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Subject to Change Subject to Change
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Entries in street photography (424)

Monday
Feb102025

Mrs. Pho

A female garbage collector rings a bell daily at 16:55 alerting residents in Dave’s neighborhood it is time for them to bring out their waste. Remove the evidence. Bag it and tag autopsy material.

Mrs. Pho hears the bell. She’s ready, willing and able. She’s arranged her family’s consumption debris in two plastic bags. One pink. One white. Orange and yellow fruit rinds went white, everything else pink fat shreds. She didn’t waste a thing. No one does.

Life is a nasty, brutal short struggle she reflected, bowing in front of her parent’s images, dead and long gone to be remembered infinitely with their stoic black and white ghost face images resting above glowing electric Buddha bulbs pulsating red, green, blue and white lights on her family altar. It’s decorated with plastic flowers, fruit offerings and spirit food incense.

She hears her father whisper in her burning ear as he carried her away from their napalmed village during a war. She doesn’t remember which war. They were endless. Remember where you came from, he said. She never physically returned.

It didn’t matter which garbage bag went where because after she’d taken it down the high walled schizoid alley blocking sincere fading light, she tossed the bags into a rusty gray rolling cart with plywood boards reinforcing height pushed by a masked woman in a green city garbage vest.

The accumulation of garbage was tremendous. Growing exponentially it became part of the collective mess, their collective consciousness. Garbage in-garbage out was everyone’s civic mantra.

She was content knowing her contribution was not elaborate. Just enough to get her away from cold walls and plasma idiots to gossip with neighbors as cracks of white twilight filtered past musical hammers  ... creaking wheelbarrows pulled by skinny boys, incessant motorcycle horns echoing through tight chambers with floating dust particles breaking light into a magical sense of mystery for her tired eyes

... marveling at this visual epiphany as 21 shovels of Earth were moved and manipulated this and that way by young desperate hungry boys and girls from poor villages with zero educational opportunities or laboring wheelbarrows filled with sand, gravel, bricks, mud, sludge, wood, dreams, their bodies caving in from AIDS, exhaustion, heat, H1N1 virus, mortar attacks, suicide dreamers

... while hearing young Sapa Hmong children speaking excellent English with no further hope of an education after grade eight reduced to selling handicrafts to tourists, their bright beaded bags, embroidery stitches, indigo blue staining their hands through long dark cold winters as storms howled, Have mercy, Have mercy on the war weary inoculated objectivists savoring an inferno of their eternal nightmare now reduced to survival and No Exit save fate, death and dust inside a universal spiral.

A shattered mirror reflected her dignified stoic face.

To survive, a young migrant prostitute finished fucking a young migrant boy behind a corrugated curtain at a construction site. Plow my field buddy. She moved down a crooked alley to another construction site singing, nobody loves me but my mother and she could have been lying too. When she wasn’t screwing the quick and the dead she cooked food for laborers. This gave them the strength to handle her wildcat ways. She never slept alone being destiny’s child.

Inside his cement cell Dave’s angry voice danced with rusty brown barbwire encircling his URL domain name and social media sites before easing past shards of fractured green glass embedded in shrapnel’s perimeter.

Book of Amnesia Unabridged

Monday
Jan202025

One Room

I found a private room in a densely packed Hanoi neighborhood near Lenin Park.

It was filled with narrow twisted alleys, dead ends, byways, rusty gates, spilling bougainvillea foliage, curious kids, workers pulling wheeled carts filled with discarded bricks and mud and tube homes on narrow land for tax reasons. 4-5 floors is the max.

 

I had two roommates. A mellow Frenchman working for a private agricultural farm three hours north who returned to Hanoi on weekends.

The other guy was Mr. Condescending, a young frantic Vietnamese speaking neurotic smart ass Canadian teaching English and playing weekend jazz music with his band of wandering minstrels. He was a native head case.

He’d been in-country four years, was a slob and greedy for money like the locals. He’d drifted from a language factory job to a university language factoid situation. His favorite phrase was in theory.

Give him the hook, said a Khmer playwright.

