Kandinsky

Fishtail Mountain, Annapurna Range, Nepal

Wassily Kandinsky, the painter, had the ability to see sound and hear color.

In 1911 he founded "The Blue Rider" school in Munich, taking abstract painting to another level. Magic.

Kandinsky: The Path to Abstraction 1908-1922.

..."Synesthesia is a blend of the Greek words for together (syn) and sensation (aesthesis). The earliest recorded case comes from the Oxford academic and philosopher John Locke in 1690, who was bemused by "a studious blind man" claiming to experience the colour scarlet when he heard the sound of a trumpet."

..."If Kandinsky had a favourite colour, it must have been blue: "The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white."

..."Despite his theories that the universe was in thrall to supernatural vibrations, auras and "thought-forms", many of which came from arcane, quasi-religious movements such as theosophy, Kandinsky's belief in the emotional potential of art is still convincing today. Our response to his work should mirror our appreciation of music and should come from within, not from its likenesses to the visible world: "Color is the keyboard. The eye is the hammer. The soul is the piano with its many strings."

Ice Man

Script

“The future is in garbage, I’m telling you. Be a trash collector and find all kinds of cool, interesting stuff people throw away,” said one. “They buy it, use it, forget about it, get bored with it and trash it. I’ll start a recycling center. We can exchange old stuff for new stuff. Like blood.”

“That smells nice,” the garbage collector said to the sage burner.

Yangon, Burma

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

ART

Yangon, Burma

Plant A Seed

"I have captured the light and arrested it's flight. The sun itself shall draw my pictures."

- Louis Daguerre (1787-1851) One of the fathers of photography.

*

“Sounds like you’re fishing again,” said a patient kid, “with a line long enough to hang laundry on. Anyone here know anything about reading palms?”

“I know what I don’t know. Mine are too small to read.”

“Mine are deeper than water carved canyons,” said a voiceless voice from a formless form.

“Ain’t that grand? Water stone. Yin yang. Gestalt. They sustain each other in a correspondence. The lifeline marries the heart line.”

“Do you see a connection?”

A child with dyslexia spoke, “It’s tough. I’m trying to learn 1,100 ways letters are used to symbolize the forty sounds in the spoken English language.”

“You mean to say, or say to mean,” said a child, “it’s difficult for a learning reader to connect verbal sounds with the letters or symbols that spell that sound?”

“Absolutely. Maybe that explains why there are ten million children in this country with severe reading problems.”

“Show us where the sound of speech has no alphabet.”

“Good on ya. Was it William - the kid from Kansas who lived in the Burroughs - who said language is a virus from outer space, a form of control? Where is he?”

“They took him away for treatment,” said Rose. “Some lab coat rat said he was delirious and firing a Colt-45 at an apple on his wife’s head in Mexico. William said hallucinating improved reality. Reality makes you crazy. It’s empty, dull, boring, tedious and filled with inconclusive abstracts.”

“He ate his Naked Lunch.”

“He dreamed with his eyes open?”

“You got it backwards. He was fast asleep with his eyes open and he woke up by closing his eyes. Everything is a meditation. Everyone is a Buddha. You are a stream-winner.”

“Connect the dots forward.”

“Figures,” said a kid, releasing cost benefit results scribbled on an artificial medical insurance form with a co-pay deductible.

“Some people never learn. They get older sooner and smarter later.”

“You change subjects faster than the weather,” said an observer. “How are we supposed to stay on task here?”

“Buy a ticket,” suggested a kid.

“Are you a ticket taker or a risk taker?”

“If you want to do amazing things you need to take amazing risks and suffer greatly.”

“Anybody have any spare change?” asked a panhandling waif on an aspirator with wealthy aspirations.

“Hmm, I see a faint star at the conjunction of the head and heart life lines. Does that mean anything?” said a kid fingering green palms approaching Easter Is-land on a bamboo raft.

“Depends,” ranted a child orator standing on a soapbox. “Do you mean faint as in non-distinguishable or feint meaning to throw one off a socially agreed upon tacit path implied by pretending to understand anything while processing information with a deft movement?”

“Yes,” philosophized a child with the wit of Camus, “it’s a sublime paradox, this absurd metaphorical life theater. We have aspects of knowing. We know so much and understand nothing. We are affected, infected, rejected or injected by how we feel not what we think we understand. Life is short and sweet. Art is long. Our lives are works of art. It’s not so much that there is something strange about time. What’s strange is what’s going on inside time. We will understand how simple the universe is when we recognize how strange it is.”

