metis

As an entomologist, a hunter-gatherer with Metis, a cunning intelligence, seeking visual epiphanies, he opened his aperture to f/1.4 and let in light. All of it. Blinding light, prisms of kaleidoscopes, muted spectrums in waves and particles guided his vision to see and stop time. 

Manipulate a tool. A well designed black foreign range finder. A camera obscura. It had the finesse of a magnifying glass, a Hubble telescope looking into an expanding infinite universe, illuminating distant black holes sucking matter into a void. He couldn’t see the black holes but he knew they were there.

It was one thing he carried. He started carrying it in Nam.

It was just a tool. It allowed him to stop time. Divide time in two.

The kairos of his eye allowed him to discriminate intuitively. An eye and a mirror. It refined his being, one with the subject, how silence worked, a detached observer, a photojournalist. How to disappear inside the scene, move with the quickness of a wild animal, see, visualize, anticipate the impending decisive moment stalking his prey with cunning. How to freeze, compose in the viewfinder, breath, squeeze, advance with a quick flick of the opposable thumb, load, unload, develop, fix, print, label, and file his work. Film was his prayer wheel.