 

Sequestered with palm trees and small ponds, my room was a respite from streets and noise with gentle wind. A balcony vision offered red tiled or PSP roofs, jumbled homes, distant flashing light communication towers, clouds and sky.

Narrow alleys were packed with residents on sidewalks eating white noodles, spring rolls, fresh greens, drinking green tea.

Just like crowded Utopia cities, said Leo. Old dusty pagodas wafted incense offerings.

Life on Hanoi streets means 5,000,000 zooming motorcycles, hawkers of red star hats, t-shirts, bags, reproductions of famous oil paintings, silk, traditional medicines, shoes, bamboo baskets and labyrinthian lanes of aroma and mystery. Designs of family life and eternal relationships lived the blues.

Wear and tear shed a heart travel tear with shimmering noodle passion, a broth of conversation’s hunger, said Tran.

A male street hawker spoke with flair and conviction, If you don’t buy my cheap cotton hat with a national flag red star, or a cheap wooden bracelet made by an orphan, then the next time I see you while I am walking hot Hanoi streets in the middle of a broiling day with sweat streaming into my eyes trying to make a living, then I won’t know you.

My eyes will be dark and lost in my pitiful future. I won’t remember you. Ever. I will continue to walk all day in heat. No water. No rest. I walk work meet tourists. This is my social and economic reality. I ignore you when I don’t have a sale.

I began a gardening project on the balcony bringing up trees, plants, flowers and dirt. Good dirt. We have lots of dirt in Vietnam, said Fat Chance the landlord’s son. He had big plans for expanding the property after his father died.

Monsoons arrived. My dear friend a Poet knighted by William Butler Yeats in Sligo, living on San Francisco Mountain near the Grand Canyon asked about floods. Am I drowning?

I sang, row, row, row your boat, gently down the stream, life is but a dream.

I am floating. Cleans the air. This is the rainy season and you know how the media likes to sell disasters, epic dramas of humans battling nature, conflicting themselves. Gotta keep the viewers amused and distracted. Media marketing never dies.

I floated with a clear awareness, sitting, writing, exploring, aligning stars and exploding galaxies, nebulas and infinite diversity. A respite from civilization’s abyss.

Book of Amnesia Unabridged

Garbage in garbage out

Sunday
Dec012024

Rocket Storyteller

Content is the payload. The rocket is the story.

We begin new as I, the Invisible Rocket Storyteller - IRS for short - visit Earth. I am looking for lost poets and visual realists.

One dear friend, a retired defense attorney, lives near Flagstaff, Arizona writing poetry about Mountain Wizards while living, laughing and loving under evergreens and firs with mountains, waterfalls, blue skies, clouds and Eagle wing shadows.

He lost sixteen pounds training for a marathon in Norway. Can you imagine running 26 miles and 365 yards in Norwegian rain, sleet and freezing cold? He did it. He’s a warrior of agony and accomplishment.

Originally from Country Claire, Ireland, he is a world-class marathon runner. He’s run in Oslo, Traumas, Stockholm, Dublin, Paris, Kyoto, Shanghai, Lhasa, Boston, Santiago, Tir An Og, Cadiz, Damascus, Rome, Hanoi, Istanbul and one more. You’re only as good as your last marathon, he says. It ain’t about starting it’s about finishing, like writing.              

He is an expert fly fisherman. He catches and releases.

A vociferous reader and Fluent in Gaelic, his multi-lingual translations of illuminated manuscripts includes:

The Book of Kells

Hells Bells, Personal Demons

The Book of Sand by Borges

The Unbook of Knowing

A 12-Step Clean Personal Perception Program

The Housekeeper of Reality

What Is Meaning?

Rumi Dances In Trances and the infinitely popular

Book of Gnomes, Trolls, Fairies and Fantastic Creatures Disguised as Humans and

Rock The Metaphor are among the finest academic and literary examples dancing through world paper libraries. Now available on Kindling.

They are sources of wisdom because he is a brilliant source of fascination, delight and he-man activities.

Together with his wife, Sunshine, a famous St. Paul graphic artist, photographer and painter, using ancient platinum and silver developing and printing techniques, they created a wonderful series of soft, muted, diaphanous images displayed in SEE, a Phoenix gallery. They travel Earth. They run. They explore. They hold hands while crossing streets.

