chinese cover story

One essential joy was selecting the cover photograph of a young Chinese girl.

Her image revealed heavy, deep and real emotional honesty. She stood trapped behind the steel grate at a Chinese nursery school enduring a hard dismal Chinese educational process seasoning her childhood character and personality in the poor village of Maija where the tea man and artist drawing the dead lived.

Her eyes held all the secrets of the world and unfilled wish-dream potential. She stared at the stranger, a diversion in her expanding universe. Her sisters and schoolmates pushed against her, trapping her against the gate.

It was locked by an old woman who feared persecution and execution if any kids escaped. He was on the other side. Being invisible has its advantages. He held a small black metallic machine to his blind eye.

She heard a series of curious clicks as a shutter opened and closed, an interval between life and death, trapping, freezing time, one decisive moment in the eternal present, a decisive instant, capturing her image on a memory-fiction circuit card. He smiled, whispered, Thanks, disappearing past pig farms on a dirty black mountain bike.

She had no way of knowing, because she was younger than tomorrow or older than yesterday remembering spring how her image on the cover, her clear child eyes were visible for everyone.

Her small dark eyes held archetypical memories of dynasties and great Chinese electronic fire walls evolving with the speed of electron particles illuminating her face, sadness, fear and curiosity at that precise moment. Stories about stories inside stories manifested the girl in alchemical truth, alive, breathing, unaware of her immortality in infinity.  

He’d visited her primary school with a university student who worked in the Maija pharmacy after school to make ends meet helping her aunt dispense cheap placebos to poor illiterate women and men alleviating their suffering, pain and fear of death singing, dancing speaking unintelligible Mandarin words.

Laughter and kindness were blessings after the autocratic, punishing manner of bored women teachers who didn’t want to be in a class tomb any more than the students. Teacher’s mantra was Push them through. No one had free choice. You did what you were told to do in a harmonious society filled with social stability.

The dead, dying idiots sputtered stuttering in Beijing opening rusty doors of perception being a communist-socialist Marxist dream removed from poor villages where rich well connected officials raped and reaped huge financial benefits practicing oppression, coercion, bribery, graft, slander, using death threats as powerless simple peasants tilled soil, followed slumbering oxen, stalking mud and rice paddies. Where green rice stalks revealed a blue sky with Beauty.

Censorship not only chokes artistic talent but also weakens the Chinese populace who are forced to be less imaginative and less inventive. The crisis in education has been a hot topic in China for years.

Why are so many Chinese students good at taking tests but poor at analytical thinking, besides the commercialization of education? The absence of a free, tolerant environment has stunted the growth of students and teachers. The one who dares to open their fat little face and question authority gets killed.

Bang.