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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Entries in adventure (67)

Monday
Oct142019

A Century is Nothing

This is a camelo, Spanish for a tall tale.

Hello. May this find you well. Please allow me to introduce myself. My name is Omar. I am a Touareg Berber nomad from the Sahara desert in Morocco.

I am a blind prescient writer in exile.

This is my story about how I and other tribal members met a strange kind man named Mr. Point immediately after 9/11. He just showed up and the Sahara is a big place.

When others hear this tale they express disbelief. “How can that be?”

Living Baraka, a supernatural energy and magic power practiced by our people, his appearance was, shall we say, expected. He is a poet, shape shifter, cosmic comic clown and literary outlaw.

Now it happened that we traveled together just like you and I now and we formed a community. We shared many tales and I have taken the liberty of including them here with some of my own stories. We enjoyed amazing adventures together.

I confess this narrative is not linear. In a sense, this is for and about children: innocence, curiosity, empathy, and playful pure intentions. Children love inventing stories and hearing them.

Stories are essential like air and water.

My friend and I love to travel and besides calling the Sahara home I also inhabit a very real magical late Paleolithic Spanish cave in Andalucía. It encompasses 26,000 years of art and history. The word ‘history’ comes from the Greeks. It means story. This explains the title, A Century Is Nothing.

Someone in our tribe said, “Imagine the earth is 24 hours old. To see a perspective of how long humans have been around, imagine they’ve been on the planet for only the last 60 seconds.”

Marco Polo, a famous traveler near death in 1324 at seventy left his famous epitaph for the world. “I have only told the half of what I saw!”

Keep an open mind and fasten your seat belt as we may experience a little turbulence during flights of imagination grounded in invisible particles of reality. In the event of a water landing your heart-mind may be used as a flotation device.

We’ll meet again. May your journey be filled with loving kindness, compassion and authenticity.

A Century is Nothing

Tuesday
Sep102019

Writing Adventure

“’I did that,’ says my memory. ‘I can’t have done that,’ says my pride, and remains adamant. Finally memory gives way.” - Nietzsche.

The interpreter in the left brain strings experiences into narratives. A novelist in our heads. A novelist called memory ceaselessly redrafting the short story we call “My Life.”

Writing and telling a story is all about detail and realising the significance of the insignificant.

"Writing a book is an adventure. To begin with, it is a toy and an amusement; then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him out to the public." - Goethe

...In both Irish and Welsh myth and saga, the art of foretelling the future is an essential part of the story. More often then not, it is to escape their fate, prophesied by the Druid, that leads the protagonists into adventures which inevitably lead them to the fate they seek to avoid. 

...At one point, the narrator irreverently criticizes the author and the book, saying: "You've slapped together travel notes, moralistic ramblings, feelings, notes, jottings, untheoretical discussions, unfable-like fables, copied out some folk songs, added some legend- like nonsense of your own, and are calling it fiction!" - Soul Mountain by Gao

"I want to know one thing. What is color?" - Picasso 

Mother's SHARP TONGUE

Inside Moleskine notes. Hiding under the bed. Slick. No answer. Locked door. Suspicious? More like stupid idiot. Pick up the remains. Tell me a story.

They hope for a lot. They get a little. She disappears. The tease does her job. Just enough desire and temporary distraction - stay down! - no getting down - just enough stimulation as the skinny dude hears her speak - now it's ok.

She's stacked everything on the floor at the end of the bed. This was a dream her uncle told her in the village. "Daughter, you need to be careful in the city. People will cheat you. They are clever. Don't let emotions control you - be reasonable - cold as ice when it comes to business. If you sleep with strangers, know where the exit is."

His scary story imagined a monster under the bed - whispering secrets to her before she fell fall feel asleep.

You have to love a stranger's stupidity, noise, sad face, confusion and chaos. Did he mention irony and entertainment value? So much for a fundamental shift in consciousness. Dying of boredom. Buried with boredom's memory.