He speaks fluent French. This allows them to survive in French-speaking African countries while translating texts in Timbuktu libraries, some of the oldest on terra firma.

Mrs. Sunshine has seen and HEARD Museum orchestras playing skin drums with a nomadic group of Tuareg men in the Sahara.

Omar is the Nomadic Laughter Inspector and Scribe Dude. A Griot, he pounds the skins. The skins are used for utilitarian purposes like drums, writing parchment, artistic canvases, shelter, vessels, clothing, blankets, umbrellas, prophylactics, toys, games, trampolines, birth shrouds, burial shrouds, cloud shrouds and surround around sound.

Skins make wonderful writing parchment, said Leo. Difficult to create, easy to use, portable, durable, and recycle while rolling and unrolling your little calligraphic life.

Punctuation is a nail in agreement with a tool, said Tran driving his point home using his plastic leg as a hammer.

A frozen 5,500-year-old well preserved leather shoe was discovered in Armenia. It was stuffed with grass. The workmanship was superb. Footwear experts determined it to be of the finest craftsmanship.

Walking is the way to travel. The soul is pure white light and travels at the speed of a camel, said Leo.

Book of Amnesia Unabridged

Sunday
Nov102024

Children of the dust

Omar said, Down on mean street near the Khmer House of Blues filled with wailing songs of loss, betrayal, neglect, abandonment, misery, hope and have mercy on slide guitar backed by a harmonica in the key of C crying in her heart, a girl stared up at a mirrored skyscraper watching the wheel of life flash prisms into the sky.

She’s been turned out and turned down faster than a housekeeper working with imported Egyptian threaded linen with a 300 count. No lye. The thermostat of her short sweet life seeks more wattage. She faces a severe energy shortage if she doesn’t find food.

 

 

Like Tran, she is a quadriplegic, an amputee with one good leg after finding a landmine on her way home from school. She is one of 26,000 men women and children maimed or killed every year by landmines leftover from ongoing or forgotten conflict.

Reports from the killing fields indicate there are 110 million landmines buried in 45 countries. It costs between $300-$900 to remove a single mine.

It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Angola, Iraq, Ukraine, Laos, and Afghanistan are the most heavily mined countries in the world.

40% of all land in Cambodia is unused because of landmines. One in 236 Cambodians is an amputee. She hears children crying as doctors struggle to remove pieces of metal from their skin. She cannot raise her hands to cover her ears. Perpetual crying penetrates her heart. Tears of blood soak her skin.

 

 

The technical mine that took her right leg off that fateful day as she walked through pristine rice paddies near her village expanded outward at 7,000 meters per second as ball bearings shredded everything around her.

It may have been an American made M18A1, shallow curved with a 60-degree fan shaped pattern. The lethal range is 328 feet. Maybe it was a plastic Russian PMN-2. She never saw it coming. She didn’t die of shock and blood loss.

A stranger stopped the bleeding and shot her up with morphine. All the strangers and happy ghosts carried morphine. Standard issue. Grateful, she speaks the language of silence.

Book of Amnesia Unabridged

Thursday
Oct172024

Visceral Realists

By Rita

We are in a small sleepy river town in southern Cambodia, said Rita. Faded yellow neglected French colonial buildings face a river, corroding iron bridges and green mountains.

A block long incomplete cement shell of a new market to revitalize neglected downtown failed. $70,000 start-up costs. Nada. No takers. It will never be built because of Fear & Superstition & Ghosts.

From 1975-1979 the Khmer Rouge hung severed heads along the walls to teach survivors Life Lesson #1.

Shut your mouth and blend in.

Survivors stir woks and sell the same thing. Boredom.

Don’t speak of gruesome true facts, said Leo, It reminds me of my Chinese atrocious atrocities, genocides, purges and 40 million peasants starving to death. Let them eat grass, bellowed Mao waving his little Red ideological book. Eat my red words comrade. Peasants stole copies from the Friendship Store. This makes great toilet paper, said the proletariat.

