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A Century Is Nothing A Century Is Nothing
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in travel (552)

Sunday
Dec232018

Celebration Day

Zahara, Andalucia, Spain

After I turned the key in room twelve leaving a hostel in Ronda I passed a dim corridor. A dark shadow entered a room down the hall. I remembered seeing her at Relax eating a large salad.

We’d spoken about the size of the tomatoes and she’d laughed saying it was too much food.

I stopped, stepped back looking down the hall. We recognized each other, laughing and talking like deranged idiots. We filled in the blanks.

 "What are you doing here?" I said.

"I’m checking in to save money. What are you doing here?"

"I’m checking out to save money. Let’s go enjoy sun, coffee and conversation."

We went to an outdoor cafe. She carried day old food in a plastic bag.

Monica was from Sydney and had traveled to London, Paris, Lisbon, Granada and now Ronda. She’d never been away from home and friends before. She didn’t like London and got out. She had relatives in Rome.

“I had to live with their rules," she said. Hard. Her epiphany occurred in Nice, France. “That’s when it hit me, all the loneliness, all the insecurities came piling out. I hit bottom.”

Her moment of truth hit her like a ton of bricks.

“I had no idea where I was or what I was doing. I was in chaos. I started sitting meditations.”

She made her breakthrough and it changed her life. She became free to move. It was about her expectations. She’d suffered enough, made enough wrong turns, listened to others’ advice about how to survive.

She discovered compassion and meditation saved her. She moved forward with an open heart-mind.

We sat near the Plaza de Socorro as people streamed to church, markets, shops, and met friends. She opened a can of garbanzo beans. We broke bread.

“A spoken language on the planet dies every two weeks.”

"Really?"

“Ethnologists estimate there are 6,912 living spoken tongues left on Earth. Here’s something you may find interesting. Omar a blind man in Morocco I met just after 9/11 gave me his book of stories, A Century is Nothing.”

“May I touch, see, smell, taste and hear it?”

I pulled it from an Eagle feather pack, handed it to her and entered the cafe for coffee. She opened it and read.

“There are multiple narrators in this journey. One narrator wrote on mirrors, another carved on 26,000 year-old Paleolithic cave walls and Little Wing weaved magic cloth. A change of context changes experience.

“On the loom of time the three fates did their work weaving the word ‘context’ from Latin. “Con” means 'with or together' and 'texere' means to weave. A change in context is an essential and active process. Weavers direct thoughts, emotions and actions as a kairos shuttle passes through openings in the time-space continuum. The loom binds or connects the weaver’s ability and power to speak.

“A nomad finished an extensive tragic-comic jazz poem opus in August 2001 heat and wandered away from the Pacific Northwest. On September 1st he flew from Seattle to Casablanca under a full moon dancing its reflection on waves. Fate, chance and timing.”

I returned. "Did you read about Natasha?"

“I don’t believe so,” she said. “Is she a Now or a Later in your tale? This looks fascinating,” handing him the blind book.

"It’s not my tale. I’m a conduit. Omar’s a beautiful man and dear friend. He has Baraka, supernatural blessing powers. I’ll give his prescient tale a deeper look-see when I return to the Sierras and share it with Little Wing, a weaver on the loom of Time. To question your answer, Natasha arrives later."

Monica resembled Ingrid Bergman, a star in the universe. I made an image of her because I was a rangefinder with excellent optics, good depth of field and focused manually.

We met friends at Relax, a vegetarian restaurant. Susan a lively blond dancer from North Beach studied Spanish. Simon and Christian, open-minded German guys were setting up a travel expedition company. Jon was their creative Spanish genius interpreter.

Jon’s English father was an author who’d written books about the white pueblos in Andalucía. He’d written about hardship, trying to fit into the system and make a living by buying, working and eking out an existence on a campo farm in the late ‘50’s before it became fashionable. Politics mixed with luck and perseverance. Now he was retired on his campo near Ronda and painted oils.

At a lavish Christmas dinner for fifty friends and relatives he gave Omar solid advice.

“Get out of the way and let your characters tell the story.”

 

Simon worked for the German police for eight years. He got tired of picking up body parts along the Autobahn in freezing cold weather. He switched to infiltrating gangs doing undercover drug busts for a couple of years. Knowing he’d be killed if his cover was blown he quit and moved to Spain.

