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Podcast 2019
Middle Kingdom Podcasts (2005-2017)

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The Language Company
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
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Subject to Change Subject to Change
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Paco de Lucia

Paco de Lucia, the Master of Flamenco guitar has passed.

66. Playing on the beach with his children.

Born into a humble family on December 21, 1947, de Lucia grew into a musical giant who blended jazz, pop and classical influences with the folk tradition of flamenco.

He said his father, a singer of gypsy origin, introduced him to music and encouraged him to practice for hours.

"The gypsies are better since they listen to music from birth. If I had not been born in my father's house I would be nobody. I don't believe in spontaneous genius," the guitarist once said.

From the age of 12 de Lucia was out playing and earning at flamenco "tablaos" -- the intimate bars that are home to the authentic form of the tragic gypsy lament and dancing.

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“My family, while emotionally cold, distant and abusive yet well-intentioned, kind and loving were dysfunctional, trying to understand my vagabond spirit nature. They had no choice in the matter and by now they’re used to receiving strange word-strings full of mysterious symbolism and tragic truths from diverse twilight zones. I transmit between crystals and gringsing decorated with universal binary codes.”

“Really now?” said Mary.

“Yes, I gave my folks a world map for their anniversary. They loved it, inviting friends, neighbors and strangers over for trivia games using postmarks, stamps, decals, flotsam, thread, needles, bark, cactus fiber, beads, charts of tributaries, topographical maps, animal skins, hieroglyphics, and Tibetan prayer wheels with Sanskrit characters.

“They caressed burned broken shards of Turkish pottery, Chinese bamboo brushes dripping blood, torn out pages from esoteric Runes, Paleolithic fertility symbols, vitreous unusual writing, and one of my favorites, a Quetzalcoatl image full of written narration based on the oral performances of Central American myths."

“Fascinating,” said Deirdre.

“Yes, I gave them Olmec nahuales shamans containing animal powers dating back to 1200 B.C. speaking their wisdom. They blended the spirituality and intellect of man with the ferocity and strength of the Jaguar to create their nahuales. Their soul required an animal medium to travel from the earth to the heavens and into the underworld.

“Additional cultural reminders were beautiful blank black mirrors. Some displayed faces others contained scripts written backwards with stories of people, geographies, forbidden objects, and a box called Pandora." 

A Century is Nothing



Here's the pitch.

She stayed until 9:45 and left for work at an upscale spa wearing aromatic Grecian urns. He gave her 10 bones. Feed me.

Familiarity breeds contempt.

Get out of my life, said Telepathy. You are subservient and I am stupid to put up with this shit. He creased her indifference into a cumulus cloud. It rained goodbye and good luck.

She sat on the bed with her back to him. Sniffle sniffle.

Her fake tears formed rivers named Regret and Hopelessness and Indifference.

Fish behind twelve Laotian dams financed with Chinese capital to provide electricity to Thailand fed 60 million Asians downstream in deltas.



It is to be broken. It is to be
torn open. It is not to be
reached and come to rest in
ever. I turn against you,
I break from you, I turn to you.
We hurt, and are hurt,
and have each other for healing.
It is healing. It is never whole.

 - Wendell Berry  Read more…


Ha Noise Dave

It takes courage to raise kids with integrity, respect, and authenticity.

Dave releases streams of anger, bitterness and frustration allowing him to relax, expend and expand the sound. Dave is startled to hear the sound of his voice ricochet off substandard cold molten gray Hanoi cement block walls. His life is a cold cement wall. Echoes dance through his brain like little sugarplum fairies.

He knows the echo because he made it. He mixed the fine sand and quick dry cement. He slathered it over broken red bricks in circles with an abstract desire to make a work of art lasting for eternity which is how he thought of it the day he trow welled the paste.

Life gave him art and he used art to criticize life.

His voice manifestation expresses human vocal tendencies in a tight enclosed space near a gigantic liquid plasma television permanently implanted on a blank wall blaring news propaganda and perpetual adolescent reality soap shows about life next door where the family sits on cold red floral tile hunched over slurping from cracked rose bowls and shoveling steaming rice and green stringy vegetables into lost mouths yelling over each other in tonal decibels competing with their gigantic plasma television featuring dancing bears and pioneer patriots devouring rubber plantations, beaches for golf courses and farmland for glass and brass designer hotels with a double blade axe singing, in a high Greek-like chorus, their national anthem about greed on land, sea, and air, as water pianos played by a young Japanese wisp, her fingers a delicate blur of incredibly fast incantation musical channels dances near a woman garbage collector ringing a bell at 16:55 alerting people in Dave’s neighborhood it is time for them to bring out their daily garbage.

Remove the evidence. Bag it and tag it. Autopsy material.

Death Worship in Nam