Flower

process is more alluring then product

Dimmi - tell me your secrets ... fundamental laws of nature ... synthesis ... geometry + shadow + light

Barthes - photographs attract us because they are pensive, they think

ideas in living laboratories

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History, war, and violence screwed us, said Rita. Human genocide animals massacred 1.7 million out of 11 million between 1975-1979. Millions are subsistence farmers. It is a rural agrarian society. They produce what they need. They eat, sleep, plant, harvest, fuck and sit around.

They are soft and kind. They have a good heart.

As Buddhists they visualize a positive future with good education, health care, quality medicine, job opportunities and community strength.

They drift through your sensation, perception and consciousness with the speed and grace of a cosmic Lepidoptera. The lesson is to tolerate with kindness and Patience, your great teacher, the empty-eyed star gazing staring humans. Bored after five minutes they lose interest and leave you be. Zap, like a zigzag lightning bolt. Gone. Zap said Rita.

Let’s pretend to be exactly who we are. Let’s pretend to be someone else in life’s play.

Whew what a mouthful, said Tran, an amputee from Vietnam, Yeah spilling sounds and metaphors, the human condition reads history and weeps, time history is a play, create memory history and re-write it. Your memory is the world, said Omar, And the world is a village.

Everything I need is here.

Cry me a river. Build me a bridge. Get over it.

Question?

What do you recall during the one-hour full body massage with blind Flower at Seeming Hands? Her hands were all. Her hands were water air soft gentle sensations. Learning sensing and feeling is her physical way. She engaged all her senses. Touch is her essence.

She knew your pressure points. Soft, medium or hard, she said. During her meditation we considered this fragment. We discovered immediate direct experience with structure form and literary vulgarity.

We slow down inside a labyrinth contemplating a lotus growing from mud.

A writer is a dwarf, invisible and must survive. They write naked, in blood and in exile.

Book of Amnesia, V1

Burma

Tran

Before going to Cambodia I lived in Vietnam for seven months. Five months in Hanoi and two months in Saigon. I first went to Vietnam at nineteen and spent a year with the 101st Airborne near Hue.

I put it in a memoir called ART – Adventure, Risk, Transformation. It was self-published in 2019.

I met Tran Van Minh at the 85th Medical Evacuation Hospital in Da Nang in 1970. I came down for hearing tests.

Bhaktapur, Nepal

I turned to the traveling tribe of seven storytellers. Tran from Vietnam, Rita from Cambodia, Leo from Tibet, two Zeynep’s from Turkey, Devina from Indonesia and Omar. Survivors. The Magnificent Seven. All of them have poems, stories, and dreams to finish they haven’t started yet.

Tran: I grew up in a village near Da Nang. There was a war in my country. I was five. One day I was playing near my home and stepped on a landmine. It exploded. Someone took me to the hospital. They saved me. I lost my right leg from the knee down. Now I have a plastic leg where my real leg used to be. It was a gift from a kind stranger. I’d like to thank them but I don’t know who they are or where they are. Maybe it was someone who came to the orphanage where I grew up after the war.

Anyway, it’s ok now. At the hospital they fixed me up and gave me crutches so I could get around. I lived on a ward with other Vietnamese kids. One day I was cruising down the hall and saw an American guy. He smiled at me. I smiled back.

He followed me to my ward and talked to a nurse. I’d like to be his friend. What is his name? Tran. Ask him if he’d like to be friends. She asked me and I said yes. Yes is one of my favorite English words. The man and I became friends for three days.

He said he had a hearing problem. I’ve met people with a listening problem.

Sometimes he carried me. It was great. We hung out together eating, watching movies on a big white sheet and playing on the beach. Then he gave me a big hug and left. He said he had to go back to his unit. He said he would always remember me.

I gave him my picture. I’m smiling, wearing blue hospital clothes and sitting on a bed with my missing leg wrapped in white bandages. I felt sad but I understood when he left. I lost my family in the war and I’m an orphan.

WE accept loss forever. That’s a good story, said Rita, I’m an orphan also. We have loss in common.

I met a happy child with courage. Tran was my teacher and connection with the real world. Be a child. We are one with the world around us. Tran survived with confidence, courage, strength and spirit. He taught me how precious life is. Tran is an essential storyteller because he is a survivor.

Tran - I am Bui Doi. This means children of the dust in Vietnamese. We shine shoes, beg, pickpocket and sell postcards and gum near tourist sites.

Bui Doi. Children of the dust.

Book of Amnesia, V1

Surprise!

Question?

Is the problem or surprise the form, a formless form or the form of the formless forming sea foaming form? If so, can it be understood by reducing, redacting, paralleling, associating another journey? Can you break the continuity of the journey with memories of an ephemeral I ? Yes … It’s not a problem, it’s a surprise, said Impermanence.

Who am I?

I am a who to what I am.

Why am I here?

How did I get here?

How did I grow?

Q has three parts:

a) What is an objective, universally acceptable definition of good and evil?

b) What is the nature of evil? The question is the answer. It is not in this tale, play or manuscript.

c) What is the relationship between consciousness and matter?