Simon told two short stories.

“I am a millionaire. Everyday I have a beautiful view.”

“There was a poor man in South America. For forty years he slaved away digging for gold in distant mountains far from home. Everyone in his village said he was crazy. One day he found a lot of gold and exchanged it for money. He bought some rope. He tied the rope around his waist, tied the money to the other end and ran through the village dragging it behind him. Everyone said he was crazy. ‘Why?'

“He said, ‘for forty years I’ve been chasing money and now money is chasing me.’”

Everyone drove to Grazalema below the Penon Grande Mountain where I lived with Little Wing, a weaver. She was in the mountain collecting herbs.

Declared a Biosphere Reserve by UNESCO, Sierra de Grazalema Natural Park was located in the north east of the province of Cadiz northwest of Malaga, at an altitude ranging from 250 to 1,654 meters above sea level. A Special Protection Zone for Birds, the park covered 51,695 hectares of ecological importance in the south of the peninsula.

It had the highest rainfall in the Iberian Peninsula, with an annual average over 2,000 liters per square meter. It was the most important western massif of the Subbetica range.

It was an old Roman village of 2,300 people. An isolated white pueblo with narrow cobblestone streets filled with suspicious conservative kind, simple people who’d been shut away from the ‘modern’ world forever.

My small white habitat for humanity was old, cold and intimate. When I wasn’t scribbling notes in my Moleskine, climbing back in time and loving a beautiful seer woman weaving on her loom of Time, I admired leaves turning green to yellow and brown dancing through air in silence.

In the patio were lemon and orange trees. Christian juggled three lemons. We met Antonio and Sophia from Seville. Antonio sold discount sofas for a furniture company, loved Formula One racing and Sophia was the queen of video sales. We drove into the national park for fresh air and views of mountains and valleys.

We ended up at the old abandoned Arabic Zahara Castle. Castillo de Zahara sat on a pinnacle above land and artificial lakes. Founded by Romans, Muslims took it over in the 8th century and it fell to a Castilian prince in 1407. It was recaptured in a night raid in 1481 by Abu-al-Hasan from Granada and was home for anarchists in the 19th century.

Someone said George Harrison died the day before. We remembered My Sweet Lord and hummed, ‘I look at the world and know it is turning while my guitar silently weeps.’

We sat inside vast plains, mountains ranges and sky.

“Anyone seeing the sky here would understand where Picasso got his colors,” Christian said.

We were in the Spanish province of light. Luz - land of light. A sharp sunset painted orange horizons. The sun bounced blue and green rays off El Torreon at 1654 meters, the highest mountain in Andalusia. We were mesmerized by beauty.

We climbed steep jagged stone paths skirting Roman baths through history’s past into history’s future. We held hands inside pitch-black stone passageways toward the top of the tower.

It was a kid’s day.

A full moon showed a sliver of itself over mist hills and valleys in the east. It exploded up, a perfect white orb surrounded by purple, orange and blue light.

We were in the perfect place at the perfect time. A history of Romans, Moors, and Christians, as lakes stretched along the valley. Water reflected moonlight.

“Before meditation the moon is the moon and the water is the water. During meditation the mountain is not the mountain and the water is not the water," said a Zen monk.

“True,” said Omar. “We were in a dream of light. Colors flashed across the sky. Shooting stars came out to play. Mountains shimmered in the moonlight. The lakes were mind mirrors.”

“In an improvisational acting class they had us do this when we made a mistake,” Sherri said. She arched her back, threw her arms into air and screamed, “I SUCK,” and relaxed. Everyone laughed seeing her intention in an instant. ZAP. Clearing the way with heart.

Driving past lakes reflecting blue and silver moonlight Sherri said, “You know this would be a perfect night to be able to fly. To make love in the sky.”

“Yes," I said. “We’d make love flying upside down doing acrobatic turns in space while connected.”

“Yes,” she said. “If the earth were a marble and dropped into the lake we could swim to the surface.”

“Yes, and burst free and fly, glide over the mountains and plains end to end forever.”

“Yes. Just for one night.”

“Yes. Only during the full moon we’d have the freedom to fly all night long.”

Our universe was Yes.