“You’re just saying that,” said a voice.

“Sounds like a description of the food they serve here, speaking of strange,” one resident commented to no one in particular.

“No lie flutter by,” sighed a Monarch’s wings in Greek.

“What’s that have to do with the conservation of angular momentum and a parabola?” queried a child spinning wheelchair tires on a tennis court and making a racket while performing real alignments for friends.

“Do I love you because you are beautiful?” said Rose, “or are you beautiful because I love you?”

“Both,” sang the Greek chorus.

“You get what you pay for,” said a kid ironing words with grit, perseverance and discipline.

“The map (words) is not the territory (perception),” said a child reading The Dictionary of Symbols. They shared a story about dance.

“Dance is a process. Becoming. Shiva symbolizes the union of space, time and destruction. Dance is an ancient form of magic. People wear masks hiding their transformation. They seek to change their dancer into a god or demon. Dance is the incarnation of eternal energy.”

“Well all right then,” said a kid dancing in their death mask. “Let’s trip the light fantastic.”

“You get the face you deserve,” said a makeup artist. “Your mask eats your face.”

A couple of engaged children practiced lines in a theatrical play.

“I thought you’d never get here.”

“Sorry, I was delayed.”

“Obviously. Are you staying?”

“What do you think?”

“I don’t know, you’re such a mystery child to me.”

“You talk too much.”

“Cut!” yelled a director.

“Was it the line or the delivery?” said a kid.

Rose said, “Welcome to Earth. Hello babies. It’s round, wet and crowded. It’s hot in the summer and cold in the winter. You may make it to 100 if you’re lucky. There’s only one rule. Just be kind.”

Laughing children in wheelchairs gathered at a starting line outside the hospital.  

“Ready? Get set. Go.”

They raced to the Denver Art Museum to meet Tibetan monks arriving from Santa Fe. They worked together for a week creating an intricate Kalachakra Wheel of Time sand mandala. Plant a seed.

ART

Blues Music

Kids banging on piss pots, chair spokes and life support systems gave the harp player a backbeat. They had lyrics down.

“Blues are a healer.”

“The blues ain’t nothing but a good woman feeling bad.”

“Let’s invent the future,” said one. “The day after tomorrow belongs to me. Know any Little Walter? I love Juke.”

“Sure do,” said the player. “Let’s have a look see at our repertoire. How about some Sonny Boy? His real name was Chester Burnett, born in Mississippi, down in the Delta. Have you heard Help Me? It’s a classic. He sang, ‘If you don’t help me I’m going to have find me somebody else.’ He had the blues with a feeling. Speaking of healers, my mom does vision quests. Helps people see their way through personal dark slime and muck. She makes womb lodges. People go in there. Can you imagine, going back into the womb? Dark and spooky floating in wet stuff. You can’t see a thing. It’s scary and cool. She says it allows people to process old grief and memories. She calls it regressing. It takes a lot out of her.”

“It’s like entering a cave,” said Tran. “I heard about amazing Paleolithic paintings in Benaojan, Spain near Ronda. They are really old stone stories of 26,000-year old bison, archers, deer, fish traps and sex stuff. I met a wandering ghostwriter named Omar in Morocco after 9/11 and…”

“Probably metaphorical,” said an abstract kid. “They used their imagination and daily struggle to survive. They created internal and external dream images and stories. It’s all about survival, meaning and metaphor. A cave. A womb. Birth. Life. Death. Transformation.”

“Yeah, they painted their experiences. They weren’t dreams silly. They were real. They were hunters-gathers like us. They shared visions and story-truth with family, clan and tribe. They created honest magical creation stories. They expanded the known and unknown in their universe.”

“Oh yeah?” said a skeptic. “I mean where’s the scientific proof? Scientists will never reconcile the two abstract theories into a unified field theory of the universe, matter, anti-matter and evolutionary hypothesis with Time & Being & Nothingness.”

“I heard scientists dated them.”

“When you get that old no one will date you.”

Blues harp music echoed through the ward. “Who wrote that?” said one.

“Willie Dixon. He wrote some great music. Everybody recorded his tunes. Stones, Muddy Waters, you name it. The guys at Chess Records jerked him around big time. Talk about paying your dues.”

“If you want to play you have to pay.”

“Did he mate at Chess or was he a figure of speech like a metaphor?” said a linguistic kid. “Sound check.”

