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Entries in meditation (84)

Friday
Jan112019

Walnut Meditation

A Zen monk related a story.

“Before becoming a monk I was an English teacher in 8th grade at an Experimental School south of Chengdu in Sichuan, China. One day I held up a walnut. What is this?”

They answered in Chinese.

I wrote “walnut” and “metaphor” on the board. “This walnut is like a person I know, very hard on the outside. They are very safe and secure inside their shell. Nothing can happen to them. What is inside this shell?”

“Some food,” said a boy.

“How do you know?”

“My mother told me.”

“Do you believe everything your mother tells you?”

“Yes, my mother always tells the truth.”

“Really?”

“Yes.”

“Well, that’s good, but I wonder if mothers always tell their children the truth. Why? Mothers and fathers protect their children and keep them safe. Now you are developing as a more complete and mature human being. It’s good to question things and find out the truth for yourself. Do you understand?”

Some said “yes,” others nodded passively.

“This walnut is a metaphor for the self. A symbol. The self that is afraid to take risks because they are “protected” by their shell. Maybe the reality is that the shell is empty. How do we really know what is inside.”

“It’s a mystery,” said a boy.

“That’s right, life is a mystery. How will we find out what’s inside?”

“You have to break it open,” said a boy with poetic aspirations.

“Yes, you or I will have to break open the shell, our shell, break free from the shell to know what is inside. That can be a little scary when we are conditioned and comfortable carrying around the shell every day isn’t it?”

“It’s our self,” whispered a girl in the front row.

“Very good. It’s our self, this shell and the mystery. We have to take risks and know nothing terrible is going to happen, like trying to speak English in class.”

“If we don’t break the shell we’ll never feel anything,” said another boy.

A girl in the back of the room said, “it means it’s hard to open our heart. It’s hard to know another person and what they are thinking, how they are feeling.”

“You got it,” I said. “We’ll never experience all the feelings of joy, love, pain, sorrow, or friendship and miss out on life.”

This idea floated around the room as I juggled the shell in my hand.

“I know people who grow very tired every day from putting on their shell before they leave home. It gets heavier and heavier, day-by-day. Many carry their shell into adulthood. It’s like wearing a mask. They look alive but inside they are dead. But eventually, maybe, something important happens to them at the heart-mind level and they decide to break free from their shell and see what’s inside. They say to themselves, ‘This shell is getting really heavy and I’m so tired of putting it on and carrying it around. I’m going to risk it.’”

I smashed the shell on the table. It splintered into pieces. Students jumped with shock.

“There, I’ve done it! I smashed my shell. Can it be put back together?”

“No.”

“Right, it’s changed forever. The shell is gone.”

I fingered small pieces of shell, removing them from the nut.

“See, it’s ok. Wow. Now it’s just an old useless shell. It doesn’t exist anymore. It’s history. It will take time to remove pieces of my old shell. Maybe it’s fair and accurate to say the old parts represent my old habits, behaviors, and attitudes. It happened. From now on I will make choices using my free will accepting responsibility for my behavior. And, I know nothing terrible will happen to me. I feel lighter. Now I can be real. That’s the walnut story.”

“Well,” mused a sad serious poetic girl named Plath, “I believe every living object; seed, flower, tree, and animal has an anxious soul, a voice, sexual desires, a need for survival, and feels the terror at the prospect of annihilation.”

Language dreams.

Weaving A Life (V4) - paperback and/or Kindle

Monday
Dec172018

Bhutan

A wandering Chinese monk shared a talk story with Omar.

“One day in the Himalayas I hiked to a meditation hut above Taktsang, Tiger’s Nest, in Druk Yul overlooking the Paro valley laced with rice paddies, rhododendron, fir, spruce, hemlock and barley fields.

“Guru Padmasambhava or Guru Rimpoche (Precious Teacher) was the spiritual founder of the Nyingmapa old school of Himalayan Buddhism in 800 still taught in central Bhutan. Tantric Buddhism, the esoteric form of the Drukpa Kagyupa Buddhist School in Bhutan dates to 450. The state religion of Mahayana Buddhism or the Great Vehicle was established in the 8th century.

“According to legend, Rimpoche subdued many demons in Paro and central Bhutan. At one time he had two wives, an Indian and a Tibetan. He transformed his Indian wife into a tiger and flew to Taktsang Monastery in the 8th century.

“Tiger’s Nest is a series of small tight buildings built into the cliff. It is composed of intricate staircases, stone flagging, a small open air kitchen, balconies, rooms for sleeping, and meditation. I was welcomed by boys and monks who showed me a small meditation room filled with statues, offerings of rice, coins, fruits and vegetables.

