Journeys
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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Sunday
Mar032024

Lolly

Omar napped. Little Wing wove.

She looked up from threads. Want to take some signal equipment up to our ops at Firebase Lolly?

Sure.

Pick it up at 1000 hrs. Someone will drop you off at the chopper pad. Stay up there two days.

Lolly was a firebase ten miles from Camp Eagle and the 101st. I climbed into a Huey, the door gunner wearing fly goggles gave me the thumbs up, strapped myself in and we lifted off. 

Rotors thudded through air fighting gravity lifting off at an angle and forward as the pilot kept the momentum steady, increasing speed out over the perimeter. A winding river reflected sunlight in a gleaming stream. Mountains and hills blended elevations.

The gunner sat over his M-60 staring down and out at the green canopy below us with belts of shiny ammunition feeding into his machine from an open ammo box at his feet. Nestled inside the rounds was a cold unopened can of Bud's beer. Each ammo belt layer resembled a meticulous package wrapped to his exact specifications. He knew if he turned his quiet metal into a chattering signature of death he'd have no jamming worries.

A red mail sack lay in the corner.

I wrapped a faded green scarf around my face in the cold air, sat back and relaxed.

All fire base vegetation had been cleared to the peak. Staggered machine gun placements fortified with sandbags lay submerged inside layers of razor wire wrapped around the hill decorated with claymores.

On top was a small landing pad, commander’s post, miniscule mess hall, hootches and 105mm artillery positions in deep pits surrounded by stacked sandbags. Gunners rotated pieces by degree of slope and calibrated for firing relying on infantry patrol coordinates. Sunburned kids and pot bellied sergeants manned isolated mortar pits.

Fire in the hole, said a chicken fucking a GI.

Firebases allowed artillery support, infantry patrols into jungles and military intelligence was close to Viet Cong traffic patterns.

We set down on a PSP steel-landing zone in a swirl of dust. I got out, grunts heading for the rear climbed on, I gave the door gunner a high sign, turned and lugged the machine to the ops conex.

Ben, the African-American Vietnamese linguist had been there six months and planned to finish his tour at Lolly.

I love this shit, he said opening a can of peaches after we installed his machine. Better than the Eagle routine.

I know what you mean.

He was respected for his ability to decipher and transmit language information. He intercepted and processed good traffic. Grunts regarded him as a magician. They used his information to strike and intercept Cong units, harass them and stay alive in the jungle.

A grunt’s life expectancy was six months. 180 days.

He lived and worked in a small conex buried in the ground near the command post with electronic wings on his sandbagged roof. Wearing headphones in dim light he hunched over radio equipment writing on a sheet of paper. Spinning the dial. Dialects, frequencies, verbal traffic.

He reminded me of a resistance fighter in a film noir. A sewer rat with brains needing excitement content to spend a long year on top of a hill buried in a box.

ART, Adventure, Risk, Transformation

 

Sunday
Mar192023

Rolling Thunder

One hot July day my mother rolled her living prose poem of anguish, vision, truth and beauty through Denver and beyond.

“It’s all a myth, a way of remembering the past,” she screamed chasing shadows into blazing sunlight on Broadway Street where immigrant families sat on broken dreams.

She passed devout Tibetan pilgrims walking, singing, praying, and laughing inside the Barkhor circuit in Lhasa. They threw sky crystals at karmic ravens, the symbol of reincarnation.

She rolled past terracotta warriors crashed on bags at Shanghai train stations seeking invisible unknown terminal destinations.

She rolled past Elmore James, Willie Dixon, Little Walter, Sonny Boy, Howling Wolf, Robert Johnson and Muddy Waters down at the crossroads sliding their callused fingers on metal frets trading their souls to the devil.

The blues are the roots. Everything else is the fruit.

She flew past Balinese carvers edging faces for shadow puppet plays, jungle painters creating corporate butterfly murals, villagers harvesting rice in layered green pastures and landmine amputees plowing behind oxen.

Hearing Irish tinkers pound pans between villages she rolled past homeless humans dreaming of food as shadows danced on cave walls in the United States of Amnesia.

She rolled past a naked evangelist at his wailing wall forecasting human greed and global economic terrorism.

A phallic snake symbol delighted the envy of quicksilver messengers wheeling past tan cellular idiots waiting for an express bus to financial heaven.

Shifting gears, she burned past her husband’s white-haired aunt in a nursing home painting her final autumn leaf watercolor vision.

