Dialogue with an Irish fly

“Your machine, memory and imagination are your friends. Keep them clean, sleep with them. Remember to take out the garbage. That’s the advice your old buddy Mike, your old fishing buddy, said years back, or was it in the future he told you? I can’t remember exactly, it’s all a blue blur."

"You’re in a place full of archetypes, spirits and dancing death."

“Cast a cold eye on life, on death, horseman pass by” and all that said Mr. W.B. Yeats.

Mike reminded him to take out the garbage. Cut out the the vague shit and remember the reader doesn’t want to work too hard.

Always fondly reminding him of this truth.

The fly goes into cardiac arrest. “My god! A fly fisherman. You gotta be kidding.!”

“Yes speaking of fly speak. He uses you to snare trout skis. No worries, he ties his own flies. He was talking about revision. Yes. Finding the thread in the story as we work through and wander along the labyrinth with the ancient clew of our pilgrimage.

“When he isn’t writing a collection of stories about growing up in orchards full of sweet delicious oranges, working in his garden planting future salads or pounding pavement and isolated paths near Colorado tributaries to prepare for the pleasant torture of Hawaiian iron man events, he defends humans in Cuba.

“He argues for a living. He’s busy filing appeals when illegal Military Tribunals sentence clients to death. Execution. It’s a job.”

“We are all in various stages of appealing sentences,” said the fly recovering from a comma.

“Here. Read my mind.”

He tends thorns in life’s rose garden wondering if people scheduled for execution on death row see the complete impermanence all around them. Maybe they see everything shrinking down to a finite particle of light reflected as rainbow spectrums zoom across the sky. Maybe people on death row just breathe, sit quietly in their cell and experience detachment.

“Maybe they live in the eternal frozen moment of non duality with complete lucid clarity until the executioner wearing a black hood with eyes burning so bright, so close he can see where warp and weave meet, throws a switch.”

“Electricity? Public utilities? Deregulation of energy sources. Prayer wheels turned by water for hydroelectric power fingers sliding to the switch, the button on the console, transportation rooms filled with prisoners sitting on thin mattresses near cold metallic sinks, shoes carefully arranged, eating freeze dried popcorn, staring at calendars with Aztec and Mayan sun gods designating virgins through family genealogy destinies threaded together on looms of acid pellets sliding into a ceramic dish spinning inside a wheel of gas?"

“Injection? Hypo syringes dripping toxins, lethal molecules, subatomic particles of Technicium or TC-99 from Hanford’s Nuclear Reactor seeping a slow death into the Columbia River and passing camels through a needle’s eye into deserts watering solitary confinement.”

The fly had heard enough. “In Texas they call it the barbecue pit where Friday is fry them alive day. The Bush throws the switch.”

Tra-Na Rossen, Donegal

“There it is,” Pat, the area bus driver said, pointing toward the hostel in the distance, a big gray building with two gables and a loggia with natural stone facing and gray slate roofs blending into a rocky hill below Crocknasleigh Mountain standing 544 feet.

Tra-Na-Rossan was the northern most hostel in the Irish Republic, and donated to An Oige in 1936 by Mrs. Phillimore, a respected and well liked lady in the community. She had a Catholic cross constructed on a green sward so villagers wouldn’t have to walk the two miles to church.

It was a large, comfortable, cozy isolated place with miles of beautiful countryside, beaches and mountains for exploring with views east over large grassy fields full of grazing sheep and west to the Atlantic coast.

The lower area below the hostel was all bays, wide green pastures, low rolling hills, inlets, patchwork designs of land leading to distant beaches and beyond to Horn Head, a massive projection of rock miles away and only accessible by leaving the peninsula. A single road past the hostel led toward Melmore Head.

He opened up, moved into the warden’s separate living area, read the previous warden’s notes regarding emergency numbers, checked supplies and rang up Dublin on the hand crank phone verifying old accounting ledgers and filing his report with the home office. They mentioned “the problems” to be sorted out.

Flagstone floors. The spacious common room had a fireplace, couches, chairs, tables, book shelves with games and reading material. A small pantry stocked basic canned goods. There were drying closets, bathrooms, hallways with many small windows, lots of plants, a miniature greenhouse, notice board and dining area. Exterior buildings held turf and coal supplies, a general storage area, a pump house next to a burn trash heap and piles of rusting cans.

The hostel accommodated 36 travelers in a warm, comfortable place along their journey. The warden area contained a bedroom, kitchen and small sitting room. The Smith Corona had a new table and a lamp to illuminate his work.

Sitting in his Donegal kitchen with life’s operating manual on the table he heard wind blowing banshees as a peat fire roared.