“They showed me the cave where Rimpoche lived for three years. Three monks appointed by the chief abbot in Thimphu live here for three years for meditation study and are followed by novice monks in their spiritual meditations.

“Taktsang, destroyed by a fire in 1998, was rebuilt.

“I traveled east along the spine of the dragon climbing to 10,000 feet, dropping into valleys and climbing again. Distinct elevations consist of grasslands, crop lands, forests, hardwoods, coniferous forests, soft woods, alpine meadows, yak pastures, and glaciers. Barley, wheat and potatoes are spring and summer crops from 7,500-13,000’ with the tree line coming at 12,000-14,000' and coniferous replacing hardwoods above 8,000’.

“I passed West Bengal and Indian road gangs working at quarter mile intervals. They carry large rocks and crushing granite to repair and fill endless washouts. They live and work here for two or three years maintaining roads before being replaced by new workers from northern India. Their living situation is grim. Shelters are woven reeds, fortified with any materials they can find along the rivers. They carry their children on their backs as they work. Younger ones sleep along the road under torn black umbrellas.

“Ten thousand people live in the Bumthang area. Small shops and stores along the single main street serve as homes and business. Built of wood with small steel stoves and chimneys, the rooms are multipurpose; selling in front, eating and sleeping quarters in the rear. Merchandise includes thread, wool, fabric for weaving, canned goods, small toys, sweets, local spirits, spices, eggs, a limited supply of green vegetables, a few green apples, and soap.

“The architecture is Tibetan. Rectangular buildings are two-three stories high, a pitched roof with open space holding firewood and fodder. The middle floor is for storage of grains, seeds and foodstuffs. Upper floors are living quarters, broken into smaller rooms. The ground floor on a working farm is for the cattle. If not, there are windows at this level with a shop, storeroom, kitchen, and servant’s quarters.

“I arrived at a monastery in the foothills overlooking the town where 300-500 Bhutanese gathered to receive a blessing from a lama. Children and adults on timber slabs sat talking on a sun baked ground.

“Three monks blew long wood and silver jallee horns to chase evil spirits away.  The lama, Nam Kha Nen Boo, is Khenbow, a reincarnation of a former monk known for his fortune telling power. He was seated and read in a low tone of voice for twenty minutes and used a small hand held drum and bell.  

“Finished, he moved among the people touching us on the head with a statue called a Tshtshto. This dignifies the life of a human with a blessing “Have a long life.” People approached with offerings for his blessing. Bags of red string, flour, and jenlap, a nutmeg like substance, were offered. One lama handed each person jenlap. Another lama gave each person a single red string to be worn around the neck.   

“I visited the Jakar Dzong. The head lama opened large doors in the spiritual center. Ornate sculptures of Padmasambhava and flickering yak butter lamps filled the center wall. Inside another room was a ten foot high statue of the guru, bronze statues with salt and butter flower carvings.

“Display cases with hundreds of identical 5-6" Buddha statues sat in tiered arrangement extending the length of the room, reaching the ceiling. Larger images depicted historical and religious levels of spiritual attainment.  

“My meditation is on The Eightfold Path or Middle Way between self-indulgence and self modification. The eight orders are: Right Views, Right Purpose, Right Speech, Right Conduct, Right Livelihood, Right Effort, Right Awareness, and Right Concentration or Right Meditation.

“I have a diamond in my mind. I am alive and empty and present.”

A Century is Nothing

 

Wednesday
Oct242018

Life Stream

Tribal voices spoke.

“Think of it as a small sacrifice, an offering, a form of suffering.”

“The river of life will wake you up,” said an elder. “You go up river and reach pools. They are as quiet as your mind in deep meditation. No people. Nada. Zip. Zero Homo Sapiens. You are water, stones, vegetation, soft green moss, animal skulls, blue sky, nature and sound. The sound is water. It is soft. It is all you know. You sit in the middle of everything pure and simple. It is all you will ever need.

"Water is the first thing an infant needs and the last thing an adult requests. To satisfy thirst for your dying father you will smash ice with tools. You will inhale his death and exhale his life. He was appointed to have you. You selected him to pay for awareness, to accept the responsibility of his life. You will memorize every silent sound and carry it with you. It is light and very portable.

"It will divide and multiply its flowing vibration around rocks in the stream. You are a rock and a stream. Amplification of clear water sound is a single bird throated song. Short immediate. It is heavy deep and real. HDR baby. It will wake you up, as I said. You pay attention.

