Passing Through

Begin this day at dawn.

Pashupatinath Hindu cremation ceremony along Bagmati River.

Shiva is the destroyer and creator.

Wood pyres. A woman kisses her shrouded husband goodbye.

Light his fire.

Fire is the beginning and end.

Fire is your rosé flame.

Stir his bones.

His ashes flutter with death and mortality.

Silence. Solemnity. Serenity. Grounded and transient. Flowers. Offerings.

Glorious color dancing fire.

Return to Source.

Tibetan energies. Joy. Laughter.

This joy – new beginning – transformation.

Empty / full.

At this very moment they look and leave.

Abstract metaphorical language.

Non-attachment.

Ink whispers secrets of silent mystery where life is found in a desperate situation. Balancing precariously on the edge of an abyss.

Young boys stare at a writer. The blind lead the blind.

Everything is Under Construction at the Source.

The vast self.

Existential awareness.

Cessation of sensation and perception.

A walking meditation.

Rivers, like people, only know why they were born when they reach the end.

Poverty and illiteracy. I work, I breed, I get slaughtered.

Imagined or invented conversations and episodes.

Fiction is a tool for unveiling, not obscuring the truth.

Literary fiction expounds historical truth.

The necessity of that moral choice.

Bookends of Bhaktapur. In between 90 years/moments. 90 breaths.

Non-attachment.

Sitting.

Awareness of energies.

Fleeting impressions. Images are visual stories.

Illuminate expand invent.

Passing Through

CPR on Martha Ann

A minstrel tuned a lyrical oud singing.

I look up to the tree house balcony and scream to myself to slow down because there is a speed trap up ahead but no one hears me or cares.

Wind - ruh - in Arabic meaning breath and spirit, filters my voice, sounds of oral history away.

My fingers are a sparrow hawk diving on unsuspecting prey.

fredom is knowing how big your cage is

I suspect he’s found a sleeping policeman stretched across the road near the intersection on Hard Drive south of Tacoma where the young girl got blasted by the partially blind old retired man living on a pension going to the drugstore to get his wife’s prescription filled last winter as she walked her dog along Bride Sport Boulevard braving hard slashing winter squalls flying East across Budget Sound full of homeless derelicts and sexual offenders out on parole from Paradise prison where 2,500 convicts incarcerated for drugs, sexual crimes and murder repair bicycles.

They donate them to charity. They make furniture for $.26-36¢ per hour in a Classless IV state owned operated “tax reduction” industry producing chairs and tables doing draftsmanship, sewing, upholstery, laminating, cutting, measuring, finishing, sanding, packing, and shipping maple office materials near state hospitals for the criminally insane and military bases full of calibrated B-52 bombers, with Cobra attack helicopters collecting dust on runways in the city of Lakewood facing financial cutbacks in police states and garbage collection taxes due to voter initiatives, rising interest rates, trillion dollar debt, and a collapsing economy.

It was foggy with crumpled forgotten leaves next to the young girl’s broken life as her dog licked her hand trying to say, “It’s ok now, get up, let’s go home,” as drivers blasted their horns out of callous indifferent anger because they were late for dinner yakking on cell phones negotiating magnificent commercial deals with con people, scam artists, confidence men and sharks swimming below the surface of appearances looking for the key to financial consumer heaven impatiently pulling around innocent bystanders trying to glimpse the disaster inside the labyrinth without a center.

The heat from my last bitter cigarette says it’s too hot for smoking. I know all too well that chemicals in the smoke, such as nicotine, create growth factors causing scar tissue. The beta TGF§ is an autocrine cytosine - meaning once it is elevated due to smoking it creates its own synthesis and eventually forms tumors in a slow deadly process.

I accept my addictive habit as a genetic DNA snub or behavioral choice.

My fingers fly. Bird shadow mirror paper as harsh hot dry winds whip down the Willamette Valley.

Perspiration slides down creased faces as motivated men dig graves and hammer nails with machines in the heat of making it happen, making it perfect and serene in the superficial media controlled culture. They create fantasies of new promises and utopias surrounded by manufactured needs exceeding passionate desired appetites called Desire and Greed.

I sit in my fragile tree house living on the edge of somewhere else keyed into vibrating hammers striking nails home. In my tree house I put it down where it belongs. Chamber a word round, aim and fire. The American way is to fire first and aim later.

Lock and load crashing echoes through space, followed by another crashing bore expending taxpayer’s dollars and foundry worker finances.

I scream hot molten lead words.

My youthful naiveté led me across an ocean of innocent waves to hot humid heaven jungles.

I was born dead in Vietnam and slowly came to life. 1969.

I’ve missed sitting here doing this. Confronting my shadow, my primitive, instinctive nature is scary.

I want to get up stretch my long thin arms go for a run burning calories and fat molecules. I swallow air savoring the world.

I am too full of sorrow to eat anymore.

I need a cold drink, need to paint a watercolor or manipulate a digital image with Dada surrealism placing a dragonfly rippling silence with translucent wings inside a Japanese ZEN meditation garden with carefully raked oceans of sand.