We listened to Portuguese Fado singers sing sad songs about fate and love as headlights created shadows. Moonlight dancing on lakes illuminated jagged gray dolomite mountains in a black sky full of shooting stars. Our collective energy made it a day and night we’d remember forever.  

We were shooting stars.

Weaving A Life (V1)

Thursday
Jul262018

Yangon, Burma

The English facilitating opportunity in Yangon met his needs for five months. He and four other teachers were downsized by Mr. Money, CEO when he lost a building lease.

Let’s have some language fun in Utopia. Open your head heart mouth. Dream big draw big.

Create a new photo book, entitled Street 21 documenting Yangon, Myanmar.

Until nationalism in 1962 English was taught in schools.

Bye-bye British. Now it’s Burmese. Many people here speak the language of noble barbarians. Hello, what’s your country? God bless you, said a smiling man.

Everyone is friendly gentle and kind. Buddhist nature.

Myanmar has seven states and 135 ethnic groups. 55-60 million.

His Yangon neighborhood reminded him of China in the 90’s. Tight narrow dwellings.

He lived 114 steps up from ground Zero. He salutes sunrise. Crows say hello. Caw-caw, look a stranger. Their wing music is soft. Feathers glide through air with the greatest of ease.

Train whistles, click-clack music street sellers sing dawn food wares, bird songs.

Two yellow bamboos, one green bamboo and a red and white flowering thick-stalked plant in green and blue containers absorb balcony sun.

Joy is growing, nurturing a small garden. The weather is cool and mild through March - then big heat for three months followed by the rainy season. Sky tears.

He takes a taxi to work/home for $1. Horrendous traffic jams. I’ll race you 10’. Ok. Creep and stop. No motorcycles are a quiet blessing. Banned after an assignation attempt.

Get to the verb. I am a camera. Hunt, freeze, shoot.

Have ink will travel.

Bleed words.

It’s not about you.

It’s ten claws scratching at twenty-six letters.

This is a letter.

He traverses 114 steps, open the large lock on the sliding gate, passes through life, slides it locks it and walks down the street passing men frying dough, tea drinkers eating noodles, women selling fruit and veggies from bamboo baskets, people staring at cheap phones asking relatives are you still alive, where are you, when are you coming home, I miss you as he passes through a narrow alley with 3-4 story apartments, balconies spilling flowers, grateful sliding gates, passive dogs and pedestrians.

The path leads past wooden and bamboo homes where people cook outside corrugated bamboo shacks, bath from large cisterns, kids play, women cook/sell street eats, people chat, walking to the large local market overflowing with colorful nutrition. Fresh cut flowers in 1001 varieties for sale are ubiquitous. Home décor. Bouquets say hello. Women wear sweet smelling white flowers in their hair.

He reaches the small local train station.

Red brick, oval shaped entrance. Barred ticket window. Friendly man helps negotiate a ticket into city center. 200 Khat (20¢).

Four tracks, discarded cars lie on abandoned ways. People burn trash along tracks. Bamboo shacks. PSP mansions. Women dry sardines on pavement.

Waiting seats are iron-rails glued to cement pedestals. Men spit out red betel nut juice. Betel sellers are everywhere. Big business. Cheap buzz. Cancer of the mouth.

Push and shove to get on. Get going. Get real. Get out.

Get is the joker word in English.

The southbound engine pulls six yellow and brown cars packed with humans going to work, school and town.

Women balance watermelon slices on heads selling red juicy slices, men hawk DEMOCRACY newspapers and boys proffer water.

Down the line they jump off and grab a train going north. The majority of passengers stare at cell phones. The real world is boring enough as it is.

Traveler hits the bricks doing documentary street photography, exploring narrow streets filled with Indians, Bangladeshis, Pakistanis, Chinese, Burmese, street stall food smells, buyers and sellers, meat, fruits, vegetables, hard survival jingle-jangle life. Pulsating vibrancy.

He feels alive here.

Every week he visits a new barber in town for a head shave. Indian. Chinese. Burmese. Travel taught him to trust a man holding a straight razor against his throat.

Sitting meditation.

This is the perfect place to gather raw poetics about the human condition.

A lapidary man has an extensive operation cutting/polishing stones from a jade quarry. He explains qualities and examples of mounted ruby, blue sapphire and jade pieces. A huge business considering northern slave mines, Chinese demand and international markets.

