Creative People

I'm one of those people who has learned through living that there is nothing and nobody in this life to cling to.

I am a metaphor looking for a meaning.

I feel free to move away from safe familiar places and keep moving forward to new unexplored areas of life. Floating. If I had a penny for every time someone asked me when I’d settle down I could afford a world hypothesis!

Yes. I could bid on blessings. I’d sacrifice pre-linguistic symbols and create silent metaphorical abstractions. My linguistic skills would evolve into love, into discursive logic. 26,000 year-old Paleolithic iron and copper paintings create a secret symphony of ancient stories in a Spanish cave. Shamans experienced visions for the tribe. Oral transmission said a Griot.

No lengthy drawn out off-the-wall abstract explains my small empty self to anyone by virtue of who I was, am, and will be.

Life is a palimpsest. Trade security for adventures.

“There are two stories in the world,” I said to the Moroccan as we carried boarding cards through the Casablanca terminal. “A stranger arrives in a village or a stranger leaves a village.”

“Yes,” said Omar, a blind writer overhearing their conversation, “we might add there are also stories about love between two people, stories about love between three people and stories about the struggle for power. Stories are about characters revealing emotion through dialogue and action.”

He handed me a pile of yellow papers wrapped in rushes.

“A gift for you. It contains a farrago of evidence. Keep it simple.”

“Thank you.” Where do I find you?”

“In the caves south of Ronda. It’s a long walk.” He disappeared into Baraka.

ART - Adventure, Risk, Transformation, A Memoir

Human beings and creatures flowering and dying in the void.

Art

express your emotions - music, poetry, painting,

dancing, singing, laughing, loving, living

creation & reception of art

establishes dialogue with mirror neurons - sensory stimuli...

art is self discovery

a good artist creates what they are

art has a sacred status -

raises us to higher moral & spiritual plane

shared experiences w/art emotional connections

active dialouge b/t artist & spectator & universal

Laos

Plain of Jars - 500 BC to AD 500 - Drinking vessels of giants. I was there.

ink brush pressure

I visit from Mars. It is 38 billion miles away. A way.

Earthlings visit a hospital to collect relatives with an expiration date ... a woman scrubs steel pots in a gutter soapy floods flow into street drains.

Earthlings are good at two things - eating and sleeping.

A young woman chops meat. Absorbing her rhythm I play my harp. She dances with a bloody cleaver. 

We share laughter. Music is the fuel.

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"When we dance the earth trembles, the earth feels the beating of our hearts and we become one with the earth. We must chant our being, and we must dance in time with the rhythms of the earth. We must keep the earth..." - Earth Keeper by N. Scott Momaday.

*

I can help you. I can't solve your problem.

*

Die cast - explanations have to end someplace

Character sketch in 20 words or less

Awareness - compassion - gratitude - kindness

Ink, brush, pressure

Line, shape, shading

Reality is the funniest thing happening

Heisenberg’s Uncertainty Principle – position or velocity

People talk about people talking about people

Pinpoint of light in left lung

Cancer sun flare

Meditate on the process of your death

A small sun glows in darkness

Active imagination shares a story – process

Talking with doctors in class

Illustrate FEARLESS

Fear speaks of patient death

Save the children

Language chunks

Courage

Curiosity

Focus on your breath

Meditation

Wushu slow methodical

Every movement has meaning

See through soft eyes

Gratitude

No mistakes in life art - happy accidents

Ink dances reveals point line shadow

Watercolor brush

Creativity has no rules

Take a line for a walk

Grow Your Soul - prose and poems from Laos/Cambodia

Fragmentary

My imagination is a monestery and I am its monk.

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Sometimes I am so happy I depress people. - David Bowie

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"Similarities b/t writing and drawing -

both tend toward the imaginary;

both are fragmentary and unfinished." - Kafka

*

Absurd Language

Do you want the short version or the long version, asked a reliable narrator of dubious credibility.

A perfect question in life’s chess game of experiences and conversations as people play with choices and consequences inhaling, exhaling, living, traversing, falling, flying, exploring, and walking on the spinning Earth rock, said Devina. Rock your world.

Mandalay construction site.

*

The celestial rotation makes people dizzy, confused and disoriented and many fall down, said Tran. Hello gravity. WE fall up, said Rita.

If you flesh out the short narrative version with specific details it grows, said Z. Character threads develop. Destiny and action forms character.