I meditate on my breath and the process of death.

I forget how to type on mirrors received from Mongols along the Silk Road.

I whisper to myself, “I would rather do it well than badly, but I’d rather do it badly than not at all.”

Ten talons tear at twenty-six keys.

I need to stop people from dying.

I need a commitment-free lover to explore the vocabulary of touch.

My mirror is a hard reflection in my pale hands. I digest words, strings of vowels and consonants forming letters held together with cosmic ethereal portable imaginary glue invisible indecipherable delicate foreign symbols.

Faces blur in the heat of rotating emergency lights reflecting off a magic prism hearing a frantic 911 AMR plead for someone to get the IV going. Administering CPR to the child, I remember my sister, Martha Ann, 13, when she was dying from leukemia and needed life.

I follow procedure. I shake Martha Ann, screaming, “Help!” open the airway, look, listen and feel for a pulse. After two breaths I check the carotid pulse near her Adam’s apple, find the landmark on her chest and do CPR for 1 minute, pressing 1 - 1 1/2 inches deep. I do five compressions and administer a breath every five seconds.

Drenched by tears I look up as traffic swirls past us.

I resume CPR knowing I have, at the most, two minutes to help her. I know two things about this reality:

1) the dead can’t feel any pain and 2) they can’t talk.

Below me oral traditions echo through my heart-mind as nails sing, brushes excavate ancient papyrus. Camel hair caresses rice paper shovels and doors. Silver axes cut the forest down for small caskets.

“Look, it is one of us,” the Turkish tree said when the axe handle came into the forest. Slamming hammers beat nails into coffins.

I hum an old tune. Language is a virus. La-de-da.

Spinning emotional fire visions flow, associate, blend, dive and dance on point performing a plié at the barre.

Steeled letter keys strike hammers, blasting iron nails, merging into Maple, Ash, Cherry and petrified wood.

Iron forged edges bite hard earth releasing soft dust. Brushes reveal artifacts as conspiratorial alarm bells bing bang bong salutations at the end of a line.

A manual typewriter carriage slams home inside the middle way.

Buddhists say you should cultivate the perfect balance of wisdom and compassion.

If you have too much wisdom you are unfeeling, cold, like marble.

If you have too much compassion you become too sentimental.

I resume CPR.

Weaving A Life, V1

Rolling Thunder

One hot July day my mother rolled her living prose poem of anguish, vision, truth and beauty through Denver and beyond.

“It’s all a myth, a way of remembering the past,” she screamed chasing shadows into blazing sunlight on Broadway Street where immigrant families sat on broken dreams.

She passed devout Tibetan pilgrims walking, singing, praying, and laughing inside the Barkhor circuit in Lhasa. They threw sky crystals at karmic ravens, the symbol of reincarnation.

She rolled past terracotta warriors crashed on bags at Shanghai train stations seeking invisible unknown terminal destinations.

She rolled past Elmore James, Willie Dixon, Little Walter, Sonny Boy, Howling Wolf, Robert Johnson and Muddy Waters down at the crossroads sliding their callused fingers on metal frets trading their souls to the devil.

The blues are the roots. Everything else is the fruit.

She flew past Balinese carvers edging faces for shadow puppet plays, jungle painters creating corporate butterfly murals, villagers harvesting rice in layered green pastures and landmine amputees plowing behind oxen.

Hearing Irish tinkers pound pans between villages she rolled past homeless humans dreaming of food as shadows danced on cave walls in the United States of Amnesia.

She rolled past a naked evangelist at his wailing wall forecasting human greed and global economic terrorism.

A phallic snake symbol delighted the envy of quicksilver messengers wheeling past tan cellular idiots waiting for an express bus to financial heaven.

Shifting gears, she burned past her husband’s white-haired aunt in a nursing home painting her final autumn leaf watercolor vision.

She sheared past Ashiakawa weavers threading seasons in Hokkaido, Japan and Sherpa’s brewing tea at 18,000 feet for expeditions collecting Trophy Mountains after paying hard currency to totalitarian emperors for the pleasure of suffering altitude sickness, hypothermia and high blood pressure death.

She rolled past consumers making quick money honey living on plastic debt while driving 4x4s through scarred Rockies as cock-a-roaches devoured natural resources. Land grab development bankers heard mutants scream, “Where is the water for God’s sake? We paid for our thirst.”

She sailed past her eldest son waiting for his NAM dust off chopper from Camp Eagle near Hue toward San Francisco. On the flight to Denver and beyond he became a ghost in exile.

He stayed in Colorado for a month, did eight weeks at the DOD Information School, finished his time in Europe and got out, a free man. He spent six months roaming from Germany to Finland, Portugal, Spain, and Morocco.

In 1973 while attending the University of Northern Colorado in Greeley she knew he’d face abusive rejection from some students. They’d accuse him of being a baby killer and an undesirable outcast.

He became an invisible literary outlaw.

He incorporated passive-aggressive silence. He became anonymous, a figment of their imagination. Staying away from them he practiced covert dark arts on night patrols with stealth, silence and cunning on fully automatic.

