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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Entries in art (209)

Tuesday
Apr252023

Kandinsky

What I do today is important because I am paying a day of my life for it.

What I accomplish must be worthwhile because the price is high.

*

Wassily Kandinsky, the painter, had the ability to see sound and hear color.

In 1911 he founded "The Blue Rider" school in Munich, taking abstract painting to another level. Magic.

..."Synaesthesia is a blend of the Greek words for together (syn) and sensation (aesthesis). The earliest recorded case comes from the Oxford academic and philosopher John Locke in 1690, who was bemused by "a studious blind man" claiming to experience the colour scarlet when he heard the sound of a trumpet.

..."If Kandinsky had a favourite colour, it must have been blue: "The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.

..."Despite his theories that the universe was in thrall to supernatural vibrations, auras and "thought-forms", many of which came from arcane, quasi-religious movements such as theosophy, Kandinsky's belief in the emotional potential of art is still convincing today.

"Our response to his work should mirror our appreciation of music and should come from within, not from its likenesses to the visible world:

"Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings."


 

 

Wednesday
Mar292023

Grow Your Soul

31

See through soft eyes
Gratitude

No mistakes in life art - happy accidents

Ink dances point line shadow

Watercolor pencils
Creativity has no rules

Take a dot/line for a walk

Hospital poem story

Remember - Every story is a poem and every poem is a story.

1

Create like a god, order like a king, work like a slave

Work like you don’t need the money

Love like your heart’s never been broken
Dance like nobody’s looking

I am a short story

You are a novel

Her Zen like awareness
Stoic serene
Shamanic wisdom seeks wisdom

Wabi-sabi

Everything I do is an experiment

Art is what everything else is not

Art is medicine - a cure

Laughter medicine

Spill sounds letters words phrases sentences sing

Grow Your Soul

Sunday
Mar192023

Rolling Thunder

One hot July day my mother rolled her living prose poem of anguish, vision, truth and beauty through Denver and beyond.

“It’s all a myth, a way of remembering the past,” she screamed chasing shadows into blazing sunlight on Broadway Street where immigrant families sat on broken dreams.

She passed devout Tibetan pilgrims walking, singing, praying, and laughing inside the Barkhor circuit in Lhasa. They threw sky crystals at karmic ravens, the symbol of reincarnation.

She rolled past terracotta warriors crashed on bags at Shanghai train stations seeking invisible unknown terminal destinations.

She rolled past Elmore James, Willie Dixon, Little Walter, Sonny Boy, Howling Wolf, Robert Johnson and Muddy Waters down at the crossroads sliding their callused fingers on metal frets trading their souls to the devil.

The blues are the roots. Everything else is the fruit.

She flew past Balinese carvers edging faces for shadow puppet plays, jungle painters creating corporate butterfly murals, villagers harvesting rice in layered green pastures and landmine amputees plowing behind oxen.

Hearing Irish tinkers pound pans between villages she rolled past homeless humans dreaming of food as shadows danced on cave walls in the United States of Amnesia.

She rolled past a naked evangelist at his wailing wall forecasting human greed and global economic terrorism.

A phallic snake symbol delighted the envy of quicksilver messengers wheeling past tan cellular idiots waiting for an express bus to financial heaven.

Shifting gears, she burned past her husband’s white-haired aunt in a nursing home painting her final autumn leaf watercolor vision.

She sheared past Ashiakawa weavers threading seasons in Hokkaido, Japan and Sherpa’s brewing tea at 18,000 feet for expeditions collecting Trophy Mountains after paying hard currency to totalitarian emperors for the pleasure of suffering altitude sickness, hypothermia and high blood pressure death.

She rolled past consumers making quick money honey living on plastic debt while driving 4x4s through scarred Rockies as cock-a-roaches devoured natural resources. Land grab development bankers heard mutants scream, “Where is the water for God’s sake? We paid for our thirst.”

She sailed past her eldest son waiting for his NAM dust off chopper from Camp Eagle near Hue toward San Francisco. On the flight to Denver and beyond he became a ghost in exile.

He stayed in Colorado for a month, did eight weeks at the DOD Information School, finished his time in Europe and got out, a free man. He spent six months roaming from Germany to Finland, Portugal, Spain, and Morocco.

In 1973 while attending the University of Northern Colorado in Greeley she knew he’d face abusive rejection from some students. They’d accuse him of being a baby killer and an undesirable outcast.

He became an invisible literary outlaw.