Throw the sunset away with syntax. Treat silence with elegant love, respect and dignity.

The orange yellow moon rose.

Is a rose a moon?

How does the moon rise into a black voice of emptiness?

Into endless pyramids of joy with the beauty of simplicity?

Where do butterflies go at night?

Mandalay, Burma

Sunday
Aug042019

Cadiz Construction

Satisfying a sublime unexplainable scientific artistic impulse, a curious human exploring Earth loved existing in a perpetual twilight zone of repairs, renovations, chisels, hammers, stone facades and dire classical solemn faced people stirring languages into new creations. 

“It has something to do with his dream,” said Omar. “Process now, product later. Hunting and gathering instincts.”

Cadiz hammer music and gypsy serenades welcomed dawn. One-eyed men roared around industrial revolutionary spirals without a building permit.

“Sound check!” yelled a construction worker waving his tools staring at stoned glazed edges. His partner hammered down morning light easier than breathing. Young boys started 50cc engines. Echoing through cold canyons machines sang like obnoxious chain saws in a forest of buildings.

A sad blond Spanish woman off to make a living juggled guilt, purple books, black purse and a white cigarette. She looked down at her stoned path, a reminder of Roman civilization.

After tearing it up to implant pipes in front of the Cathedral San Francisco, men used a thin string plumb line tied to granite stones to create an intricate stone design. One man dug dirt, another ran a portable cement mixer and another hammered stone edges to achieve the perfect geometric floral pattern.

People at a nearby cafe sat surrounded by fragmented noise. Pigeons filled the air. Pedestrians negotiated rubble. A beggar rested on church steps waiting for charitable parishioners. He had just enough energy left in his thin frame to hold out his hand. The only thing he owned was an empty stomach.

A nervous brown robed Franciscan monk in a Moorish doorway fingering his rosary watched the men slave. Sunlight glistened off a balcony along Rue Cepeda.

The streets were named for saints, explorers and shy women in their destitute languishing remedy of hope. Hope died last.

Sunday light blessings reflected off religious icons in Catholic pews. Trinity angels emerged from shadows melting into flower markets where fishmongers mixed langoustine snails, sliced escargot tourism and Super Tour buses dropped utensils on their heads.

Bowing to market forces on Sunday everyone went to church. They fed bread wafers to their immaculately dressed children. They prepared heirs to meet and greet strangers and relatives in narrow cobblestone streets with sweets for my pretty.

Soiled spoiled children escaped small cramped Spanish flats on narrow slick tiled stairs. Descended from Berber bloodlines they groaned out their childbirth, childhood, a-dolt futures where 10-12% would finish higher degrees.

A minimum return on investment (ROI) strategies in Andalucía, the poorest Spanish province raised interest rates. They were targeted for an infusion of future cash from the European Union along with austerity measures and general strikes.

To greet the mean old street citizens passed through patios filled with copious plants and entrances tiled with Moorish quasi-crystalline tiled designs. They came and went with precise regularity, discipline, stability, structure, and unwavering self control.

They escaped microscopic interior spaces strolling on esplanades and through parks lined with statues of heroes on horseback challenging blue skies with glistening sabers, marble busts, effigies and fountains of boys holding iron fish spouting water.

Off shore, oil tanker ships, military destroyers, container ships full of imported and exported goods, small sailboats, and luxury liners with gleaming white lights bow to aft sailing for Lisbon plied waves.

Waves washed the shore every day. Every morning sun-blocked retired well greased women set up camp on the Cadiz beach, playing bingo, knitting red yarn with quick fingers. Their husbands in bathing suits, clasped hands behind backs walked through surf discussing weighty matters of church and state.

A handicapped swimmer left her crutch in the sand and waded into blue water like a crab.

Old fishermen with long poles threaded small shrimp on hooks before casting from high stonewalls. Lovers in shaded bliss played with cell phones while petting each other out of passionate boredom.