She sheared past Ashiakawa weavers threading seasons in Hokkaido, Japan and Sherpa’s brewing tea at 18,000 feet for expeditions collecting Trophy Mountains after paying hard currency to totalitarian emperors for the pleasure of suffering altitude sickness, hypothermia and high blood pressure death.

She rolled past consumers making quick money honey living on plastic debt while driving 4x4s through scarred Rockies as cock-a-roaches devoured natural resources. Land grab development bankers heard mutants scream, “Where is the water for God’s sake? We paid for our thirst.”

She sailed past her eldest son waiting for his NAM dust off chopper from Camp Eagle near Hue toward San Francisco. On the flight to Denver and beyond he became a ghost in exile.

He stayed in Colorado for a month, did eight weeks at the DOD Information School, finished his time in Europe and got out, a free man. He spent six months roaming from Germany to Finland, Portugal, Spain, and Morocco.

In 1973 while attending the University of Northern Colorado in Greeley she knew he’d face abusive rejection from some students. They’d accuse him of being a baby killer and an undesirable outcast.

He became an invisible literary outlaw.

He incorporated passive-aggressive silence. He became anonymous, a figment of their imagination. Staying away from them he practiced covert dark arts on night patrols with stealth, silence and cunning on fully automatic.

Write it down and done, laugh, and move on.

His undeclared major was Survival 101. It wasn’t in the catalog of classes. University admin officials in their cubicles screamed, “You have to declare something!” He selected Cultural Anthropology & Mythology to placate the beast.

She read his final letters home about fire fight survival instincts remembering the horror etched on a black wall in D.C, with 58,000+ names as reverberating chopper blades severed stale humid tropic air and jungle survival removed veils of illusions. He’d surrendered to life and began collecting dust.

Like an old river she careened past Arabic nomads exchanging goats and camels for pearls as oil deserted sand enveloped silk encrusted carpets. Refugees on sinking lifeboats discovered geological family strata amid Chinese shipwrecks shifting divorce paradigms.

Independent shamans played with awareness using active imagination’s free potential - exhaling a mind’s eye making B&W street photography in exile.

Women wearing exploitation’s cloth wrapped in solitude braved whirling third-world poverty as their economic fate shattered malnourished rocks along Bhutanese mountain roads creating capitalistic nirvana. Imported from India and desperate for food they lived in river reed habitats with Gross National Happiness.

Gathering speed now.

Rolling her Wheel of Life, she evaporated six degrees of separation near the Tropic of Cancer in fast rivers celebrating animist tribal dialogues hearing tongues sing air earth water fire languages by crow, eagle, raven, coyote and wolf.

She received the mark of the king tattoo from a Tahiti artist in Saipan.

Indigenous natives were surrounded and confounded by blue-eyed European’s commercial greed and cultural annihilation while calculating slavery’s cost for competition’s profit.

In silence she rolled with patience, solitude, and nature just being her doing nothing poem.

Her life created a ruptured aorta in earth, fire, water, and air with pulse platelets as red lava flowing past Himalayan monasteries heard monks chant prayers in assembly halls at dawn.

Green, blue, white, yellow and red Lung-Tao prayer flags singing wind songs welcomed her sacrifice, liberation and freedom with perfection celebrating Maya illusion wisdom free from Bardo.

ART

 

Sunday
Jan092022

Omar's Dream

A month later Omar returned to the caves to wait for me. He had a dream.

“I’m afraid you will have take your boots off,” said a soldier wearing a 45-caliber sidearm with an M-16 slung over his shoulder when he saw my scarred climbing boots at SeaTac airport in March 2002. They had steel rivets.

“Anything interesting happen while I was away since September 1, 2001?”

“You don’t know the half of it.”

“Do you mean the half before the shift or the half after the shift?”

The G.I. answered with a dull blank stare.

A retired homeless bag lady approached security. “It’s good to know that 450 airports in early 2002 hired more than 45,000 workers. Maybe I can get a screener job here.”

“Why not?” said a T.S.A. official standing near an X-ray machine. “Each month, screeners take from passengers about a half-million things, including 160,000 knives, 2,000 box cutters, seventy guns.”

“Look like things have improved since I’ve been gone,” she said, pushing her grocery cart down the discount aisle. “Now I feel really safe.”

Along the concourse I studied glossy high definition pixel posters of airplanes slamming into towers with the admonition:

Beware!

This could happen to you.

Live in fear.

Report any and all suspicious activity.