+

Traveler smells like garlic after preparing his lunch of sardines, broccoli, spinach, pasta, carrots, tomato, avocado, garnished with oregano, curry spice, saffron and olive oil.

Teak chopsticks will travel.

He eats in the upstairs staff dining area with female Customer Service Officers. They bring rice, small bags of spicy add-on juices and portions of pork or fish in shiny round aluminum stacked containers. Mommy makes my lunch, they murmur.

They shovel it in with aluminum spoons. They talk with their mouths full. Traveler shares veggies. Hot green Nara tea is delicious. Leaves float on the surface.

One CSO girl said, the CEO is mean and selfish. Yes, said traveler.

The other native teachers devour fast food from the hamburger joint at the nearby shopping center while sitting at their desks staring at computers or yakking. Exciting. 

Teachers fly to Bangkok every seventy days on a visa run. HR provides holding company business documents for re-entry into the gravitational field. Forms, a smiling photo and a clean $50. Old money is not accepted. No creased, folded currency. So it goes.

Longyi is the traditional sarong-like apparel for men. He discovered a fine silk cotton blend in Mandalay at a weaving village way back when. Ventilation.

Needle leads thread. Threads lead a conversation.

Weaving A Life (V1)

Tuesday
Jun192018

ABC

“Are we Asian or European?” said Zeynep the elder playing her cello resembling the human voice in a Bursa cemetery.

“Sadly,” said young Zeynep scribbling with black, red and blue ink on Moleskine parchment, “we'll never know our true identity. We suffer an existential identity crisis. 90% of Turkey is in Asia. We need talking foreign monkeys with clear pro-nun-ci-a-tion at TLC. Wow, it’s another day in a magical paradise.”

Zeynep knew her ABC’s. Always Be Closing.

Her grandparents had a restaurant near a shopping center.

Lucky wandered in one day before going to TLC. Shy and curious she watched him writing and drawing. He smiled, Hello. She stared. He pushed red, green, blue and black pens across the table, turned his notebook toward her showing a page of color gesturing to materials and a chair, come and sit down. You can draw. It’s fun. She was curious with courage.

Trust. They became friends.

Zeynep and Lucky created art daily in a ravishing food zone.

Bored anxious depressed adults devouring their dreams, nightmares and anxieties with plain white yogurt swallowed shock and awe. Lotus-eaters stared from deep vacuums with hard dark brooding eyes.

Want to make a deal?

How’s it feel

to be on your own

with no direction home

like a complete unknown

like a rolling stone?

When Z or L made eye contact adults glanced away with fear uncertainty and incriminating disbelief. Not to mention psychosis, repressed aggression and guilt complexes.

They didn’t see regular professional strangers here, let alone one talking, laughing, playing and creating art with a kid as an equal.

Adults listened at 10% or less saying yeah yeah or I am tired with panache.

They asked Z many questions without speaking.

What’s the melody?

How can you revert to primal childlike innocence?

Is the music in the cello? How do you get it out?

Why do you risk being free and independent?

How did you escape the tyranny of social conditioning?

How do you develop your wings after jumping?

Why are you always scribbling words or drawing or playing the cello?

Do you have mental disorder?

Are you on medication or meditation?

Is it contagious this art and music process of creativity?

Is it the food, air, water?

Am I this or am I dreaming?

"All of the above," said Z. "Good things happen when you take risks. You risk expanding your perception. You risk losing everything in the expansion. Are you prepared to lose everything?"

Adults were afraid to express repressed feelings. Too risky. Ain't nothing but the blues, sweet thing.

The Language Company

Saturday
May192018

Collecting Dust

I climbed through the center of Bali inside magical light past an extinct sacred volcano at Lake Batur carrying a portable word machine, a map carved on narwhal bone, codices or painted books and texts on bark paper and cactus fiber called Amate including animal skins and dialogue of Mayan origin.

Gathering flames I lit a piece of bark for guidance. My hair caught fire. I mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm rich with antioxidants. I applied this to my skin to gain entry and passage through the spirit world of ancestors.

To become clay I created clay. I needed dust.

I collected dust and minute grains of mica. Teams of gravediggers, weavers, butchers and writers explored rain forests, jagged mountains and impenetrable jungles collecting dust.