One morning his Aussie lover headed south and home where she worked as a nurse in the outback. Their wild intense affair satisfied their primal natures. Helen stopped along her way and they moved through collective consciousness sharing quick painless conversation, laughter, tales and uninhibited passionate animal behavior. Her long red hair was on fire. They expanded and regaled collective energies through lust, attraction and attachment phases with a strong gravitational energy.

The hostel was deserted in the dead of winter.

Dancing Shards

Years later down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets recording taxes on oil and linen; a special material ancient Egyptians considered ritually pure under the protection of the goddess Tayt.

The hieroglyphics, line drawings of animals, plants and mountains, revealed stories of economies and commodities. Early writing.

In Nevali Cori we found 9,000 year old shards of pottery depicting dancers.

“These images,” a team of metaphoric diggers said, “reveal a fictional common ancestor creating as a way to integrate their community.”

“Anything else?” as my camel hair brush cleaned pottery shards.

“Well,” one on his hands and knees said sifting through valuable dust, “we surmise these images established a collective discipline among members of their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space.”

“It’s more than that,” said an expert. “There are five rhythms in dance. You start with a circle, it’s a circular movement from the feminine container. She is earth.”

“Really?”
“Yes, then you have a line, from the hips moving out. This is the masculine action with direction. He is fire.”

“Ok.”
“Chaos is next, a combination of circle and lines where the male and female energies interact. This is the place of transformation.”
“I see. And then?”

“After chaos is the lyrical, a leap, a release. This is air. And the last element of dance is stillness. Out of stillness is born the next movement.”
“Ah, a space language.”

A language dies on the planet every two weeks. Humans sing oral traditions. They are memorizing seasons, celebrations, rites, magic and ceremonies.

Historians have the job of trying to understand what happened through time. My team of anthropologists have the job of understanding how people told their stories.

Mircea Eliade, a historian of religions, once stated, “Myths tell only of that which really happened.”

Busy doing my work, listening and collecting. Neurons are firing on all cylinders. Seven trillion human cells dance. It requires a mindfulness.

Corrections flash flickering beams of incandescent auras, pulsating magnetic fields evolving shards, dance, myths and evolution of intention.

Dancing Shards

Greetings,

Years later down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets recording taxes on oil and linen; a special material ancient Egyptians considered ritually pure under the protection of the goddess Tayt.

The hieroglyphics, line drawings of animals, plants and mountains, revealed stories of economies and commodities. Ancient writing.

In Nevali Cori we found 9,000 year old shards of pottery depicting dancers.

“These images,” a team of metaphoric diggers said, “reveal a fictional common ancestor creating as a way to integrate their community.”

“Anything else?” as my camel hair brush cleaned pottery shards.

“Well,” one on his hands and knees said sifting through valuable dust, “we surmise these images established a collective discipline among members of their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space.”

“It’s more than that,” said an expert. “There are five rhythms in dance. You start with a circle, it’s a circular movement from the feminine container. She is earth.”

“Really?”
“Yes, then you have a line, from the hips moving out. This is the masculine action with direction. He is fire.”

“Ok.”
“Chaos is next, a combination of circle and lines where the male and female energies interact. This is the place of transformation.”
“I see. And then?”

“After chaos is the lyrical, a leap, a release. This is air. And the last element of dance is stillness. Out of stillness is born the next movement.”
“Ah, a space language.”

A language dies on the planet every two weeks. Humans sing oral traditions. They share seasons, celebrations, rites, magic and ceremonies.

Historians have the job of trying to understand what happened through time. Anthropologists have the job of understanding how people told their stories.

Mircea Eliade, a historian of religions, once stated, “Myths tell only of that which really happened.”

Busy doing my work, listening and collecting. Neurons are firing on all cylinders. Seven trillion human cells dance. It requires a mindfulness.

Corrections flash flickering beams of incandescent auras, pulsating magnetic fields evolving shards, dance, myths and evolution of intention.

Peace.

The Criteria for Beauty

"Your bike is dirty," she said when he pushed it into the elevator.
"Yes, isn't it just beautiful," he said smiling. "It loves nature."

"You have the criteria for beauty," said the Chinese teacher. We were going down. Neon red floor numbers practiced subtraction.

Her arms were filled with thin standard brown student exercise books. She'd finished grading them with her sharp red pen. The books dripped blood on her shoes.

"Beauty is it's own criteria, as it's own criteria," he said. The door opened. He followed her with his dirty mountain bike.

She carried the books to the guard shack next to the partially closed black gate. A tight squeeze. Inside, the passive guard was watching bland tame soap operas at a high decibel level. Reruns.

Her students would trek over to collect them. She passed her responsibility with authority.

He pedalled away toward a dirt road in the mountains and beauty's natural criteria. Where he would sit in silence hearing wind sing through evergreens.