Destiny weaves a rope of hemp fibers, or woven reeds from a river in Mesopotamia, or Cambodian cotton, or Lao silk worm threads designed to hang yourself if life becomes unbearable, perhaps too sweet, too beautiful, too sad, said Desire.

Determining your fate suicide is a daily choice and a way to escape a terminal adventure travel disease. You are manipulated by someone in the story before, during or after you finish a random simple sentence with a line long enough to hang laundry on. It evolves a life of its own because you are a conduit, a towering magical volcanic mountain releasing hot molten word lava from a highly charged pressurized center.

The reader and writer are one.

Short, fast and deadly.

This explains how silence between words sees language as absurd, irrelevant and a burning ring of magma fire.

This molten conglomeration of Voice and Sign language, mud, water, soil, sediment, sandstone, gas, graphite, gypsum, rocks, boulders, pebbles, dust  ...  

24-carat carbon diamonds, fossilized fragments of vegetarian dinosaurs, compressed plankton and geological logical particles discovered by humans and other alien life forms  ...

Blasts out of the deep red hot core of finite transient human Mind-At-Large existence into a blue atmosphere where it cools, as the gravity of thinking, the scourge of civilization, agrees to ignore the abyss it’s malcontents and expectations of loss fear and Death contributing to its infinite force.

The dense mass falls, slithers, slides, rumbles, cascades, rolls, strolls, runs, dances flowing down engulfing everything in its path melting landscapes, carving new strata, grand canyons and Leaping Tiger gorges, gouging out tributaries for cooling debris, slowing to a glowing light as you open a vein and scribble one true sentence, said Z, O my word, let it cool, heat and serve.

Book of Amnesia, V2

O yeah, said blossom tree, Life is dance.

Omar's Dream

A month later Omar returned to the caves to wait for me. He had a dream.

“I’m afraid you will have take your boots off,” said a soldier wearing a 45-caliber sidearm with an M-16 slung over his shoulder when he saw my scarred climbing boots at SeaTac airport in March 2002. They had steel rivets.

“Anything interesting happen while I was away since September 1, 2001?”

“You don’t know the half of it.”

“Do you mean the half before the shift or the half after the shift?”

The G.I. answered with a dull blank stare.

A retired homeless bag lady approached security. “It’s good to know that 450 airports in early 2002 hired more than 45,000 workers. Maybe I can get a screener job here.”

“Why not?” said a T.S.A. official standing near an X-ray machine. “Each month, screeners take from passengers about a half-million things, including 160,000 knives, 2,000 box cutters, seventy guns.”

“Look like things have improved since I’ve been gone,” she said, pushing her grocery cart down the discount aisle. “Now I feel really safe.”

Along the concourse I studied glossy high definition pixel posters of airplanes slamming into towers with the admonition:

Beware!

This could happen to you.

Live in fear.

Report any and all suspicious activity.

Do not trust anyone.

Spy on neighbors and report them to the Secret Police.

Do your civic duty.

Be a Patriot Act.

Big Brother Is Watching 24/7

I’d created this reality with precise clarity.

Returning to the United States of Amnesia after centuries on the ground in Morocco and Spain I sat in my Tacoma tree house. I worked in a room bathed in light.

I had a maul, a hatchet, and a double bladed axe named Laughter.

Inside shifting forest tides, I was buried beneath 150- foot tall Douglas firs waving in wind.

A blade’s swinging, singing weight edge sliced through old growth tree time rings with ferns, moss, and rain.

I sat down spinning out tales, weaving spider webs on a loom of time. My mirrors reflected everything.

I carried Omar’s palimpsest through the forest. It was a bird song trill and spring music with owls, ravens, crows, eagles and vultures circling on thermals offering shamanic visions of clarity, insight and ancient wisdom.

I established a refuge from the storm with simplicity, serenity and sanctuary.

Living on the edge I savored shelter in a bird’s song. Trimmed cuticles spiraled into spring. It snowed flowers.

I looked deep into the forest of the mysterious manuscript. It was true and filled with sensory details. I connected new narratives with Omar’s animal skins revealing adventures, quests, dreams, conversations and awareness blended with joy, delight, courage and healing energies.

People wondered and wandered, chained to the earth to pay for the freedom of their eyes. We see through our eyes not with our eyes.

I resumed my Spanish exile.

ART - Adventure, Risk, Transformation - A Memoir