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A Century Is Nothing A Century Is Nothing
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« Virus Life | Main | 51 Days in Turkey »
Monday
Mar092020

Burn your fear

Write FEAR & ANGER on a paper napkin.

Burn it.

Let go.

Citizen sheep believed in fear and unsustainable consumption because they were afraid of being lonely and poor.

Happiness is a myth. The wish of desire said so.

Humans were willing victims of their fear, healthy uncertainty, and doubt. Their amygdala, a small almond shaped brain structure creating fear and emotional response fired up. Fight or flight?

Are you the hunter or the prey?

Manipulated by the collective unconscious and a pervasive system of socialization control mechanisms, consumer sheep were happy. The subtle influence of right wing conservatives and media addiction bought idiots. Facing their mind-numbing daily grind with heart breaking choices sheep needed someone/something to Control them.

Accepting responsibility for their freedom was scary.

Intelligent centered ones feeling gratitude and empathy in their heart danced with Death. Everyone lives and dies.

“You work, breed and get slaughtered,” said an Asian child with a junior philosopher badge.

It’s essential to die once while you’re alive. Get it out of the way.

*

I carried a copy of Omar’s book, A Century Is Nothing from Turkey to Indonesia to Nam in 2009.

Together with Omar we used fire, this crucible of alchemical combinations, diversities, sweat, blood and tears to create it so I’d use fire to release it. Save books, build a library.

Books are universes of ideas, experiences, feelings, visions, and paths, destinations obliterated through discovery, reminding memory. They are worlds of dreams, stories, dramas, plays, songs, histories and guides into new visceral experiences.

Pages sing their laughter with wisdom, song, and poetry. Preserve memory. Live forever with paper’s tactile voice. Voices of reason, comedy, and tragedy are skintight drum stories.

They are oral transmissions recorded on parchment, vellum, and illustrated manuscripts in Irish Gaelic talking tongues, Sumerian clay and Asian scrolls.

I didn’t burn it, a way of sacrifice offering and letting go. Down the road I gifted the brick to three Asian women in Saigon. They had Chinese ancestry from Hong Kong and lived in Australia.

I said a friend wrote it so I signed it and laughed letting it travel with them. Thanks for the book. You’re welcome. I hope you enjoy it. It took all three to carry it.

They staggered up guesthouse stairs with the tome. After breaking down a wall they struggled to get it through an opening. People need to break down before they break through.

Maneuvering it into a bag they discarded cheap Vietnamese souvenirs. We’ll have to check this monster all the way to Sydney.

ART

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