interrupted Omar’s suicidal literary agent speaking through voice snail. It’s impossibly probable.
You make your own truth from embroidered lies.
I know everything and can say nothing about beginnings, arc, tension or sustaining a plot. Something has to happen to move it along with narrative flow, character development and action. Make me cry. Give me emotional honesty so I feel for the protagonist.
Grab me by the throat in the first clear short sentence. Make me pay attention. Give me a sharp emotional marketing hook hanging above a mainstream marketing platform in cheap plywood Asian brothels where evil greedy men with POWER threaten and violently abuse orphaned sex slave girls. Where they buy them or steal them from poor families in China, Thailand, Vietnam, Laos, Cambodia, Burma, Bangladesh, Nepal and Sri Lanka, season them for five years in rooms, use them, abuse them and discard them on the mean old street.
They are commodities like rice. Rich men buy virgins for $5,000 a pop. Open my legs. Plow the fertile soil between my legs. Open my feeble, nonchalant and passive innocent broken heart-mind. Throw in some Asian culture like Chinese opera, gamelan music, 3-act dramas, ballet, The Art of the Fugue by Bach and dancing Apsara dancers on 8th century laterite Angkor Wat ruins being strangled by cotton wood roots.
Show me how superstitious evil men believe fucking a virgin gives them super strength enabling them to leap over tall virgins with a single organismic shudder. Give me a small organic boom-boom death in eight seconds. Just get to the verb.
“Ok, said Rita, an orphan in Cambodia and independent writer/publisher of Ice Girl in Banlung. “Unpleasant facts are littered through this work like lovers, countries, butterflies, natural phenomena, rice and hot sex.
“Cambodians have been screwed by history, war, violence and predatory politicians. Let’s Make A Deal. Do the numbers. 15% (and rising) of Cambodia has been sold to China. They’ve invested $16.9 billion. They bought the government.
“1,7,000,000 million out of 11m were massacred by human genocide animals. 40% of our land is filled with unexploded ordinance. Millions are illiterate. Millions are subsistence farmers. It is a rural agrarian society. They produce only what they need to survive. They eat, sleep, fuck and sit around. Milling around is an art form. Khmer are soft and kind. They have a good heart. They are not as mercenary as the Vietnamese. They drift through your sensation, perception and consciousness with the speed and grace of a cosmic Lepidoptera. The trick is to tolerate bland empty eyed star gazing starrers and hustlers with Patience, your great teacher.
“Bored after five minutes they lose interest. Bye-bye butterfly. Let’s pretend to be exactly who we are. The Great Pretenders. Be careful who you pretend to be.”
“Thank you Rita. Whew, what a mouthful,” said the blind literary agent.
“Yeah,” said Rita. I spill sounds and smell metaphors. The human condition reads history and weeps. Create memory, a form of history, re-write history.
“Your memory is the world, and the world is a village,” said the nerve agent. “Cry me a river. Build me a bridge. Get over it.”
“I will, will you?” said Rita.
“I have a question for Lucky.”
“He’s here.”
“What do you recall during the one-hour full body massage with blind Flower at Seeming Hands?”
”Her hands were all,” I said. “Her hands were water, air, earth and fire. Soft gentle sensations. Sensing, feeling her physical sense. Engaging all her senses. Touch is her essence. She knew my body, all the pressure points.”
“Soft, medium or hard?” Flower asked.
“During her therapeutic touch and go I considered this vignette. How I was looking for ideas and structure and formless form and literary vulgarity. I slowed down inside the labyrinth. A writer is a dwarf, invisible and must survive.”
Flower whispered, “I don’t like sleeping alone. It’s fucking boring.”
It’s easy to remember loving Flower’s soft, deep real tactile sensations. She knew how to please a stranger’s skin. She lived in the middle way. Her middle way is breathing, and awareness. Her middle way is acceptance and loving kindness. It is wisdom, patience and gratitude. Non-attachment. Flower is the essence between detachment and sentimentality.
“Eat the world with your blind eyes,” she whispered.
“Yes my Flower, yes.”
“Dead or blind, there’s no difference,” Flower said.
“People who cause you difficulties, you should think of them as very valuable teachers because they provide you with the opportunity to develop patience.”
01.15.2016 | 