"You fly away and we will never see you again. We know where you are and see you’re safe, blessed by the sound, pulse and flow being part of the river. Its magic spirit is strong. It’s flowing through civilizations, its adventure down, down, down. It’s distributing itself along the way. The stream is never ending, never beginning. As above so below.

“It is the stream of life.

“Listen to the energies. They will swallow you. You will be absorbed into the flow and you will be still. Stones sing with water. They sing their softness, their wildness, purity unimpeded, reflecting deep pools below open shadows. You are the flow.

“We move forward. Living in the past is time consuming. Nothing behind. Everything ahead. We pay attention. The road gives us our fate. Fire begins with one ember.”

“Funny,” said a child. “Someone along the way said it wasn’t the mountain they thought was difficult but the pebble in their shoe.”

“True. We will meet people and establish a mutual form of simple heart-mind language.”

“Is it paved?” asked one, “this so called road of language?”

“With good intentions, phrasal verbs, grammar, and simple present continuous obscure contextual meaning,” answered one.

“I’ll believe it when I see it,” said someone in shadows.

“Is that a detour sign up ahead?” said a forward observer (FO). He was so far forward it scared some of the tribe. He was out there, testing frequency shifts.

They suspected he had a psychic ability to see stuff that hadn’t happened yet and they were at a loss, trying to figure it out. They had to trust him. They released their fear, healthy doubt and uncertainty. It was beyond, well beyond their comprehension. He mumbled things like, “You can’t step in the same river twice,” sharing stories, histories, legends, myths, dreams, and illusions.

Omar, Ahmed, and tribal survivors didn’t know if he just made the stuff up out of sheer boredom or if it was the truth of history. Much to their amazement while others carried a lot of stuff like emotional baggage, fear and generic uncertainty, he kept it simple.

His pen sketched and scribbled notes. Pencils and colors danced across Moleskine pages. They noticed in their simplicity and sympathy he carried a kid’s watercolor set. He used river streams and tributaries to mix paints. He splashed pigments left, right and center.

He loved making Fibonacci spirals. They couldn’t figure him out with their subjective abstract sense data perception tools so they relied on trust, instinct, blind faith and a crazy thing called love. Love, a blind whore with a mental disease and no sense of humor drove bus #11.

Passion creates and destroys.

They were blessed by their imperfections. He used life to create art and used art to celebrate life.

Many adults in the tribe being programmed and conditioned cynical skeptics didn’t get it. Indigo kids were clued in to his natural wild mind and trusted him. Implicitly. Their collective language transcended words. There were 6,912 known living languages on Earth and he spoke every one.

He was cognizant a spoken language on the planet perished every two weeks.

“We have a huge responsibility here. No language no culture,” whispered FO. “Culture is what you are and nature is what you can be.”

They sang oral traditions.

They experienced seasons, celebrations, ceremonies, rites, and magic. They created and exchanged clan and tribal myths. Children heard, memorized, chanted and recited songs of their ancestors.

Weaving A Life (V4)

 

Friday
Jun012018

Path



Meditation breath
Kindness
Diamond mind wisdom

Women lay out golden chains
Men yak in phones
Gleaming significance weighs potential

rubies, sapphires

Glittering like a million stars

Path leads past mannequins
Wearing fashionable silent plastic splendor

facsimiles of prayers flow from a woman's mouth

Answer stirs ice

formless form

Shy beyond description
    a girl weighs lettuce hills
    cucumbers whisper adjustments
    cell phone eliminates an old man's loneliness
   a sharp hatchet congratulates bloody meat
   a woman stabs ice memories

Ice coffee is bitter sweet my sweet
Hammock infant swings high/low
Contemplating an old woman
Stepping through puddles carrying a plastic bag

two tomatoes, mushrooms, onions, daily bread

Eye contact dissolves in the wake up

Tuesday
May292018

Flower Moon

Dancing in
A net of light

Singing red ink
I am learning how to walk
Zen meditation

Khmer woman in wheelchair
Dances her smile
Extends worn plastic basket
Grateful for .50
ageless face
Her smile a fragrance

Beauty remembers gratitude

Facial treatment waxes poetic
Edges of bi-lingual tongues speak calligraphy

Older now a Khmer woman
Still carries a bathroom weight scale
Around Siem Reap

Hoping someone will

Step on it

Exchanging weight data for Real notes

Strangers destined to die
Confront their deepest fears
At the intersection of Courage & Creativity