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A Century Is Nothing A Century Is Nothing
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Subject to Change Subject to Change
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Entries in street photography (416)

Wednesday
Dec092015

be other

Kairos - threads and looms and Three Fates.

I am afraid, the Swiss girl said, Of becoming the Stranger, the Other.

The Other. I like it, being the Other, the Outsider yet I'm afraid of always being the Other.

Why?

It's the fear I suppose, it's difficult to articulate. It's a sense of feeling apart, separate from people.

I know it, he said, I'm like that, have been for a long time. I live on the edge. I engage. I am vulnerable, open, honest yet I always maintain a sense of detachment.

How is it this sense of outside, she said.

It's objective, he said, feeling her vision escape toward the weaver at her loom, her meditation.

I am the shuttle sliding across threads, she said.

I am smooth aged wood holding two bobbins. One is golden silk thread, the other purple.

As I slide the bobbins spin at the speed of light releasing, ah all the releasing, letting go of myself trailing into, between thin black origins - the essence where I rest.

She cautions me with her fingers - purple and golden desires lie flat. She pulls her emptiness toward me, hands and feet.

I am bound to Others before and after me.

I wait for Others to join me.

I feel connected, she said.

I am part of the whole. Part of the grand design inside her dream.

I pass through. I am here and now.

Sunday
Dec062015

Survivors Talk - TLC 65

More Cambodians own a cell phone than have a toilet, said Rita. There are eleven million Khmer people with twenty million SIM cards. Ha, ha, ha. Priorities sing quality of life. Playing with a small toy prolonging adolescence our young generation talks yaks, chats, and texts enjoying cheap thrills. My condolences.

Goodbye and good luck to you and your family are our famous LAST words.

I am sorry.

Yeah. Yeah. The science of imaginary solutions regulates exceptions.

The beauty of travel, Lucky said to Zeynep, is my anonymous sensation in a crowd like you feel as a street photographer. Invisible. An outsider. After Vietnam flying from S.F. to Denver to see family before finishing my military time in Germany I became a ghost-self. Other. Passengers stared and averted their eyes. Guilt.

If you’re not living on the edge you’re taking up too much space.

I share field notes from Battenbang, Cambodia where I evolved for three months.

Men gather at 0615 for coffee, companionship, tea, lies and stories.

A fire roars inside the cement stove in the local java/tea shack along a muddy road. Orange and bright red flames heating water consume kindling. Stacked kindling stands like 12,000 orphans in 269 safe places exonerating memories of loss and abandonment.

Words crackle, spit, and dance with laughter's sensation of heat.

Survivors stare at a ghost-self writing/drawing in a notebook.

Khmer Rouge, The Organization, murdered everyone my age.

They are over forty and survivors of The Dark Years. They wear fresh pressed short-sleeved white cotton shirts and black pants. They talk about money, business, jobs, kids, wives, girlfriends, weather, facts, opinions, plans, construction projects, rice harvests, myths and fear of ghosts. Eating fried bread they drink brown tea and thick java. Spoons create music with glass class and style.

1.7+ million ghosts dance through silent conversations whispering, What if I die here? Who will be my role model? All my role models are gone. Feed me, feed me, cries a ghost to their family burning sandalwood incense.

No one talks about the past. Silence is golden noise. Men talk about the long now.

Some focus on another’s face hearing words discovering kindness intention and meaning. Others study cell phones or watch a Thai music video on a plaza scream at full volume. One hears an abstract conversation disguised as a peddler pulling his trash cart down the red muddy road squeezing air out of a worn plastic bottle summoning attention deficit disordered sellers waiting to hear wheezing AIR knowing they can pawn junk, an old family heirloom or a traditional wooden loom with or without cotton or silk threads where women wove white cremation shroud clothing for relatives long gone.

Living in the past is time consuming, said Memory. Keep me alive.

Ghosts live in the past, present and future. Leave it there, said one. Half our population is under thirty. They have no memory of the past. Education is the key. We missed our chance. The only chance I had was to run and hide in the jungle. My education was nature. Look at my hands. I know two things. Now I spend my life in an office rewriting our sanitized history. A tedious thankless job I'll have you know. And one more thing, I'd rather be writing than eating incense, if you get my meaning. We do, we do, said his friends cupping hot java jive sakes alive. History is time and geography is space, said a survivor. I disappeared by hiding where space folded, you don't say, Oh I do.

I realized my dream to be a gardener at a meditation retreat, said a thin 60-year old genocide survivor. White t-shirt, blue shorts and black flip-flops. His silent black eyes contained secrets.

How did you survive, asked Lucky. I ran away. First I hid in the jungle then I ran into mountains, deep, very deep, deeper than unconscious memories of life’s transient nature. I ran from the shadows of Death. I became a living ghost, a stranger to myself. Other. I survived hearing screams 24/7 from room 101 as generations slaved starved and died, hearing, witnessing brainwashed peasant soldiers murder everyone kids like you fathers, mothers, aunts, uncles, grandparents all disappeared gone erased finished evaporated exterminated dead.

Yes, agreed Death. Everyone comes to me.

Khmer Rouge reign of terror: three years, eight months and twenty days.

I lived every one.    

When I thought it was safe I crawled out of slime crossing landmine paddies into a Brave New World. I stumbled over 1.7+ million bodies and bones, smelling, tasting, hearing seeing Death. Death bones in my dreams rattle freedom, food and family. My family is gone. I never sleep. Death sees me. Here, now. I feel it. I feel it closer than skin on bones, closer than white on rice.

