One joy about self publishing was selecting the cover photograph.
Her image spoke emotional honesty. She was trapped behind the steel grate, a hard grey Chinese educational formation of her childhood in the poor village of Maija in a remote area near the university. Her eyes held world secrets and potential.
She stared at the man, a stranger, a diversion in her universe. Her sisters and schoolmates pushed against her. She was trapped against the gate. It was locked. He was on the other side.
He held a small black machine up to his eye. She heard a click. The shutter opened and closed, trapping time, trapping her image on a memory card. He smiled, thanked her and disappeared on his dirty black mountain bike.
She had no way of knowing. Her image finding a book cover. Her child eyes there for everyone to see. Stories about stories and the girl in some alchemical manifestation lived breathing and aware of her immortality.
He’d visited her primary school to sing and dance. Speaking strange unintelligible words. His laughter and kindness were a relief after the autocratic, punishing manner of bored illiterate women teachers. They didn't want to be here any more than the kids.
No one had a choice here. You did what you were told to do in a harmonious society filled with social stability ordered from Beijing.
A long distant dream far away from a poor village where people tilled soil following oxen in dirt, mud and rice paddies.