Raven

The next day the tribe crossed a plain and reached a raging river. As they knew from their ancestor’s tales, the river was deepest here because deaths upstream created tears as souls migrated on their journey through the Bardo.

What’s the Bardo? asked Jamie.

A place between life and death. A transition zone. Where, after you die, for nine days, you confront ghosts and demons wearing your old masks. We need nine days to take another form and during these nine days we meet all these demons reminding us of our temporal existence.

The tribe dreamed as wood evolved into ashes. Their fire dream consumed itself as sighing sensations tingled through Raven’s body. Night winds played around her heart. She danced with stars. Diamond crystal swallowtails flew from her hands into silent endless space. Her breath released peaceful feelings. She fell awake.

Sunlight streamed through ferns, plants, and roses as a morning breeze delivered petals of a wild rose to her feet. She stretched like a solitary snow leopard feeling freedom’s wildness. She glanced at the fireplace. Her shattered glass lay on the brick floor near a charred pencil and scraps of paper. She gathered word edges, lines, drawings, and blurred prisms of light.

She felt a searing pain in her heart, released the papers and touched her third eye. She went deep inside. A calm feeling blessed her. A warm breeze carried her into the center of a sacred wisdom circle. Her essence was joy, delight and happiness. It was a world of pure being. She recognized the world of appearances was full of suffering, desire and illusion.

Discovering her essence, her spirit energy breath renewed her heart, her passion and vision. People seeking to know their future and wisdom sought her out for guidance. She opened her heart to them finding solace, peace, strength, and dignity in the sacred flames of regeneration through quiet simplicity. She kept her own counsel knowing others would have to find their own way in their personal and collective wilderness.

Her hair caught fire as she gathered flames while lighting a piece of bark in a Paleolithic cave. She mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm to gain entry and passage through the spirit world of ancestors. She walked through fire, dancing in her inner light of pure intention in a magical world realizing childhood’s innocence.

She became an angel of light. Her Jinn emanated fire, life and consciousness. This fire consumed ignorance, and my memory of her became a meditation on the physical process of identifying with higher energies through form, sensation, perception, sense impressions and consciousness.

Her meditation inside the cosmic dance dissolved the self. Fire became her driver, sexual kundalini yoga burned soft and hard wood together. The sleeping serpent coiled at the base of her spine was fed by the energetic fires. The Jinn manifested by the fire of the telling.

Yes, said Omar, Jinn are summoned through spirit ceremonies as the world of men communicate with their world by means of music and dance.

I am a character in my own story, said Omar, a hakaawati, a professional Persian storyteller inside the shadow of my imagination. I manifest an oral way of transmitting khurata, fanciful stories, inside the ocean of stories.

A Century is Nothing

Easily amused

Children of all ages are easily amused

by repetition and task-based activities

like sweeping, fucking, eating, sleeping,

milling around and staring at phones with vacant eyes

happy sheep slaves addicted to phones

surrender their consciousness.

Cheap thrills. So it goes.

*

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoetic part of their journey.

I reflected on the unconscious residue of social, cultural, ethical and spiritual values.

I needed masks. I needed to understand the underlying mysteries inside death masks. I confronted the realm of spirit. I created masks on my pilgrimage. My journey is the destination. Masks signifying the dignity of my intention thwarted demons and ghosts. I became spirits dancing in light.

Everything is light in my shamanistic interior landscape. I released the ego - Ease-God-Out - detached from outcomes, eliminated the need for control or approval, trusted spirit energies and remained light about it.

Inside light with slow fingers and long thin ivory nails I turned clay into pots. Spinning spirals danced on the wheel of time.

I finished throwing them used them for tribal ceremonies and smashed delicate clay pots to earth.

They exploded into the air creating volcanic ash coating everything in a fine dust.

I dug into the soil of my soul.

I scattered raw turquoise stones along a trail of sacrificial tears on a long walk through geography.

Lombok

I climbed through the center of Bali

inside magical light

past a sacred volcano at Lake Batur

with a small portable typewriter

a map carved on narwhal bone

a roll of scented four-ply toilet paper

codices or painted books and texts

on bark paper called Amate

and cactus fiber including

palimpsest animal skins and dialogue of Mayan origin.

My hair caught fire.

Gathering flames I lit a piece of bark for guidance.

I mixed volcanic ash with water creating a thick paste of red ocher, a cosmetic balm of antioxidants.

I applied this to my skin to gain entry and passage through the spirit world of ancestors.

spoooky

Kalapuya

After Morocco, he sat down and listened in a Crow Forest.

“I am an old dialect of Kalapuya tribes. I respect the spirit energies. I hear with my eyes and see with my ears. I understand your love for the spirit power guardian. I am an ancestor speaking 300 languages from our history. Now only 150 dialects remain.

“A hunting gathering people, speaking Pentian, we numbered 3,000 in 1780. We believed in nature spirits, vision quests and guardian spirits. Our shamans, called amp a lak ya taught us how seeking, finding and following one’s spirit or dream power and singing our song was essential in community.

“I speak in tongues, in ancient dialects about love. Dialects of ancestors who lived here for 8,000 years before where you are now. In the forest near the river all animal spirits welcome you with their love. They are manifestations of your being.

“I am blessed to welcome you here. You have walked along many paths of love to reach me.

“My dirt path is narrow and smooth in places, rocky in others. I am the soil under your feet. I feel your weight, your balance your weakness and your strength. I hear your heart beating as my ancestors pound their ceremonial drums. I feel the tremendous surging force of your breath extend into my forest. Wind accepts your breath.

“I am everything you see, smell, taste, touch, and hear. I am the oak, the fir and pine trees spreading like dreams upon your outer landscape. I am your inner landscape. I see you stand silent in the forest hearing trees nudge each other. “Look,” they say, “someone has returned.”

“I love the way you absorb the song of brown body thrush collecting moss for a nest. I am the small brown bird saying hello. I am the sweet throated song you hear without listening. At night two owls sing their distant song and their music fills your ears with mystery and love.

“I am warm spring sun on your face filtered through leaves of time. I am the spider’s web dancing with diamond points of light. I am the rough fragile texture of bark you remove before connecting the edge of an axe with wood. You carry me through my forest, your flame creates heat of love. I am the taste of pitch on your lips, the odor of forest in your nostrils filling your lungs. It is sweet.

“I am the cold rain and wet snow and hot sun, and four seasons. I am yellow, purple, red, blue, orange flowers from brown earth.

 “Language cannot be separated from who you are and where you live.

“I say this so you will remember everything in this forest. I took care of this place and now your love has the responsibility with respect and dignity and mindfulness.”

A Century is Nothing