Picasso and Dali discuss life

They are speaking in A Century is Nothing.

"Have you thought of a name for your new work my friend?” asked Dali.

   “Guernica comes to mind,” Pablo said.

   “How appropriate,” Dali replied, stroking his exquisite mustache. “It will become a classic. It will connect the wild subconscious and rationality. It’ll make you famous, old boy.”

   Picasso’s Guernica commemorated the small Basque village of 10,000 in northern Spain. It was market day on Monday, April 27, 1937. In the afternoon waves of planes from the Condor Legion, Heinkel 51s and Junker 52s piloted by Germans blasted Guernica. Survivors found 1,660 corpses and 890 wounded people in the rubble.

   “Be that as it may,” Pablo replied. “Art historians and critics will have their say hey kid. It will shock supporters of social realism and propaganda art in France and Spain.”

   “How did you do it?” Dali queried.

   “From May 1st to June 4th in 1937 I made forty-five drawings on blue or black paper. I incorporated the bull, the horse, classic bullfighting figures and the lantern from my 1935 Minotauromachy. I used the weeping Dora Maar because she has always been a woman who weeps. Guernica is a bereavement letter saying everything we love is going to die. And that is why everything we love is embodied in something unforgettably beautiful, like the emotion of a final farewell.”

   “I still think your vision aspires to greater heights,” said Dali. “Your work contains your fantasies meeting the objective violence of history.”

   “You are too kind my dear Dali. People are talking about your work. Your intentional dreams, so strangely manifested, in the way you masterfully allowed your subconscious free rein on the canvas. Most amazing, your Persistence of Memory.”

   “You are too generous Pablo. I merely reflect the ongoing crisis in society, the surreal absurd nightmare, with shall we say, a twisted rather sordid but truthful elusive creative beast we must acknowledge to allow our perverse authenticity freedom wherever it leads us.”

   “So true my friend, for we are only the conduit of the magic,” said Pablo. “We paint what we see with our innermost senses, born by authentic inner visions.”

   “We are the mysteries speaking through the mysteries,” said Salvador. 

Thanks, Ray

Ray Bradbury has passed at 91.

Venus transits the sun. Ray headed North.

“It was one frenzy after one elation after one enthusiasm after one hysteria after another,” he wrote, noting, “You rarely have such fevers later in life that fill your entire day with emotion.”

Fahrenheit 451, Martian Chronicles, Dandelion Wine, The Illustrated Man, among others.

He never went to college. His university was the library.

A very great and unusual talent.

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

"It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime."

Thanks, Ray. 

red dirt

Once upon a time there was a sliding, sweating, swearing happy tennis player in Paris.

Terra battue, red dirt. Clay. Crushed rock. Players try to crush their opponent.

Flame and glory.

Work the ball. Patience. Determination. Run and slide. Run and slide.

Get dirty playing dirt ball.

Dust gets in your eyes. Long exhausting rallies.

Drink water. Lots of water. Eat a banana. More water. 

Mental toughness. Savy guile. Sweet touch. 

Play percentages; in, direction, depth, spin, power. Consistency.

Make them hit one more ball.

Dirt negates power. 

Work the ball. Grind it out, said a weeping elephant.

trust and smile

Don't you just love the name of a school in Cambodia?

It sings on a clean white sign propped against a brick wall along an endless red rutted swampy road.

Down the road from a pagoda wat where friends and relatives create a cremation. He was 70.

He survived the genocide. That says something. 

The rainy season brings endless pleasure minus pain to natives and aliens.

Milling around is an art form here.

TRUST and SMILE.

Practice with friends and strangers. 

hello june

Goodbye May. Pound out your bright beautiful future. 

A Turkish man with a hammer. Gypsy music. 

Only madmen and pilgrims travel alone.

We began in India. Wandering no name alleys, streets, villages, rivers, valleys, mountains.

Darkness whispers, Who's there?

I received a reprieve from death row one night in Vietnam. My sentence was commuted to life without parole. A South American writer said parole means speech, word, a word of honor.

Parole is the condition under which you are free, with a language and human awareness.

Human freedom is unconditional.

Memory fades into living color remembered with absolute infinity. Desperate hands fold across heaving chests, feeling abandoned sucking air injuries. Stop the bleeding. Start the breathing. 

It rained yesterday. It was long sweet and slow and heavy. Streets became quiet. Everyone huddled in corners of their mind. 

Why is nature so cruel, they cried. Nature laughed, Hahaha. Human tears fell like rain. Tears flooded their memory of nothing.

The sun came out. It was hot. Humans cried, Why is nature so cruel. Nature laughed. 

Scientists say old memory is not destroyed, but that many copies of the same memory could exist in parallel.

They say your memory is only as good as your last memory rather than based on your initial memory.

Speak memory.

“Years ago, I broke a bunch of roses
from the top of his wall.
A thorn from that is still in my palm,
working deeper.” - Rumi