Hunters dived into, under and through massive Columbia waterfalls near tributaries where the confluence of Northwest rivers gnashed their teeth, snaking past abandoned Hanford nuclear plants where fifty-five million gallons of radioactive waste in decaying drums left over from W.W. II slowly seeped 130 feet down into the ground toward water tables.

The waste approached 250 feet as multinational laboratories, corporations and Department of Energy think tanks vying for projects and energy contract extensions discussed glassification options and emergency evacuation procedures according to regulations and Robert’s Rules Of Order inside the chaos of their well ordered scientific communities.

Tribal survivors ate roots and plants garnished with entropy.

 

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoeic part of their journey.

I reflected on the unconscious residue of social, cultural, ethical and spiritual values.

I needed masks. I needed to understand the underlying mysteries inside death masks. I confronted the realm of spirit. I created masks on my pilgrimage. My journey was the destination. Masks signifying the dignity of my intention thwarted demons and ghosts. I became spirits dancing in light.

Everything was light in my shamanistic interior landscape. I released the ego - Ease-God-Out - detached from outcomes, eliminated the need for control or approval, trusted spirit energies, and remained light about it.

Inside light with slow fingers and long thin ivory nails I turned clay into pots. Spinning spirals danced on the wheel of time.

I finished throwing them used them for tribal ceremonies and smashed delicate clay pots to earth.

They exploded into the air creating volcanic ash coating everything in a fine dust.

I dug into the soil of my soul.

I scattered raw turquoise stones along a trail of sacrificial tears on a long walk through geography.

 

Sunday
Apr012018

Book Blurb - TLC

Creative non-fiction. Journalistic facts. Literary imagination.

Lucky Foot facilitated English at The Language Company in Ankara and Bursa, Turkey in 2008.

In 2012 he facilitated in Trabzon and Gerisun on the Black Sea. Collecting data. Field notes.

Gonzo stuff.

He is a Vietnam veteran, writer, street photographer and facilitator of courage.

Since 2004 he's gifted luck in Burma, Cambodia, China, Indonesia, Laos, and Turkey.

He shows up. He sits for a spell nurturing positive relationships in the long now.

Accompanied by Humor and Curiosity he helps students speak English with confidence minus illusions of fear and phobia's relatives:

Fear of taking a risk.

Fear of being incorrect.

Fear of peer ridicule.

Fear of poverty.

Fear of starvation.

Fear of being ordinary.

Fear of success.

Fear of abandoning a manuscript by Zeynep entitled TLC.

Fear of accepting responsibility for choices and accepting the consequences.

Fear of letting go of old conditioning. Shadows.

Fear of being alive and real. Growing.

Fear of_______. (Your free choice)

Lucky, Humor and Curiosity observed parents, schools, religions and countries fostering passive acceptance, fear, indifference and rote learning teacher-centered systems.

It was all about vomiting the material to pass exams. Product. Not the process of how to be more human and think for yourself.

Status quo. Sheep mentality. Blend in. Questions are forbidden. Authority washes your brain daily.

Zeynep, his young genius friend in Bursa taught him about life in her totalitarian country.

"As a literary outlaw I say what others are afraid to say. Anxiety is a chronic national problem. Adults here are good at two things, eating and fighting. 'Dissent is terrorism,' say our corrupt manikin authoritarian figurines."

Leo revealed dystopian China. "I spent years carrying shit in a Re-education through Reform Labor Camp for questioning Authority. Everyone here belongs to the Big Ears, No Mouth society. Oh the shame. The bent nail gets hammered down."

Rita, the independent author of Ice Girl in Banlung shared stories about her Khmer culture and Cambodian history. "We've had twenty years of hopelessness. We breed. We work. We get slaughtered. Poor people see education as a waste of time and money."

"I dream I am a free person in a free country," said Curiosity.

"You're dreaming," said Humor.

A seven year-old Vientiane kid explained Laos. "I develop my authentic character with critical thinking skills, humor, gratitude, abundance and wonder as a free thinking individual. I have my junior philosopher's badge."

"If you want to do great things you must take great risks and suffer greatly," said Zeynep. "You either let go or get dragged along."

Awareness. Mindfulness. Compassion. 

"It's not about people buying this book," said Rita. "It's about people reading it."

The Language Company