Write it down and done, laugh, and move on.

His undeclared major was Survival 101. It wasn’t in the catalog of classes. University admin officials in their cubicles screamed, “You have to declare something!” He selected Cultural Anthropology & Mythology to placate the beast.

She read his final letters home about fire fight survival instincts remembering the horror etched on a black wall in D.C, with 58,000+ names as reverberating chopper blades severed stale humid tropic air and jungle survival removed veils of illusions. He’d surrendered to life and began collecting dust.

Like an old river she careened past Arabic nomads exchanging goats and camels for pearls as oil deserted sand enveloped silk encrusted carpets. Refugees on sinking lifeboats discovered geological family strata amid Chinese shipwrecks shifting divorce paradigms.

Independent shamans played with awareness using active imagination’s free potential - exhaling a mind’s eye making B&W street photography in exile.

Women wearing exploitation’s cloth wrapped in solitude braved whirling third-world poverty as their economic fate shattered malnourished rocks along Bhutanese mountain roads creating capitalistic nirvana. Imported from India and desperate for food they lived in river reed habitats with Gross National Happiness.

Gathering speed now.

Rolling her Wheel of Life, she evaporated six degrees of separation near the Tropic of Cancer in fast rivers celebrating animist tribal dialogues hearing tongues sing air earth water fire languages by crow, eagle, raven, coyote and wolf.

She received the mark of the king tattoo from a Tahiti artist in Saipan.

Indigenous natives were surrounded and confounded by blue-eyed European’s commercial greed and cultural annihilation while calculating slavery’s cost for competition’s profit.

In silence she rolled with patience, solitude, and nature just being her doing nothing poem.

Her life created a ruptured aorta in earth, fire, water, and air with pulse platelets as red lava flowing past Himalayan monasteries heard monks chant prayers in assembly halls at dawn.

Green, blue, white, yellow and red Lung-Tao prayer flags singing wind songs welcomed her sacrifice, liberation and freedom with perfection celebrating Maya illusion wisdom free from Bardo.

ART

Burma Market

Horse drawn cart traps. One traffic light.

Two motorcycles is a jam. Green for go.

Twenty minutes away on foot, an extensive traditional market covered in rusting PSP sheets is a delightful adventure  - returning to the source of community, dark eyed local curiosity, street photography, laughter and floating babbling tongues inside a labyrinth of narrow uneven dirt paths.

Footprints on stone and dirt meander through forests and mountains of oranges, apples, bananas, red chilies, green vegetables, thin bamboo baskets of garlic and onions, farm implements, 26 varieties of rice, clacking sewing machines, basic commodities, steaming noodles, cracking fires, snorting horses.

Sublime.

Blindfish heads whisper The Sea, The Sea. Silver scales reflect light.

A woman hacks chickens. Blood streams down circular wooden tree rings.

The gravity of thinking sits on a suspended hand held iron pan scale.

A white feather sits in the other pan.

Balance.

Rice mountains peak in round metal containers or scarred wooden boxes.

Horse drawn cart traps unload people and produce. Neck bells tinkle: Star light star bright first star I see tonight, I wish I may I wish I might get the wish I wish tonight. Well. Fed horses paw dirt.

Ancient diesel tractor engines attached to a steel carcass hauling people and produce bellow black smoke.

Old wooden shuttered shops with deep dark interiors display consumables, soap, thread waiting for a conversation, stoic curious dark-eyed women, others laughing at the benign crazy traveler. 

A ghost-self sits in meditative silence, absorbing rainbow sights, sounds, colors, smells, feeling a calm abiding joy.

South of Mandalay Part 1

Fog shrouds trees before dawn on a chilly December morning.

Mornings are fraught with mist as an orange burning orb rises over forests and rice paddies.

Crows caw sing wing wind songs above monks chanting sutras at a pagoda. A bell reverberates.

Leaves dance free from The Tree of Life.

This raw, direct immediate experience reminds a traveler of Phonsavan, Laos near the Plain of Jars, long ago and far away in the winter of 2013. A Little BS came of it.

Here at 5:45 a.m. below trees with yellow leaves,

100 grade ten female students with dancing flashlights trace a dirt path.

They've escaped the comfort of hostel dreams.

They dance toward classrooms and a cavernous dining hall for rice and vegetables.

Hot soup if they are lucky. Mumbling voices scatter singing birds.

Female student voices reciting scientific lessons at 6:15 a.m. echo from classrooms at the Family Boarding School.

Dystopian wrote memorization. Utilitarian. Repetition. Learning by heart. It’s not about learning. It’s about passing the exam and marks. Vomit the material.

The wisdom of the heart is deeper and truer than knowledge in the head

They drone on huddled, hunched over wooden benches in jackets and yarning caps with swinging tassel balls. A bundled teacher scratches white words on a blackboard

Today is the day of my dreams

A narrow garden of hanging pink, orange, purple, white orchids reflect shadows before scattered light sings. An office girl sprays H20 diamonds on petals and green leaves

A distant solitary bell reverberates
Monks chant sutras at a pagoda