“He was a lyricist,” said the blues player, “and he also played the bass.”

“I know the words but forgot the music.”

“Music is the fuel,” said harp dude.

ART

Healing

Rose, a healing clown, wove her way through Intensive Care pushing a cart of snacks, books and toys.

“One size fits all,” Rose yelled above children’s laughter. “Come and get it.”

Children accepted rabbits, bears, yaks, animist tribal masks, elephants, snow leopards, tigers, panthers, and turtles wearing hexagrams.

Rose gifted wolves, foxes, spiders, eagles, ravens, fire breathing dragons, watercolor brushes, Chimayo blankets, Hopi Kachina Earth spirits, 232 butterfly species from Cambodia and Tibetan prayer wheels.

“Hey,” shouted a child, “what’s your name?”

“Rose. What’s yours?”

“Ash,” smiled the kid, “short for Ashley.”

“Well,” said Rose, “you don’t look so short to me. In fact, you look larger than life, if you know what I mean, jelly bean.”

“That’s funny,” laughed Ash, reaching her thin arm into the space of Rose dancing fingers in a dervish whirl.

“Here, have some colors Ash.” Rose zapped her with a rainbow spilling laughter, prisms and stardust.

“Wow, cool. Thanks Rose.”

Rose shared extra crunchy peanut butter, strawberry jam, green tea, fresh pitta bread, grape juice, bananas, apples, milk, eggs, cheese, tomatoes, rice and toothbrushes. She offered mint-flavored dental and mental floss.

She gifted fragrant soaps, candles, multicolored silk threads, bells, gongs, cymbals, looms, shuttles and bilingual dictionaries.

Rose dispersed gamelan orchestras, watercolors, camelhair brushes, calligraphy ink, Laotian silk, papyrus sheets and illustrated poetry books. Multifaceted mirrors reflected and refracted waves of eternity.

A Lao child carries the world on their back.

“Wow,” said a dreaming child, “this is beautiful,” beaming innocence around the room in a spiral vortex.

“You are beautiful,” said Martha Ann. “Mad and innocent.”

“Make my day,” yelled a boy looking through a telescope into the infinite expanding universe composed of 13.5 billion-year-old stardust. Children swarmed like bees making honey, “Let me see, let me see.”

“Guess what?” said astronomer. “There are more stars in the universe than grains of sand on all the beaches on the planet.”

“May I see?” said a kid.

“It’s a see saw,” said a joker, “around and around we go and where we stop nobody knows.”

“Am I this or am I dreaming?” said a child. “I am real. I invent your dream. Tran and I with our Dream Sweeper Machine decipher and reconfigure old dreams to create new memories.”

Voices sang a cold mountain poem. “Am I the soft sand of sleep that calms your tortured heart?”

“What strange mixture of life and death am I?”

“I am a wanderer searching for a Who to What I am.”

“You can indicate everything you see.”

“I am a butterfly dreaming I am a healthy child.”

A rational child said, “Pain is a sickness leaving my body. I feel free.”

“You is what you is,” said a small voice. “My mother was appointed to have me.”

“That must have been terrible.”

“It was her karma. Intention is karma.”

“What’s that?”

“It’s being aware of your actions and how they return in new forms and opportunities in your life. How they manifest your destiny. Today is our destiny. We accept responsibility for our choices and actions. We accept responsibility for our freedom.”

“Are you one with everything?” said one.

“Yes,” said a wise child. “We are a singularity. We are a witness. It’s part of the sacred contract. We are not in this room, we witness it.”

“Is absorbing our parent’s pain and suffering expensive?”

“Can be to be or not to be is the question,” said a kid named Shake Your Sphere.

“My mom says anger is expensive,” said a child.

“That explains why I can’t find the price tag,” said the joker child playing with a full deck. Ace high. Play the hand you get. Run the table. Outside hospitable windows a sparrow seeking crumbs darted from branch to branch on the Tree of Life.

“You betcha,” said Rose, grinning ear-to-ear not fear-to-fear through her Tantric death mask. “You are one third the life of the universe.”

“Like a rolling stone,” sang a child playing a riff on her blues harp in the key of C. “Ain’t it a crying shame. That old feeling is gone.”

“Ain’t nothing but the blues talking sweet thing,” said a sanguine one.

“Sometimes I blow and sometimes I draw. People should talk less and draw more. Ha ha ha.”

ART

 

ART

Adventure, Risk, Transformation