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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Entries in sex (68)

Monday
May262014

mouthful of pay

The publishing world is a crapshoot, said literary Agent Orange. A casino. After expanding the narrative working the brothel angle give me mythical cold blooded sadistic mega maniacs, corrupt politicians, civil servants, millions of poorly paid laconic Asian teachers, nurses, doctors and financially motivated international bankers, politicians practicing fraud, sexual harassment and NGO graft under the auspices of organized crime charities.

Give me gloom and doom global financial collapse with character arc de triumph and a fairy tale happy ending with revolutionary caviar and champagne.

Establish a narrative flow line where heroes or heroines conquer their unconscious fears, demons and symbolic metaphorical archetypes.

Keep it simple. Woman writer meets man. Woman faces obstacles: ice, money, sex, love, compromising her values, morals, ethics, principles, publishing her story etc.

Woman loses man. Woman sells more ice, gets more money, fucks man out of loneliness during a 5-year courtship, (he will save me) discovers blind love exchanging one form of volunteered slavery for another. Man promises her BIG money.

With resignation she gets engaged accepting that sex business is money business. She keeps writing. She sends her story out. She becomes an independent author/publisher after multiple orgasms and form rejections from blind agents. The independent woman gets her man. She introduces man to her poor family and eleven siblings. Family demands $5k as a minimum down payment. She is a valuable child bearing resource and baby production machine.

They give their daughter an engagement t-shirt.

My body is a work of art.

It’s for sale and it ain’t cheap.

Man facing family greed suffers an internal crisis of fear, uncertainty and doubt. He agrees. He goes to the crossroads at midnight. He sells his soul to the d-evil. If you want to play you have to pay.

Man pays for family engagement party. Man pays local greasy greedy officials for marriage approval documents. Man pays local shaman for blessing. Man pays for her sibling’s education. They are excited to learn how to read. Man pays for a water pump. Man pays for solar panels. Man pays for her grandparent’s medicine. Man pays for rice seeds, rabbits, vegetables. For eternity.

Parents give expensive village party impressing everyone how rich and popular they are with gleaming scheming status. Mother coerces daughter to produce many children and propitiate their poverty cycle. Give us someone to love. Someone who will work, breed and get slaughtered. Someone to take care of us. Someone to bury us.

Someone to feed us incense, said dead relative ghosts.

Ice Girl in Banlung

Friday
Apr252014

oral sensation

Dance is motivated by emotional expression. Dance is about itself. Dance is a free playful existence. Life is a silent dance.

My spirit is destined for obscure happiness. Dancing my existence I regain incentive, communicating with gestures. My beauty. Symmetry. I am a formless form in a world of forms. Skin textures are perfect. Complete. My life is pure essence. Radiant. I dance with energy and freedom.

I am free. Clear. Pure. Luminous.

When you dance you are connected to the source. I am the source, the vast self. My lack of speech and hearing is a blessing. I am grateful. My body is my instrument. I am a golden sprite, a fairy maiden. I am a young, innocent, shy, ferocious wild tiger. My claws feel this intensity. I lie down with death.

My needs are met on every level of being. It is sensual, playful.

I gesture to him. Go upstairs. Shhh.

I lock the door. We are safe. I am safe. I take off my clothes. My dance flows love. My childlike love caresses air. It is the stillness of dance, my free form.

Touch me. Nibble my ear lobes. Kiss my neck. Use your tongue. Ask me without words if I want it gentle, medium or hard.

I lie down. Hold me. Breathe deep. Exhale eighteen inches out. Deep space. Empty your mind. Feel our bodies. Give me a full body massage. Start with my feet. They are erogenous zones of pleasure. Touch pressure points on my souls. My brain is an erogenous zone. Work up my calves massaging lower back, along the spine expanding out across upper back muscles and shoulders. My neck muscles are tight from doing laundry. Knead tension out. I’ll tell you how it feels with gestures of pleasure.

Listen and feel my body. Hear my breath exhaling sensation. Roll me over. Let your tongue do the talking. Stimulate me slow and easy as I feel your tongue caress ear lobes and neck, across breasts. Caress aroused purple nipples. Move south across my belly. Clear the department of the forest before tonguing my little button and labia rose. It’s highly sensitive. Slow. This is a powerful erogenous spot. Explore my blood filled flowers. Tongue lips deeper. Inhale my fragrance.

Feel my response as I move with you. Dance with me. Explore my mysterious cave with a slow moving tongue. Feel my response. Hear my breathing. If it’s fast and shallow I’m excited. I press your face deeper into my forest getting what I need.

My body is your teacher.

 

Sunday
Apr202014

gestures use me

Shhh. I have a new secret lover while Thorny is in OZ. I am easy going with a willingness to share honest emotional moments. No commitment is a concrete-abstraction. My passion is immediate visual truth. My eyes are sensory awareness. I see voices. I am a voiceless one, quivering lips and tenacious touch with my secret lover.

