after morocco

Well before sunrise in March 2002 on his last morning in Morocco, before seeing a sunburst orange ball on skylines flying toward Amsterdam, west to Seattle, and east over the Cascades; before leaving Sad’s family furniture factory home in Casablanca, a scribe, who’d been up all night anticipating another Exit, took a gigantic shit over a hole in the ground before sweeping a sweet smelling kid’s sanitized paper wipe over his skinny little ass.

He poured water from an old green bottle into the holy plumbing system, waking the dead on their life highway crowded with whiners, complainers and ghosts, before stumbling through darkness with Rex the German shepherd on his heels.

The toilet paper was crap in Spain. In Morocco it was nonexistent.

It felt good to blast yesterday out of his system. He knew all the bilingual time and surprises were worth it. Miniature adventures were a refreshing drink of water, a desperate invigorating breath during a climb for a clear perspective.

Slanting dawn light wrapped tentacles around an anonymous scribe gathering unfiltered and uncensored evidence of post 9/11 fear. Light cut the sky severing white villages, crude broken stone paths, scarred Moorish brown doors, ageless idle men, shifty eyed one-armed merchants and sad-eyed unemployed dissatisfied immigrants surviving with poverty and despair.

The scribe traversed light, space, and time intervals near sixteen blue, yellow, and green starred mosaic vaulted arches. He kissed everyone on cheeks, shaking hands, confirming an exile's flight.

All the adults were tired, wasted, beat. Moroccans walked, stopped, looked around with hesitancy, this delayed boarding card question.

Their visa stamp bled through indigo robes piercing shirts, blouses, and woven fabric designed by millions of minimum wage children in twisted alleys without a visa. They needed a bread visa, a scrap of meat visa, a tea visa and a chance visa. They craved sweet green tea to mix life’s colors with dust.

The plane taxied down the runway. Rainbows illuminated western clouds. The moon danced in cobalt blue sky. Above clouds, thunderheads formed a white billowing future infinite dream machine of air and water molecules.

Zooming over Canadian ice fields toward heightened U.S. military airport security and stateside psychosis after 9/11, global FEAR merchants had a never-ending consignment sale.

A Century is Nothing.