He incorporated passive-aggressive silence. He became anonymous, a figment of their imagination. Staying away from them he practiced covert dark arts on night patrols with stealth, silence and cunning on fully automatic.

Write it down and done, laugh, and move on.

His undeclared major was Survival 101. It wasn’t in the catalog of classes. University admin officials in their cubicles screamed, “You have to declare something!” He selected Cultural Anthropology & Mythology to placate the beast.

She read his final letters home about fire fight survival instincts remembering the horror etched on a black wall in D.C, with 58,000+ names as reverberating chopper blades severed stale humid tropic air and jungle survival removed veils of illusions. He’d surrendered to life and began collecting dust.

Like an old river she careened past Arabic nomads exchanging goats and camels for pearls as oil deserted sand enveloped silk encrusted carpets. Refugees on sinking lifeboats discovered geological family strata amid Chinese shipwrecks shifting divorce paradigms.

Independent shamans played with awareness using active imagination’s free potential - exhaling a mind’s eye making B&W street photography in exile.

Women wearing exploitation’s cloth wrapped in solitude braved whirling third-world poverty as their economic fate shattered malnourished rocks along Bhutanese mountain roads creating capitalistic nirvana. Imported from India and desperate for food they lived in river reed habitats with Gross National Happiness.

Gathering speed now.

Rolling her Wheel of Life, she evaporated six degrees of separation near the Tropic of Cancer in fast rivers celebrating animist tribal dialogues hearing tongues sing air earth water fire languages by crow, eagle, raven, coyote and wolf.

She received the mark of the king tattoo from a Tahiti artist in Saipan.

Indigenous natives were surrounded and confounded by blue-eyed European’s commercial greed and cultural annihilation while calculating slavery’s cost for competition’s profit.

In silence she rolled with patience, solitude, and nature just being her doing nothing poem.

Her life created a ruptured aorta in earth, fire, water, and air with pulse platelets as red lava flowing past Himalayan monasteries heard monks chant prayers in assembly halls at dawn.

Green, blue, white, yellow and red Lung-Tao prayer flags singing wind songs welcomed her sacrifice, liberation and freedom with perfection celebrating Maya illusion wisdom free from Bardo.

ART

 

Thursday
Dec012022

16

My heart has more rooms than a whorehouse.

*

Give the gentle reader saatch aur himmat, Z said in Turkish. Translation please, said Devina. Truth and Courage.

Keep them engaged, said Tran, Be gentle with the reader. They are educated. Challenge them. What’s a word doctor, said Leo. Someone who fixes manuscripts with a sharp axe, said Tran waving a Mont Blanc 148 piston-driven fountain pen splattering blood red ink on everyone in his radius.

The pen is mightier than the sword. Edge focus. WE, you and I, them, he, she and us ain’t going anywhere. We live forever. In your dreams, yelled Devina. Everyone’s doing hard time. It ain’t nothing but the blues sweet thing.

Have mercy.

Rita, an orphan and independent visionary writer from Banlung chimed in with a voice sweeter than a Buddhist bell, I’m going to be an English facilitator and historian. I’m going to stand on a street corner begging people to give me their wasted hours.

Where have I heard that before, asked Leo, an activist in exile from an orphanage on the Yangtze, heavy with silt and six trillion cubic meters of garbage flowing to the South China Sea.

What will you do with collected time, said Tran, Visit sick children in hospitals where they do DNA evolutionary experiments to stem the cells, can you sell the stems?

Speaking of stems, I’m moonlighting as a gardener, said Omar, There’s nothing more beautiful than nurturing nature in this impermanent life. We plant seeds for trees we will never see mature. Another leaf leaves life’s tree.

If you plant roses and need someone with experience to take care of the thorns give me a shout, said Tran, a one-legged Vietnamese child wearing his heart on the sleeve of a ragged 101st Screaming Eagle t-shirt.

A bird pressed its breast against a thorn singing, O what a beautiful morning o what a beautiful day.

A poet, like a chef or gardener, needs everything because they love everything.

I’m going to study Donatello, said Devina. Who’s he? He was a great Renaissance artist. He was born in 1386 in a place called Florence, Italy. He was honest had integrity and was super original. Technically he worked with anything. You name it: wax, bronze, marble, clay, all kinds of rocks, wood and glass. He raised the status from someone who created beauty to a craft, a real artist.

Painting with smoke and mirrors, said Tran, Hey, that’s what the Greeks said. They believed everything was beauty and order, said Rita, Order, structure, design, form, function, oratory, mathematics, musical notes, all the beauty originated with them didn’t it?