Kampot is famous for black pepper, which is nothing to sneeze at, said Rita. The Shakers live in Ohio. One minor quest of the literary outlaws is to get the pepper from Cambodia to Ohio. Buy land. Two buy sea. Water dilutes the effectiveness, taste and aroma. The pepper will need to be grinned down by hand. A Khmer laterite stone pestle and mortar is ideal. Most adults here are confused and sullen and apathetic breeding happy children, said Rita.

For good reason, said Tran. I know how it feels to be an abandoned ghost with a disability in double jeopardy. I’m laughing because I am a survivor … everything is fucking hysterical above ground. I lost my right leg when I stepped on a landmine playing in a field near my village south of Da Nang. I was five. I lost my family in the war. Maybe they died. Maybe they wandered away.

You never know.

The sleepy town, villages and country are famous for people experienced in Milling Around, said Rita. For cultural, historical, educational, environmental, emotional, intellectual and economic reasons milling around is a popular daily activity.

This unpleasant fact cannot be denied or ignored or forgotten like Tran’s missing leg. It needs to be up front because it is a clear immediate fact and way of life.

Limited job opportunities, substandard education, lack of medicine, faint hope and inconclusive futures enhance Milling Around.

It kills time alleviating boredom, the dreaded lethargic tedious disease. Milling Around kills the human spirit. No Initiative. Period. How sweet. How charming. It’ll take another generation to clean it up with high hopes. Cambodia is alive with ghosts.

Zeynep, Rita, Tran, Devina, Leo and Omar are invisible ghosts feeling comfortable with energies, vibrations and frequencies. They are floating experiences.

Immediate and direct, said Zeynep. I am western on the outside and eastern on the inside, a chameleon and a prescient systems analyst.

This is a talk-story.

Impermanence and non-attachment is reality. Movement is my mistress and my meditation. WE are here to go. The deeper the silence means deeper the bliss.

I am the music between the notes. I am the silence between hammer and anvil music. I am the poetry between the lines.

I became my ghost-self in 1970 after 364 days in never-never land, leaving Vietnam in one coherent piece, said a reliable narrator. Where I met Tran in a hospital. He taught me courage. After a war everything is easy.

Z: As a writer and artist I bear witness revealing my imaginary sense data using a Mont Blanc 149 piston driven fountain pen, Moleskine notebooks, watercolors, brushes, and cameras. I won’t go into the technical details about the optical equipment.

I am two cameras said Rita. Kinds?

I am a sweet little Leica D-Lux 6. I am a bulky Nikon D-200 with a 35mm 1.4 lens. Ya gotta Leica the Leica. Play sounds. It’s small with excellent optics. Black with a cool little red circle on the front. Small and powerful like me. One for my left eye and one for my right eye. Dual dynamic visual acuity.

How do we interpret visual sensation? I am chained to the earth to pay for the freedom of my eyes, said Omar the blind seer.

Begin with a telescope then use opera glasses then a microscope.

I am a prime lens, said Z. From the spotlight to the floodlight and back to the spotlight.

I am the truth of your imagination, said Leo.

I am synesthesia personified possessing the ability to hear colors and see sounds, said Tran.

I may grow old, but I will never grow up, said Rita. She shared a story about Cambodia. The kingdom has a long violent history. Remember the Killing Fields, S-21 high school prison, and genocide with 1.7 million people killed, slaughtered, raped, mutilated, gone, erased. Year ZERO. Can you wrap your mind around that factoid?

It was a third of the total population. People don’t talk about it because they are super superstitious. Survivors live with the cold hard unpleasant fact. Old people are rare. It is curious. It’s 2023 in the long now.

Writer: After writing and editing The Language Company in Kampot for five months I moved to Battenbang for three months. A Khmer boy in a Battenbang java & tea joint said the reason everyone stares at me is because all my generation was killed. They see you as a ghost, he said.

I am Happy Ghost.

I am surrounded by happy, laughing, curious, kind, childlike, grateful and beatific humans. Comedic. Sweet. How simple life is. How monosyllabic.

Yeah, yeah. Let’s dance, said a survivor.

Book of Amnesia Unabridged