Q. Where does the real end and the artificial begin? I am a superficial person, said Grave Digger … I pretend to be who I am in my future. I know two things. My hands. My work is never finished.

Q? Does fate control our free will? Yes.. Fate cannot lie. If fate doesn’t make you laugh then you don’t get life’s joke, said Laughter Therapy … Ha, ha, ha.

Q? Should we worry about the style? No. Should we worry about the form? No. Worry is interest on a bill yet to come due. No guilt, regret, fear, or monkey mind. Monkey loves the circus of sensory overload. We live in a world of forms.

Form is emptiness and emptiness is form.

Northern Laos

A C-19 virus transmitted by Chinese bats to humans in late 2019 is not a surprise. A pangolin ate bat shit. The pangolin was trapped, died and ended up in a wet market. Consumers bought it, sliced it, cooked it, and served it at parties in Wuhan. Delicious. Infected humans traveled and transmitted C-19 to millions around Earth. So it goes.

Holy bat shit! said Robin a cape crusader wearing a mask practicing social distance.

Q: do we have to capitalize the first letter of every sentence? no is the short answer no.

Q: what is strange? Life is strange, bizarre, comic, tragic and very short … Life is a brief clear precise concise life sentence. How do stories, vignettes, jazz prose poems, journalism fragments, and system analysis communicate with each other?

A: They walk dirt paths, ford rivers, scale mountains, explore jungles, valleys and estuaries and cross metaphysical existential borders … they build sandcastles near the sea. They practice telepathy … they are time travelers. Aliens.

They meditate on the process of their death.

The dance and dancer are one.

As a mystic and prescient person, Zeynep you have the responsibility to be honest. Be light about it. Think big and stay in the particular. Know what keeps you motivated and happy. Autotelic. 

Next question Z, How do you stay fresh and centered? You make it new day-by-day, said Z, Make it new. A storyteller staying in one place goes blind, we move around before becoming native and dull. Before we think and act like local sheep.

Lost confused passive ones living in Inertia, a state of mind, perfect the art of MILLING AROUND in Country ABC, said Rita, They speak in monosyllables Yeah, yeah. Big vocabulary. 2% are awake. 98% are asleep. The majority are afraid to ask the WHY question.

Fear is a killer. Life is a killer.

People asking questions get slaughtered. See the Killing Fields on page 101 - the last room you want to enter. Keeping your big fat fucking mouth shut is wise and prudent behavior to survive post-genocidal truth ghosts. It is an unpleasant fact. If you open your trap someone cuts out your tongue.

In this peculiar particular situation expert scientific witnesses have proven beyond a shadow of a reasonable doubt and doubt has a shadow with logical coherence … that WE, being expert witnesses, reliable narrators and noble natives living with our DNA genius bear witness to alienated, lonely, bored, listless, passive, Earthlings meandering with no purpose, lost, unimaginative having zero curiosity and staring with blind eyes - due to severe emotional, mental, physical traumas with memories of suffering, genocide and ghosts.

They remain childlike, tender, sweet, kind, and hospitable with a terminal case of confusion and loss forever, hiding in deep shadows, addicted to dumb phone entertainment boredom.

Their beating hearts caress resignation, despair, depression, lack of initiative or incentive based on fear of punishment, or loss of face or humiliation with hard-wired SHAME.

They grow and live a meditative Buddhist spiritual way of identity and culture.

They are easily distracted. Kids play. Forever young. Adults have perfected the art and style of Pretending To Be Busy.

What art. What beauty. What style. What form. What context. What a formal pertinacious way. What objective truth. What verisimilitude.

Here are some true facts, said Rita an orphan and independent author. Unpleasant facts are littered in this epic like lovers, countries, butterflies, social systems, food and transformation.

Book of Amnesia, V1

The Play Begins

Attention Ladies & Gentlemen!

Civilization is sterilization - an agreement to avoid the abyss. You look into the abyss and the abyss looks back at you. 

History is the symptom and people are the disease.

This is a long dream sequence, said Zeynep, author of The Language Company. Mirrors are metaphors like Banlung, Cambodian nill gemstones of the Mind-At-Large. Keep a diamond in your mind, reflecting 10,000 points of light.

WE create myths and stories … We build sandcastles … We used to be someone else and we traded them in.

Hold a mirror to the sky reflecting Beauty. Hold a mirror to the ground reflecting a muddy path. Hello Truth. Hello Beauty. See all the beauty without hope or fear. Life is sad & beautiful.

It’s a long walk. Walking makes the road. Nothing more. Nothing less. Less is more.

We play with reality, impermanence and illusions of reality. We cultivate ambiguities, create imaginary identities and play with fact and fiction. We use lies to tell the truth. Fast, short and deadly. In the future more than five words is a run-on sentence. A life sentence ran away.

What’s the next question, said Grave Digger. I love good dirt. I know two things. Look at my hands.

I know the solution and wait for the problem, the opportunity, the big SURPRISE, said Leo, