On an Irish Bus

I turned the mirror toward them. The women looked into gleaming glass. They saw their past, present and future lives all rolled into one powerful flash of light. It was a vision reflecting their joy, sadness, regrets, hope, charity, wisdom and love. The looking glass showed them their birth, middle age and death.

They saw An Gort a Mor, the great hunger and sat back sucking air.

Carrigart was the edge of their world.

“I see,” Mary said, looking up and straight into my blue eyes. They reminded her of a snow leopard, a wild, sharply focused nocturnal predator comfortable at higher elevations existing in an independent, solitary way.

“Then,” I said smiling, pointing to the red typewriter, “I download the images into this,” sliding the talisman mirror into my pocket.

“Of course, it’s a manual. They don’t make them like that anymore. Better than staring at a small screen full of radioactive electrons and clicking on a mouse.”

“I should say not,” Mary said. She preferred lead sharpened to a point.

I was trapped on an endless ride to the edge of my life. More questions. Where was I from, what’s America like, why did I leave the land of milk and honey as locals so well put it. On and on. Was I married? No. Did I miss my family?

“No, not really. My grandfather, named Malarkey, immigrated from Sligo during the famine, married Hanna Haley in St. Louis, ended up in Colorado Springs where my folks were born and my rudimentary research at Dublin Castle indicated genealogical records burned in a Sligo church fire years back.”

So much for hard circular factual data.

“My family, while emotionally cold, distant and abusive yet well-intentioned, kind and loving were dysfunctional, trying to understand my vagabond spirit nature. They had no choice in the matter and by now they’re used to receiving strange word-strings full of mysterious symbolism and tragic truths from diverse twilight zones. I transmit between crystals and gringsing decorated with universal binary codes.”

“Really now?” said Mary.

“Yes, I gave my folks a world map for their anniversary. They loved it, inviting friends, neighbors and strangers over for trivia games using postmarks, stamps, decals, flotsam, thread, needles, bark, cactus fiber, beads, charts of tributaries, topographical maps, animal skins, hieroglyphics, and Tibetan prayer wheels with Sanskrit characters.

“They caressed burned broken shards of Turkish pottery, Chinese bamboo brushes dripping blood, torn out pages from esoteric Runes, Paleolithic fertility symbols, vitreous unusual writing, and one of my favorites, a Quetzalcoatl image full of written narration based on the oral performances of Central American myths.

“Fascinating,” said Deirdre.

“Yes, I gave them Olmec nahuales shamans containing animal powers dating back to 1200 B.C. speaking their wisdom. They blended the spirituality and intellect of man with the ferocity and strength of the Jaguar to create their nahuales. Their soul required an animal medium to travel from the earth to the heavens and into the underworld.

“Additional cultural reminders were beautiful blank black mirrors. Some displayed faces others contained scripts written backwards with stories of people, geographies, forbidden objects, and a box called Pandora.

“This was one of their favorite things. They never knew, from one exploration to the next, what they’d find in the box I sent them from the journey. One realization they experienced with Pandora was how they behaved differently listened more, spoke less, almost as if they were communicating via telepathy or kinesthetic dimensions, within the exotic flow of spirit energies bathing them in a crystal light. They slowed down.

“Yes, they didn’t know what to make of it whenever something mysterious, fascinating, and totally intriguing reached them from General Delivery far away from their daily existence working to pay for a house mortgage, car, food, terrorism insurance and child care.

“You don’t say,” said Mary. 

Excerpt from Subject to Change, A Century is Nothing.