Do not trust anyone.

Spy on neighbors and report them to the Secret Police.

Do your civic duty.

Be a Patriot Act.

Big Brother Is Watching 24/7

 

I’d created this reality with precise clarity.

Returning to the United States of Amnesia after centuries on the ground in Morocco and Spain I sat in my Tacoma tree house. I worked in a room bathed in light.

I had a maul, a hatchet, and a double bladed axe named Laughter.

Inside shifting forest tides, I was buried beneath 150- foot tall Douglas firs waving in wind.

A blade’s swinging, singing weight edge sliced through old growth tree time rings with ferns, moss, and rain.

I sat down spinning out tales, weaving spider webs on a loom of time. My mirrors reflected everything.

I carried Omar’s palimpsest through the forest. It was a bird song trill and spring music with owls, ravens, crows, eagles and vultures circling on thermals offering shamanic visions of clarity, insight and ancient wisdom.

I established a refuge from the storm with simplicity, serenity and sanctuary.

Living on the edge I savored shelter in a bird’s song. Trimmed cuticles spiraled into spring. It snowed flowers.

I looked deep into the forest of the mysterious manuscript. It was true and filled with sensory details. I connected new narratives with Omar’s animal skins revealing adventures, quests, dreams, conversations and awareness blended with joy, delight, courage and healing energies.

People wondered and wandered, chained to the earth to pay for the freedom of their eyes. We see through our eyes not with our eyes.

I resumed my Spanish exile.

ART - Adventure, Risk, Transformation - A Memoir

 

Thursday
Sep092021

Omar

Under a full moon I transited south from Marrakech over the Atlas Mountains.

I was on the fringe of the Sahara eight days later when someone dialed 9/11 taking a bite of the big apple.

Whoops.

There was a hungry little worm at work. I was so far removed I did not take possession of that event.

I learned what happened from a Touareg Berber named Omar.

I wasn’t surprised. Fate bites you when you least expect it.

Omar spoke with his hands. I read his open palms and dark eyes. My ability with unspoken tongues and universal gestures was legendary. Body language gestures using humans were works in process.

Omar waved one hand in air as a bird condemned to be free. He raised a hand indicating height and smacked his flying hand into his stationary hand. The impact echoed across emptiness. His eyes flashed universal secrets. I had no idea where, how, why, or when he’d received his information, perhaps from trade caravans or through osmosis.

“I see.”

In the desert we did not talk about Being and Time, existential philosophy, the nature of evil, principles or values. We tweaked reality by breathing.

“3,000 people from eighty countries died,” said Omar. “Dust to dust.”

“Ah, an attack against the world,” I said, sensing an abstract permutation with eternal ramifications and hidden opportunity costs.

Writing story-truth futures, Omar and I sat down in Morocco and then Spain imagining stateside and global aftermath reality in the long now. 

I wasn’t surprised this happened. Myopic allegiance singing sheep in the United States of Amnesia would’ve had world citizens believe in their US/ THEM attitude.

Survivors evolved multiple ground truths, sifting soil, searching for plausible theoretical logical rational scientific cause and effect answers. Meaning?

Reconstructing, revising and recalibrating history they were left gasping, choking and breathing death mask dust. They evaluated meaning, truth and consequences in their short fragile existence.

Welcome to Earth babies. Revenge is best served cold.

Now they tried to answer the big question. “Why me/us?” and like Phase II group addicts it would keep them busy forever.

After the attacks their children asked, “why?”

Impatient angry adults under extreme pressure to be financially successful in their all-consuming life were frustrated with this “why” question from kiddies. As parents they wanted to be the boss, the all-knowing grown-up in complete Control. They assumed they knew all the answers. Whoops.

In a circular karmic game called Civilization & Random Revenge, players with long historical memories rolled the dice when it was their turn to play. Everyone had to go back to Start.

Citizens under siege didn’t read historical footnotes. They avoided the small fine print. The stuff they accepted carte blanche or skipped because they didn’t think it was important, the stuff made in Hollywood, the entertainment make-believe crap of car wrecks, violence, revenge and moronic happy endings.

Their attention span was shorter than the lives of 17,000 world children dying every day from starvation.

 

 

Somebody off stage triggered the lights exposing human fragility and evaporating all sense of humor. Audiences were stunned into silence when the curtain descended. It was full of loopholes, black holes and wormholes. The forbidden apple was rotten.

