We dissolve monkey mind thought clouds and fleeting sensations to enhance our awareness and potential, said Omar a blind Tuareg Ghostwriter.

What does it mean to be a human being? Are you a human being or a hungry ghost?

The reader completes the work of art.

Yes, said Devina, buy a ticket take the ride.

We are in exile with stealth and cunning.

Book of Amnesia, V1

Life is unbearable, said Poo. Farewell cruel world.

Warrior Spirit

His pale skin outlined bones. His blue eyes were radiant and clear.

I opened the veil. Snow sky, flying clouds and soaring birds.

“What day is it?” he said.  

“Saturday.”

Icicles melted along a roof edge. Drops reflected rainbows. Across the valley a laughing father and son shoveled spring snow off stonewalls.

“May I have more ice please?”

I spooned comfort. Sky eyes rested on my face. I handed him a long piece of Gringsing, a sacred healing cloth from Bali with a story about its creation.

“It’s lovely,” he said, running thin purple vein fingers over fabric.

“I love you,” I said.

I breathed in his suffering and exhaled my love.

Feeling no pain he rested. We talked about roses, seeds, seasons, English gardens and nature. We sat quiet holding hands.

A spoon of ice comforted his dry lips. His manners never ceased, always a “thank you” for simple sweet essential ice.

Our visit was rich in quiet contemplation. His mind was alert. His thoughts flowed quick and easy. He’d pause and stare away when I opened veils. Dawn light. Afternoon light. Twilight. Sky clarity.

“It’s beautiful,” he said, a smile creasing his sallow face.

He was now. Marian and my brother Tom shared their comfort and love.

“Two things start to go when you’re over fifty,” he said. “One is your mind and I can’t remember what the other thing is.”

His warrior spirit moved on with a clear vision. His spirit accepted all. I was content to be present. Grateful to be with him seeing his joyful face, feeling his soft hands, rubbing his facial stubble and massaging worn skin.

I witnessed his joy, reflective spirit and letting go with dignity, authenticity and silence. Sharing green grapes, water and ice he said, “You know, it’s not about death, no,” shrugging thin shoulders.

His swollen left hand passed over his skeleton frame like a shaman. “It’s strange, how fast the energy is leaving me.”

“Yes, death doesn’t bother me. It’s just the energy started leaving quicker than I imagined. Still, I never imagined I would live this long. I thought maybe 72 or 73 years, so I never imagined I would live this long.” 

His voice and vision was strong.

“Sweet dreams, dear father,” kissing lips and forehead. I hugged his left arm and shoulder feeling bones. “Thank you for a fine lovely day.”

Bless his heart full of goodness, compassion and light. I read a letter to him about how I appreciated his love, kindness and virtues.

“You always were a dreamer,” he said.

Yes, always to be a dreamer, how in his heart, his truth comforted me.

For three days we cried, laughed, sharing stories knowing in our hearts it was a letting go. Our love was perfect.

I held his hand, rubbing his thin back and legs, tickling his toes, “Oh, no you don’t,” he laughed squirming. I rubbed his cheeks, kissing his forehead.

Our time together was pure. We understood the process of letting go without desire or attachment. Clarity and wisdom blessed us.

I returned to Tacoma. On May 8^th I was coaching tennis students. At 9:08 a.m. I stopped. I knew he was gone. I returned to Colorado.

A shift. Family and friends gathered for his passing ceremony. Candles and words illuminated his life light.

“He had a warrior spirit with a diamond mind. His path of light and love was a path of perfection. He demonstrated ethical and moral guidance. He allowed us the freedom to surrender old fears and habits, enabling us to cut through the net of ignorance. He was grounded in luminosity. His warrior spirit was resilient and spiritual. He has crossed the river of time. We discovered the strength to let you go. We remain blessed by your spirit.”

ART Adventure, Risk, Transformation - A Memoir

Feed Love

“Years ago, I broke a bunch of roses

From the top of his wall

A thorn from that is still in my palm

Working deeper.”

- Rumi

“I almost wish it were true,” said my father in our final visit, April 1999. He was 77.

I opened a bedroom curtain so he could see a radiant blue sky and free birds.

Sitting in the garden I burned incense and fed sparrows as green spring blossoms gestured beginning. Calm non-attachment. No desire. Breathing in – out with diamond mind clarity. Love and letting go.

“May I have more ice please?” he said.

I needed to break it up. In his red tool box under the yellow shelf in the kitchen where I was half-beaten to death by a crazy woman in a wheelchair were steel crescent wrenches.

I selected the heaviest one with the widest aperture. It was well oiled and ready. The small wheel turned slow scraping my fingers down to the bone. I rolled destiny’s wheel closing the vise, narrowing space with bleeding fingers. Rolling The Wheel of Time.

Turning the cold steel wheel I remembered ceremonies in Bali: Painters creating on canvas, wood carvers chipping at unexplored rough textures and a wife weaving an intricate basket of reeds into an offering filled with sweet smelling jasmine flowers surrounding a mountain of rice. Lighting incense, she placed her daily ceremonial devotion in family compound corners to thwart demons and appease gods.

I absorbed daily acts of creativity and love in Bali. Everyday was a celebration in magic light. Twilight faded dark blue below pregnant skies. Rain slashed across jungles blasting calm surfaces of rice paddies. Runoff music exploded soil. A farmer stood in the deluge. His misty figure raised a wooden heirloom hoe into the sky. He released human thunder into wet soil. He turned over an exposed part of the planet. Rain slowed.

Shadow figures evolved from jungles chopping off paddy edges, hoeing soil, gathered dry wood and dead brush. Children sang on a dirt path going home from school.

Across a ravine on a mid-level terrace a farmer trailing oxen yanked iron in an arc turning beasts in a slow slog through mud. Flocks of white herons layered sky.

I dumped ice from a plastic tray on a small towel. I folded cotton threads as if folding a love letter, his bone white dress shirt and monogramed handkerchief. I curled fingers around the cold heavy wrench. I smashed crystals of frozen water into diamonds.

Everything collapsed. My daily celebration felt the heaviness. My heart accepted the doing and being. I hammered down, folded cloth, pulverizing cubes. I wiped blood on cloth streaking red. I funneled ice into a blue ceramic bowl. I put the wrench down and selected a small silver spoon.

I fed my father spoonfuls of clear white ice.

I fed him love. 

ART - Adventure, Risk, Transformation - A Memoir

Laos

Life is a Beach

Overnight sleeper bus to Sin Oak Ville
The new coastal Chinatown casino royal
All bets are off

 Moto to Otres Beach
Sand sunrise defending quiet
Footprints gentle water waves beat shore
Islands

Spit in the ocean
Zen sitting meditation visions H2O
Bliss day sun water

European sun walkers white tan ageless retirees
Sound sand surf...play in water
Edges of the day from gentle morning through

Heat into restless sunset - meditation focus
Ebb and flow
Strangers in paradise...
Blue skies night 1/4 star clear

Fernando Pessoa

*
Waves of love
Hang by a thread
Breath
Meditate on the truth of emptiness
Fragments
Embrace beauty and tranquility

*

Grow Your Soul - Prose and Poems from Laos & Cambodia