Poetry rocks russia

Greetings,

The passing of Mr. Voznesensky creates new opportunity and awareness for poets with courage and voice. Poets speak in the atmosphere of intimidation and menace. 

Here is a NYT piece on Russian poetry.

...Here is Pushkin’s poem “Good for the Poet Who ...,” a bitter satire of writers who would curry favor with rulers, in a translation by Yevgeny Bonver:

Good for the poet who applies
His art in royal chambers’ splendor.
Of tears and laughter crafty vendor
Adding some truth to many lies,
He tickles the sated taste of lords
For more greatness and awards.
And decorates all their feasts,
Receiving clever praise as fees ...
But, by the doors, so tall and stout —
On sides of stables and backyards —
The people, haunted by the guards,
Hark to this poet in a crowd.

Now there’s a declaration of independence.

Read more...

Metta.

Delightful dangerous literature - 2666

Draw, paint, sing, dance, write, disappear.

Tell me a secret, poet. Reveal your wandering verse, your free form exile. There is no salvation.

Not too detached. Not too sentimental. We are surrounded by androids. Give the zombies simple stuff. Let them wrap their minds around artificial entertainment instruments in their operating rooms. Cut them open.

How do we measure their emotional receptivity? How do they establish meaning inside the daily, brutal violence?

Rolling and tumbling. A work of art is never finished. It is abandoned. People take themselves way too serious. The art and elements of a Japanese folding screen - shapes, edges, designs, natural free form.

Tell me why you loved being a campground guard in Costa Brava, Spain. Was it the night, the dark? The ghosts from your childhood? Yes, I imagine it was all the ghost children, all the dead women in Ciudad Juarez. All the unclaimed corpses. All the young girls. Never identified. Never claimed. Forgotten forever.

How you turned to writing fiction to support your family, your children. How you said you would have rather been a detective instead of a writer. How they are related. How you realized your literary life in Spain after Chile, Mexico and lost highways along your way. Wandering. Literature, the abyss.

You created a new novel form before passing on. Thank you. 2666.

Creating literature is a dangerous occupation. Silence exile and cunning.

Metta.

Visionary Vet

She was an angel looking down on the human world from a great height. She floated where material concerns and possessions did not matter in the big picture. 

She remembered standing at attention at basic training in another century with Senior Drill Sergeant Roger That screaming in her face, “You’d better keep the big picture in mind you bunch of dumb shits. What I’m telling you may save your sweet ass.” They practiced eating dust, killing ghosts and lethal hand-to-hand combat. The quick and the dead.

It was one of those crucial survival messages she was blessed to receive in her short sweet life. Before they packed her off to a hot humid Asian jungle where she gobbled rice with her hands, moved with the speed of a reptile, swam with leeches sucking her blood, connected all her senses into a single bright sharp clarity, maintained her ironic detached sense of humor and kept her mean machine clean. 

She’d rotated out of the jungle and just kept on going. 

They pinned medals on her in sweltering Saigon, she caught a freedom flight, confronted bitter cold in thin tropical khakis dashing across an Alaskan tarmac, then flew to the City by the Bay. A sergeant offered her a steak dinner. 

She muttered, “Screw the steak, give me a fresh dress green uniform and I’m back to Colorado.”

Airborne, airmobile to Denver she became an exile with a degree in Silence and Cunning. Surrounded by the living dead. Wandering Ghost material.  She’d evolved through the first of many metaphysical windows. It was impermanence; one life, no plan and many adventures. Restless was her masterful mistress. Movement and silence. 

She eased out at the Spanish summit to breath deep - receiving freezing cold gray and black clouds. They gave her the threads she needed then and there in the wilderness. They were a security blanket around her shoulders and she weaved them into a fine piece of work. 

She started descending toward the Penon Grande mountains above Lacilbula where she’d sit down doing her winter weaving travail. 

Immediately after arriving at her small space it started pouring. Coming down. Reminded her of Nam monsoons. Nature’s rain turned to violent hail, welcoming her to a new sanctuary in the old Roman pueblo. She welcomed the transition.

Inch deep hail accumulated on patio plants. She’d been warned it had the highest rainfall in Andalucia. The weather turned bitter cold for a week. 

“Unseasonable,” said a woman neighbor near a rose bush outside her cobalt blue Moorish door. 

She settled into an intimate furnished two room space with plastered stone walls, no central heating, a patio with 20 plants and delicious orange and lemon trees. Simplicity, serenity and sanctuary.

Metta.