You got it, said Tran. Hey, you know what, I think I’ll take the day off and be creative. Ha. This present instant contains all reality, whispered Zeynep. We can call this experiment The Theory of Z, about a young precocious girl, her friends, artists and seers. Why not?

I taught a blind nomadic gardener/janitor/gravedigger and kid friends about emotional life in an alien schizoid civilization called Turkey, said Z. We shared values, stories and art with a free spirit.

I’ll tell you a secret. There’s two of me. One young and one old. The older is Kurdish and plays a cello in a cemetery. Can you dig it? Aliens and fantastic probabilities, said Rita, Tell me the difference between possibility and probability.

It’s about process not product. Whew, now that’s deep. Yeah, said Devina, We’re all in the shit, it’s only the depth that changes. Yeah, if it’s not one thing it’s something else speaking in the abstract.

Let’s not have this conversation in the abstract, said a demanding authoritarian Realist vomiting contrarian hypotheticals, truth, logic, verifiable data-based evidence, scientific facts, precise specifics. We must ascertain the immediate personal moral and ethical values with lofty principles and assistant principles on principal.

Z said, Speaking of aliens do you know about Iranian culture? They live south of us in the Middle Beast. It’s a violent repressive dictatorship. They have a VICE squad to control sheep behavior. Weird shit. Their oppressive culture keeps women in perpetual childhood.

Book of Amnesia, V1

Book of Amnesia Volume 1 by [Timothy Leonard]

Wednesday
Sep212022

Abracadabra

The one who dies with the most toys wins. Congratulations.

Besides writing, gardening and storytelling are you Grave Digger, Yes, said Zeynep, I am a Grave Digger by day and a literary prostitute by night. I made my own shovel. I cut down the tree … I shaved the bark, fashioned the long handle, extracted iron from earth, created fire, heated the iron ion particles, forged the iron and fitted it. It’s a custom-made job. One of a kind, like you. Unique … I am very busy doing nothing, a kind of jazz poem. Musical flow feeds the writing. Rhythm, harmony and improvisation.

Music is the fuel.

Most humans are busy, busy, busy. You never hear a dying man say, I wish I’d spent more time at the office … I bury failures and successes in the same grave. It’s a job and puts food on the table. I develop and cultivate plots where I plant symbolic and metaphorical empirical roots.

I love good dirt … I also perform cremation ceremonies for families needing ashes, bones and dust. WE are radiant stardust and 1/3rd the life of the universe. The universe is 13.7 billion years old. Our bodies are nothing but recycled atoms and quarks from exploding stars.

I am fire, personified. Shamans control fire … I am a lightning bolt singing Abracadabra. Translation - hurl your lightning bolt even unto death.

It’s an alchemical process. Grave digging is a full-time honorable job with dignity and respect. Look at my hands … Look at your hands …You know two things … Look at a blind potter’s hands, a blind smith’s hands, the blind laundry woman’s hands, the blind seamstress’s hands, the blind beggar’s hands, the blind writer’s hands, the blind executioner’s hands, Death’s hands … all the hands dancing, gesturing, pleading, laughing, loving, touching, holding, grasping, signing hands, all the non-VOICE hands.

An open hand holds everything.

People say the world is a big place. By the time you get to your plot Earth is a very small place, ha. Put that in your opening remarks at a literary festival.

Do you have a night job? Yes, I am a word janitor in an insane asylum.  It’s a good place to jot down ideas and sketch. I am a literary outlaw. I violate all the writing rules.

Rules are for rulers. A ruler is a tool to measure something. A human ruler is an autocratic dictator in the Middle East, North Korea, Burma, China, Turkey, Russia and serious Syria among other places. You name it. They sit on a fancy papier mâché throne … Older wiser slaves offering sage advice to save their ass and protect their bureaucratic position OBEY the boss and do what they are told to do. Or else.

They Rule. Some rule out of kindness and compassion. They accept freedom and responsibility and accountability for their actions to be just and empathetic.

Many rule using FEAR and intimidation. As an outlaw word janitor knowing ambiguities, contradictions, paradoxes and false identities, I collect evidence.

I take out the garbage, like adverbial labia. The garbage is a mixture of fact and fiction. Some garbage is true factoid and some garbage is invented farrago. Janitorial work is fun, useful and necessary. I meet fascinating patients living free from fear now. I discover cool stuff people discard. Many patients wallow like pigs in regret, drown in guilt pools or die in future fears.

Earth is one big insane asylum.

No memory means no guilt and no guilt means no fear. Sweet.

Book of Amnesia, V1