Survivors needing a new card from life’s deck did not want to see the Joker wearing a funny hat with bells.

Some had studied history. They knew in a vague way being experts on vagueness, mediocrity, hypocrisy, ignorance and cynicism how history’s long memory and sweet revenge encapsulated itself. They faced frustrating futures because they’d been lulled into complacency and brainwashed by soft media machines.

Media buys people.

Humans had assumed they would always be consuming bigger and better things. “The one who dies with the most toys wins,” said a salesman.

Tectonic plates of awareness shifted below the surface of appearances. Out of sight, out of mind. Awareness needed serious attention.

Human relationships snagged on fear, healthy uncertainty, doubt, adventure and surprise. Dreams of peace and prosperity, mortgaged tract homes, green lawns, two car garages, fast and faster food, weapons of mass destruction, love and symphonic notes danced on the edge of an abyss with hope, regret and fear.

Checkmate, said Death.

We need more channels, yelled sheep.

Shocked screaming patients streamed out of personal and collective asylums. They digested and overdosed on media medication rendering them catatonic, compliant and mute.

Earth is one big insane asylum.

Human nature and revenge stirred things up big time. Secure lines of clear fear communication revealed unconscious intentions of human revenge. Humans struggled for meaning in a random universe.

They tried to explain and/or rationalize and/or comprehend with logical coherent rational scientific explanations while mumbling, stuttering, staggering, falling, fumbling and failing to see how the world worked.

They struggled to explain all the moral ambiguities, principles and ethics on fill-in-the-blank final exams. They faced huge evolutionary adventures.

“Because I said so,” was the standard refrain when their sweet little monsters asked “why” for the umpteenth time. Cool laid-back intellectual facades developed fictionalized fractured fissures.

It was time to straighten the whiners out once and for all.

 

 

They went shopping.

This alleviated their fear of poverty, death and airplanes. Shopping is the perfect distraction. Shopping conquered fears growing stronger day-by-day fed by hysterical media, totalitarian governments and liberal know-it-alls in melting ivory soap towers based on empirical evidence and pure speculation.

“More media channels!” screamed millions. “We need more propaganda, advertising, distractions and fake news.”

There was a preponderance of rumors, myths, innuendoes, and evidence charred beyond recognition. It needed DNA analysis and carbon-14 dating.

Social workers and therapists swarmed Earth extolling virtues of wellbeing, hope, tolerance, gratitude, compassion and courage in the face of adversity, free choice and impending sales at outlet stores.

People needing therapeutic outlets found solace in their blind ignorance of how the world worked on molecular, political, religious, economic, philosophical and cultural levels.

Long festering animosity, religious, economic and cultural karma evolved. An invisible Ouroboros eating itself constricted their heart. Their mythical existence was part idealism and realism standing on its head.

Socially, culturally, geographically and emotionally deprived children learned a hard life lesson that escaped parents. Kids knew when adults were bullshitting them.

They suspected parents, teachers, doctors, social workers, bureaucrats and orphans, amputees, suicidal veterans and displaced humans and gravediggers did not own or Control the market of absolute answers.

Blind sheep believed something better just had to be on the idiot box, computer or phone. No attention span? No problem.

Inside demon gadgets a little animal named Fear, Uncertainty, Doubt, and Adventure was hungry. It had a vociferous appetite for all things vain and glorious. It ate its young with spicy relish at picnics. It had no morals, ethics, principles or 21st century rationale.

It had a neoconservative financial and political agenda for:

Money

Power

Control

ART - Adventure, Risk, Transformation - A Memoir

ART: Adventure, Risk, Transformation by [Timothy Leonard]

Monday
Aug232021

Transformation

Late one afternoon I helped Omar climb hundreds of stone steps to reach the entrance of Cueva De La Pileta (Cave of the Pool) south of Benaojan near Rhonda. We bowed through a small entrance arch to enter a small cave.

John, the grandson of Jose Bullon who discovered Pileta in 1905 after seeing bats flying from the mountain handed me a hissing yellow gas lamp.

In his mid 30’s, slender with dark hair and eyes, multi-lingual and friendly, John was the last member of his family guiding visitors.

“My brothers moved to Madrid, my sister to Seville and I live with my mother down in the valley.”

His grandfather, needing bat guano to fertilize tobacco fields, dug around the mountain entrance called the abyss of the bats. He roped in and descended. He discovered human remains and numerous red and black Paleolithic paintings.