I would rather be a tiger for one day than a sheep for a thousand years.

My sexual joy is shy. I dance tactile tenderness in silent breath.

My unfinished symphony lives with visual touch holding his small kiss on my spine. I do this because I love it. It is my heart-mind fate.

My tender lover comes to me in the heat of the day. He is kind. I welcome him with smiling eyes, gesturing a finger on lips, shhh.

He brings me luck. You can’t see it, measure it or hold it. I feel it.

My passion is deep and strong. My unlimited languages speak eyes, smiles, and hands. Gestures create us in space. Gestures use me.

My speech voice is missing. I make rolling guttural sounds expressing metaphors, similes, intonations, frequencies, meaning, sensation, time, space, ideas, dreams, relationships, secrets, my traditional family values, fear, passion, and joy.

By the time I learned the alphabet it was late in life toward primordial dusk. It was late in the moment before then and now. I am a long now.

It was late in the whisper of silent air singing from the trash collector’s plastic bottle. He pulls his rolling cart filled with cardboard. A muscular rhythm stirs somnolent dust on broken stones. The majority of people here exist on less than $1 a day. Rich land, poor people, greedy corrupt politicians.

I see, said a blind girl playing a cello in a demined cemetery. The more I see the less I know. You can’t step in the same river twice.

Possibilities and probabilities, chance and coincidence flutter from my finger fragments like butterflies. Unknown mysterious sensations fling from my signing hands. Fingers and hands are language extensions. Blossom being.

My lover visualizes me in tropical brown skin toned worlds. He imagines I join a hearing impaired community, get an education and a real life. He’s a dreamer.

I jump ahead in my story. It won’t happen. I am a slave.

He realizes my movements say I was born to dance.

 

Saturday
Apr122014

my silent resignation

My sister set up a hair salon business in a tourist temple town. It fell through. Salons are a dime a dozen. Thousands of undereducated poor girls from distant provinces can’t/don’t read or dream. They cut. Do their nails. Digit phones.

Staring at mirrors is their fate.

Some moonlight as beer girls and hostesses. Where is Mr. ATM? Who’s going to save me they cry wearing gloss in the dead of night masking their eternal loss. Unspoken questions and starvation seek short-term financial solace.

My sister put me to work with a niece washing clothes. In reality I am a happy slave. I have my sister, food and a safe place to sleep. I make some money. An Australian girl gave me a scooter. I dress nice.

My sister started selling massage service. If I meet a good man which is rarer than verbal speech I let him touch me because I trust he’ll take care of me. Short term.

I need help.

Massage has no emotional connection. Touch and go. I have the power to say NO. I have a 5th degree black belt.

I’ve killed more men with silence than you can imagine.

I tell aggressive idiots they can get laid somewhere else. Go find a beer girl. Flash your cash honey.

I do all the washing, ironing and massages. I make small tips. My sister pockets the money. She sits around admiring herself in mirrors, playing with her daughter and talking rubbish on her cell.

I am a voiceless voice of quiet resignation. 

Wednesday
Feb052014

after ice

One day, Bliss's part-time lover said, buy me a TV.

NO.

You have a job, a TV, a mother, a 12-year old daughter, two brothers, no father and no husband. I gave you money to buy a bike for your daughter and she lost it, money for clothes, money for medicine, money for food, money for temporary naked lust and currency sobriety. You play me for a sentimental fool. You're fucking crazy.

Her arrival was sporadic at best. She visited at 8:37 for a shower, fucking and another shower. 

He explored her lips, thin neck, small ears, crest of skin throat, narrow brown shoulders, pinpoint breasts with tongue talk, flat belles letters, long legs and played his way into her valley of potential.

It is a gateway toward isolated animist villages up river. Up The River Of Darkness. Up the Tonle Srepok River. The Apocalypse Now river.

The river overflowed with extended tedious boring years of silence singing a slow meandering song before being punctuated by random acts of violence, gunfire, and exploding land mines swallowing eternal cries for mercy as innocent men, women and children were slaughtered in fields, homes, and villages along twisted dirt jungle paths or murdered inside animist cemeteries wearing crude carved faces remembering the dead with ceremonies, laughter, sacrifice and rice wine, hearing the low dull roar of high altitude bombers releasing enraptured napalm canister lightning bolts through clear skies rendering burning mountains and jungles obsolete, accompanied by the steady rhythm of a girl sawing ice.

Her frozen bright future dream evaporated.

Someone said there was a war, she said. My mother saw a plane. She thought it was a bird. She wove the image into indigo cotton with yellow, blue and red silk thread. All the women weave here. Men don’t have the patience.

They love hunting and killing. She saw a whirling bird, a helicopter. She wove it along with our traditional motifs; weavers, people carrying water, harvesting, dancing, sitting, resting, flowers, fields, cows, chickens, ducks, birds, banana and palm trees, rivers, sky and nature. She weaves our long story.

I weave after ice.