Calligraphy Brooms

Down dream street in Turkish reality

an unprecedented wave of egalitarian support featuring millions of sad, serene women facing callously arranged marriages filled with empty hopes and vague promises of love and happiness enlisted to become engaged to strangers on transcendental borders. This wave of support resembled an open handed gesturing in the eternal present as a mother reluctantly gifted her daughter a long fare well wave watching her disappear into life’s teeming stream.

         “Be well my love,” she sang. “You will always be in our hearts.”

         Her daughter joined a world tribe of singing, sighing women. They lived their dream, making sacrifices with clear intention, motivation, determination and focus. The entourage of waving, singing women danced through valleys, climbed jagged Eastern Mountains named Regret and entered a no-name village where males pounded war drums and hammered plowshares into word swords.

         Marginalized poor angry males killed each other over pita bread, olives, fresh tomatoes, kebabs, women and geographical dust while studying imaginary maps.

         “The map is not the territory,” said Visualization, a cartographer.

         “Where is this place?” asked a woman leader in a strange village on a strange planet in a strange solar system in a strange universe.

         “It is far away,” said a gravedigger with vast earth moving experience. “It is a dysfunctional place where bronze statues of fallen soldiers, warriors, politicians and testosterone fueled fools rust and congratulate each other on their mutual stupidity.”

         Wind whispered to women, “Go home, return to your children, your families and friends. Live in peace.”

         Women listened with heart-mind.

         “It’s tough living in dystopia where women are beautiful and sad,” said Visualization. “Millions don’t know whether they are coming or going, going, long gone. They’ve fashioned well-defined living death masks from loss and hopelessness and confusion and uncertain doubts selling tears wrapped in silence. Millions of us wait for an arranged marriage.”

         Potential husbands gathered to draw lots. They drew with ink and pastels and charcoal. The charcoal came from a deep black shameless unconscious well of tears where women, tired of waiting, sang, “Give me a child, give me someone to love and protect and carry forever and cherish and spoil with benign neglect. Give me your future. We don’t really truly honestly care about adverbial love, it’s all arranged. Everything has already happened. We just need to experience it. Love is a blind whore. It’s an impossible love. It’s a matter of practicality. Marriage first love later.”

         “Here,” said a marriage broker, “accept this man, this stranger into your heart. Just give him a child. Get to the verb.”

         “We breed, work and get slaughtered,” said one woman. Daughters wrapped these constricting words around their hearts in love’s tangled jungle.

         You never see women taxi drivers in Turkey. It’s a male ego thing with bright speeding tire spinning toys on wheels. It’s a Toy’s For Tots live game show. In cafes idle retired or chronically employed guys sit around all day from opening to closing playing backgammon. They slide little wooden pieces carved from youth’s forgotten toys. Young macho guys spin shiny yellow taxi wheels playing arranged symphonies in the horn section. They are the next generation of backgammon players.

         Women know better. They express their feelings. They live longer.

         Courageous women stood up to parents. “I respect your traditional ideas about arranged marriages, however, to be really honest heavy deep and real with you, it’s old fashioned conservative thinking. This is 2013 not 1987. I am a member of a new freethinking generation. I am not willing to be a victim, a willing victim of your narrow-minded attitudes. I will choose my friends, lovers and companions, based on my needs. I know why the caged bird sings.”

         Before leaving Ankara I shared a Chinese calligraphy painting poem with students. It was an old Qing dynasty poem, a gift from primary students in a rural Sichuan village school. A visual simplicity symbolized the transient nature of life lessons.

         Bright beautiful children in their radiant universe wearing red Young Chinese Communist Pioneer scarves around well-scrubbed necks sitting upright at colorful plastic desks raised hands when I asked questions yelling, “Let me try! Let me try!”

         Only young brave students had the courage, the absence of fear to say this. Older students at middle schools and university were aged and silenced through tyranny and oppressive parental and educational brainwashed ideological practice. Shame. They’d lost their curiosity and enthusiasm. Only primary kids had the courage, the inherent inner freedom to say, “Let me try, let me try!”

         Their beautiful black pictographic calligraphy ink read, “One day a man climbed into the mountains and reached a hut. He met some children.”

         “Where is the teacher?” he asked them.

         “They pointed up the mountain covered by clouds. ‘He is not here, he’s gone into the mountains to look for herbs.’”

         Chinese characters were creased where latitudes and longitudes met linguistic horizons.