It will take another generation before we adjust to breathing. Laughter is rare. My people have sufferedhopelessness and passiveness for twenty years. That’s a humbling life changing experience, said Lucky, yes I discovered life in a desperate situation.

They met every afternoon in fading light after torrid heat. Gardener waters red roses, flame orange bougainvillea, green ferns, purple orchids, hanging planters. Water rainbows cascade through white light coating green, sliding down stems, meeting petals. He smiles. Water disappears toward roots below the surface of appearances.

He sat curled up on a brown chair calm and silent watching Lucky mine an unexploded episode from a notebook. The gardener realizes a notebook, once used by Authority to write down names of the dead or soon to be, is now a potential source of liberation and memory.

I don’t know this tool, this machine, he said pointing at a plastic screen and floating artificial letters as Lucky played with twenty-six letters. I can’t read, no chance, it was all about surviving, labor, nature, planting, harvesting, scheming and deceiving, running, hiding, blending in, keeping your mouth shut. We work, breed and get slaughtered. Such is our fate.

A screaming voice from a nearby classroom wafted through orchids.

Quest-ions are forbidden!

Overworked, underpaid and undersexed teachers named Authority and Social Control said, Ask at your peril. Anyone with courage raising their hand to ask a quest-ion is shamed or silently beaten into silence. Fear and ignorance are great motivators, forever and a day. Conformity breeds conformity. Conditioning.

Curiosity is fatal, said Rita. Curiosity kills more humans than war, disease, lack of medicine and starvation. Humor, curiosity and courage are basic elements of intelligence.

Conversation’s silence attracted flies.

A gaunt man who survived The Dark Years from 1975-1979 wearing a dirty white hat ringing a hollow brass bell pushed his orange ice cream trolley through red dirt. He passed a woman unloading kindling. Men stared. Trembling eyes pursued life’s endless stream.

After Conversation died someone picked up a cell phone and called another living, breathing conversation. Hello, are you alive? Yes? Just checking. Have you eaten yet? No? I had rice and eggs. Tomorrow it’s lobster. Ha, ha, ha. Good luck to you and your family. Bye-bye.

Listening is a lost art, said Conversation. I don’t have a hearing problem. I have a listening problem. Most people don’t listen to understand. They listen to reply. Sullen suffering is a pervasive conversation.

People without love die from neglect.

You can say that again, said Silence.

People without love die from neglect.

The Language Company

Saturday
Dec052015

beauty has no tongue

Be the rhythm, said a woman with flaming hair.

They meditated in the weaving village. 

Lucky loved her passion for silks.

Elephants danced with zodiac symbols.

Weavers click clacked threads.

Beauty has no tongue.

Practice is allowing everything in your life to wake you up.

 

Friday
Dec042015

My Name is Erhan- TLC 64

I am your masseuse. I’ve lived in this Bursa hammam since 1555.

In a large domed room sunrays shafting at precarious precious angles slant along humid walls glancing off mosaic tiles singing blue, green, yellow reflections. The dome has a perfect eight-starred symmetrical hat surrounded by sixteen stars in a geometric pattern. At night stars sing their light. They give me a pleasant headache.

This is where I live and work. I raised my family here. I will die here. This is my fate in a water world where tea and conversations meet in companionship, community and conspiracy.

After the hammam and noon prayers men went to a teahouse. They whispered stories, gossip, myth, legends, fairy tales, innuendo, lies, half-truths and fabulous fictions as small silver spoons danced in glass.

Someone else writes this with a Mont Blanc Meisterstuck 149 fountain pen. He drinks thick black Turkish coffee. A silver embossed glass of water waits for fingers to leave condensation on its surface. He turned to a stranger, “Coffee should be black as hell, strong as death and sweet as love.”

“If you finish the water it means the coffee’s no good,” said a stranger.

Lucky distributed providence to oral storytellers engaging tongues, dialects, foolscap, and fading footsteps behind shadows playing cards and slurping tea. Eyelids were heavy deep visual reminders studying down all the daze.

Such a grand and glorious saga, sang Zeynep, a heroine in a vignette.

I am a short story. You are a novel.

By day I am a gravedigger, said Lucky, and a literary prostitute after dark.

We bury our successes and failures in the same grave.

On your grave are two dates separated by a dash. What’s important is what you do during the dash. Is life a dash or marathon?

Go with your flow. Flow your glow.

The Language Company

Zeynep the heroine

Thursday
Dec032015

world is a village

Red clouds on a soft day. Japanese kamikaze snappers.

Rivers and sensation perception. Small people big voice. Orange monks. Women oranges.  Street love.

Serenity of sitting one afternoon in Boua Mon's village. Paper village.

The world is a village.

In this real zone dust dances with laughter. Women gossip, cook, swaddle infants. Joy and connections away from Disneyland myopia circus.

How it works in Laos. Unspoken. Men make the rules. Women take care of the home.

Below the surface. Subtitles.

Women worship in temples, men sit around drinking beer.

A village maintains the other world.

Morality, ethics, behavior.

You don't leave the village.

Everything I need is here.

Symbiotic symbolic relationships.

Meditation awareness.

Gentle undying nature.

Once upon a dream there was (is) present.

Ink said, hello now a few words in simple English hilarious.