Head work

Greetings,

Actual raw material.
Make it new day by day, make it new.
Am I this or am I dreaming?
Non-verbal energies and perspectives. 

Nature is what you can be, and culture is what you are.

Metta.

Angkor Draft

Greetings,

If I begin this dance by calling it Angkor Draft you may surmise it is about a local beer. It's not. While the beer is very popular with tourists and locals, the latter consuming huge quantities to cement construction deals, it's actually a urine based liquid reference favored by extremely thirsty red dust covered humans unloading huge packs with a weary sigh of relief. They've traveled far and wide to reach this epic point in their short sweet life. The average tourist will spend 3.5 days here and consume 9.6 large bottles of Angkor Draft.

As I wrote, in early January, I bought a 7-day pass for the Angkor Wat complex. This allowed for seven relaxed visits over a month's space-time. This was necessary due to the intensity of the experience. In advance I visited the Angkor National Museum to learn about the Khmer culture and Angkor. These entries are in the January Blog Archives. 

The Angkor image galleries are in a folder with a descending order of discovery. I began far away; specifically at Banteay Srei (9th C.) and The Roluos Group (8th C.) My last two visits included the main Angkor temple and the Bayon. I also revisited Preah Khan, Ta Som, Ta Prohm and Banteay Kdei. 

Angkor Wat was built in 1113. It is the largest religious monument in the world. It took over 30 years to complete and is dedicated to Vishnu. It is a symbol of the divine; Mount Meru in the center, surrounded by smaller peaks, courtyards (continents) and a huge moat (oceans).

After the 13th century it was a place of Buddhist worship. Extensive graphic wall galleries and carvings depict battles, regal processions, heaven and hell, and the Hindu creation epic "Churning The Sea of Milk," where gods and demons cooperate to create the elixir of immortality. Galleries also include battles between Devas and Asuras, and the Battle of Lanka.

Angkor reinforces the reality of small humans. How did I feel here? Serene. Impermanent, calm and centered. 

The Bayon is a three-tiered pyramid temple with 49 towers. Archeologists theorize the multitude of faces symbolize the god-king looking over the entire country. There are fine bas reliefs. My feeling was the immensity of energies and perspective. I avoided crowds and found solace and serenity in secluded places. The image below is an example. Not a single traveller exploring Western walls, courtyards or just sitting.

"You cannot photograph space," said a girl sitting in the shade.

All the temples offered deep surrounding forests, labyrinths, mazes, delightful discoveries and magical light-shadow play. Feel free to wander around at your leisure. Double-click on images to see larger visions. 

Angkor, Bayon and beyond...

Metta.

Dance hall

Greetings,

The dancing hall at Preah Khan is where dancers don't smile. They dance. They are slave dancers, all the women.

They dance for the king. He is the god-king. He has resurrected his desire and fury creating new customs, new decrees for dancers. They dance for the mighty and powerful. They dance Khmer stories about war, conquest, harvests, seasons, sun, and moon. 

They are submissive dances of life/death. They dance to celebrate life. They dance the celebration of tranquility. They dance or die. They wear tinkling bands of gold around wrists and ankles. They wear diamond diademed crowns and shimmering silk clothing. They do not smile. Their faces are frozen in the trance of dance.

One dances to escape the tyranny. She's danced all her short, sweet life.

The hall of dancers is surrounded by columns, portals and broken jumbled green moss stones. Thick gnarled silk-cotton tree roots crawl toward dancers. They dance through roots, past Shiva and Vishnu. The preserver and destroyer of life. 

Two foreign dancers dance with guide books. Golden leafed pages dance past their eyes. A guide who knows everything watches them. They are blind. He dances alone.

Metta.

Phimeamakas, Preah Pithu, Thommanon, Chau Say Thevoda...

Leica the day

Greetings,

What a pleasant day. I visited four temples - there are perhaps 1,000 - at, around and away from Angkor Wat. An evolving diversion from previous impressions.

Phimeanakas, 10th c., in a large forested enclosure means "flying palace" in Sanscrit. It was topped by a golden spire. I sat near Phimeanakas and then wandered toward ancient walls. In between were painters offering their art. Green and yellow leaves fluttered through broken light. Earth's new blanket. 

The Preah Pithu Group are five Hindu and Buddhist temples from the 15th c. The forest path is crackling. I walk slow, breathing in the fragrance of leaves, trees, fresh air, leaving only footprints.

Over a simple meal of rice and vegetables a group of young Czech men talk. One said, "We have to DO everything in a short time." That sums it ALL up.

Thommanon, 12th c. is in great condition with fine Buddhist art and complements Chau Say Thevoda. Chau is undergoing renovation using Chinese government funds. Dedicated to Shiva and Vishnu.

A cleansing ceremony at Preah Palilay.

Metta.

Phimeamakas, Preah Pithu Group, Thommanon, Chau Say Thevoda galleries...

Yellow Butterfly Guide

Greetings,

Evidence of intelligent life on Earth is greatly exaggerated. It's a rumor. A myth.

I recently wandered Banteay Kdei and Ta Phrom.

Kdei is great for walking through the dust. A sun yellow butterfly was my guide. It led me around the perimeter for a feeling of perspective. Being outside gives you the feeling of space acknowledging deep green forest. I do this at every temple. It's rare to see others explore the outside. Intelligence on Earth is rare.

Tourist ants are in a highly disciplined hurry. They march in, follow others, follow the stone path. They wander around, make a lot of noise, pose for pictures and march out. Their time is limited. Many look serious and sad, especially the Europeans. They are clearly controlled by forces unknown to them. It may be a silent ticking mechanism on their wrist near a pulse. They are little robots.

I remember a Tibetan saying, "I would rather be a tiger for one day than a sheep for a thousand years."

I explored outside slowly inside gentle winds from the forest. It's a very slow walking meditation. I engaged all my senses. Thick dust underfoot is a welcome relief after stones. I am surrounded by light and shadows dancing through leaves. All nature all the time.

Butterfly leads me to interior passages and shadowed experiences. Butterfly shows me mysterious art. Deep interior space. It takes ages to reach the center. 

Prohm is where "possibly the most famous photographed tree on planet Earth exists." It entwines itself around and through soft stones. It's a zoo. Human hoards line up to take a photo. They push and shove and jostle so they can have their picture taken with this tree.

Italian, French and German tongues wag like mongrels in heat. Life is a bitch. The Japanese, as I mentioned in an earlier post from The Silk Worm Farm are total photo freaks, obsessed with posing in doorways, passages, with carvings, plants, ferns and leaves. They feel the experience with their cameras. They behave like the temples are one gigantic amusement park. 

Here's the tree. No humans. Actually there is a tiny tourist sleeping inside the third root from the center.

Banteay Kdei and Ta Phrom galleries.

Metta.