In the countryside a laborer earned 5,000 pesetas a day thrashing trees. Olives fell toward mechanized presses. Virgin oil was the best. Spanish courtship took years if you desired the really good stuff, requiring the fine art of romantic seduction.

Citizens finished their tiled stair-master workout and faced the door. It was a heavy dark brown in two sections. The ground floor was originally for storage, an old warehouse. Depending on the century it was easier to throw hot oil down on Arabic or Christian invaders from a balcony.

A woman pulled her weight open and faced the crooked 3,000 year-old street hearing stones sing historical reference.

Little Wing, a word weaver stood in the shade of the Cadiz Conservatory of Music captivated by a violin, a cello, a piano and a young girl’s melancholy voice.

She was surrounded by musical, flying notes inside the roaring silence.

Silence is the loudest noise.

Invisible musicians played keys and strings. A voice punctuating air wrapped itself around solid gray stones edging liquid. It was all tonal vibration frequencies.

Wing was transformed.

Her neighbor mopped small stone paths, raised her red tool and dumped long universal string theories into dirty water as life’s stew simmered on her eternal stove. She squeezed it out.

Her white apron covered a black dress. Her black hair was pulled back in a skintight bun. She was eighty. She mopped the stone path every day of her life.

Omar the blind, watching from his temporary home was in transit, hanging out in space. He paid meticulous attention to people’s values, attitudes, beliefs, faces and intimate behavior.

He studied their honest soled solid souled shoes.

Worn heel edges indicated external and internal posture.

Weaving A Life (V1)

A Century is Nothing

Saturday
Jun082019

Writing Is An Adventure

“’I did that,’ says my memory. ‘I can’t have done that,’ says my pride, and remains adamant. Finally memory gives way.” - Nietzsche.

The interpreter in the left brain strings experiences into narratives. A novelist in our heads. A novelist called memory ceaselessly redrafting the short story we call “My Life.”

Writing and telling a story is all about detail and realising the significance of the insignificant.

"Writing a book is an adventure. To begin with, it is a toy and an amusement; then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him out to the public." - Goethe

...In both Irish and Welsh myth and saga, the art of foretelling the future is an essential part of the story. More often then not, it is to escape their fate, prophesied by the Druid, that leads the protagonists into adventures which inevitably lead them to the fate they seek to avoid. 

...At one point, the narrator irreverently criticizes the author and the book, saying: "You've slapped together travel notes, moralistic ramblings, feelings, notes, jottings, untheoretical discussions, unfable-like fables, copied out some folk songs, added some legend-like nonsense of your own, and are calling it fiction!"

- Soul Mountain by Gao

"I want to know one thing. What is color?" - Picasso


Thursday
Jan172019

Writing Is Adventure

“’I did that,’ says my memory. ‘I can’t have done that,’ says my pride, and remains adamant. Finally memory gives way.” - Nietzsche.

“The interpreter” in the left brain strings experiences into narratives. A novelist in our heads. A novelist called memory ceaselessly redrafting the short story we call “My Life.”

"Writing and telling a story is all about detail and realising the significance of the insignificant." 

"Writing a book is an adventure. To begin with, it is a toy and an amusement; then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him out to the public." -Goethe

...In both Irish and Welsh myth and saga, the art of foretelling the future is an essential part of the story. More often then not, it is to escape their fate, prophesied by the Druid, that leads the protagonists into adventures which inevitably lead them to the fate they seek to avoid. 

...At one point, the narrator irreverently criticizes the author and the book, saying: "You've slapped together travel notes, moralistic ramblings, feelings, notes, jottings, untheoretical discussions, unfable-like fables, copied out some folk songs, added some legend- like nonsense of your own, and are calling it fiction!" -Soul Mountain by Gao

"I want to know one thing. What is color?" - Picasso

The Language Company 

Shoes For Sale

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