In 1911 Colonel Willoughby Verner, a British author and ornithologist entered the cave. He published his discovery describing the cave and paintings in the London based Saturday Review.

Henri Breuil, a French archaeologist, anthropologist, ethnologist and geologist joined him for two months to study and draw the cave paintings.

Breuil interpreted the paintings as hunting magic to increase the abundance of prey.

It’s exhilarating and surreal to be here now.

I held Omar’s hand as we entered a gigantic cavern. We slowed on wet slippery passages.

We shifted from external modern civilization into ancient internal worlds. It was a massive dark mysterious space.

The labyrinth of caves extended deep inside the mountain. The path followed slippery rough stone stairs and muddy rocky floors. One huge chamber led to another.

Forests of calcium stalactites and stalagmites loomed in light. John paused near columns of living art formed by dripping water. Natural art creates art.

“Here, listen to this,” he said, cupping his hands and tapping on a carbonated lime spike, 2-3 feet in circumference, rising from the floor into darkness.

Heavy thudding echoes reverberated. My hands played 30,000-year-old intonations. Be the drum. The cave was a magnificent chamber of natural sound echoing through deep dark space.

Lanterns played yellow light/shadows everywhere. Each step returned us to a primal condition.

There is no I, self or ego.

I am a primitive essence.

I have no identity. No past. No future.

I am pure consciousness.

Every cell is alive and firing.

My body vibrates.

I am complete and empty where light and dark meet.

Singularity. Pure sensation.

I am stone and water.

Three humans in flickering light are small.

I burn in an ancient space where knowing and unknowing meet. Wisdom meets wisdom.

Awareness is all.

I am a wild still present.

We explored deeper chambers. John pointed to a rough beige wall. Our golden lights illuminated horses, deer and a fish inside a seal.

Rough, broken black comb-like marks slashed stonewalls. There were fish traps and bison. An archer with a bow and arrow stood silent. The hunter. Prey.

They were stone stories by hunter-gatherers, clans, tribes and families before chiefdoms and city-states, empires and countries.

Stories said I was here. I am.

“They sealed some images using animal fat. If you look close you can see their fingerprints on the pictures,” said John.

Human whorls edged where a finger pressed fat on stone. Magic images danced in the light. I was in a reality/dream of beauty and mystery beyond space and time.

The power and magic is art here now.

Grounded.

Immediate.

Direct experience.

I focused on minute black lines. The outline of a horse had thick black lines on her belly. She looked pregnant. Paired red slashes, perhaps signifying blood, marked her flanks.

Deeper in caves were sixteen more black comb-like drawings. 

“They may represent the passage of time or a number,” said John. Heavy vertical black lines had smaller descending lines slanting and curving at right angles.

In 1911 a group of scientists hypothesized the paintings dated 25,000 years to the Middle Paleolithic. This was confirmed by carbon 14-dating in 1985.

“We know there are human remains below us,” said John, pointing at a dark diversion. “The remains down there are off limits. We don’t know who they are yet. Only trained archeologists from the university are allowed down there with special climbing equipment. They visit twice a year for research.”

 “May I see?” 

“Of course, just be careful near the edge.”

If you’re not living on the edge you’re taking up too much space.

I felt my way over slippery stones and peered down. My lantern was too weak to penetrate infinity. Two rusty supports extended down. It was pitch black, cold, deep.

Dripping water in the caverns formed clear pools. The calcium rich liquid was cold and refreshing. We drank deep.

“It’s delicious,” said Omar.

Ripples from falling drops formed perfect circles on a surface. A single echo pinged infinite space. Plop. Plop. Plop.

Squadrons of bats zoomed over us. They lived in places we would not enter. Invisible wing music diminished toward twilight exits.

I felt the ancient connection with people dancing around fires, playing music, creating art, exploring language, cognitive ability and symbolic thought.

Where shamans retreated deep into caves, entered a trance state and painted images of their vision to draw power from the cave walls.

Where hunter-gatherers lived and died, laughed, cried, painted dream/reality images and told creation stories. Stories of people shared stories in Old Mountain’s story-truth.

We retraced our steps. Below night sky were black rugged mountains and billions of burning stars.

Down in a narrow valley lights glowed in windows.

I was now new and raw with pure senses.

From the cave womb I was reborn with clarity and peaceful mindfulness.

Transformed I danced forever.

 *

“Thinking neither good nor evil, what was your original nature before your parents were born?” - Zen master

ART - Adventure, Risk, Transformation - A memoir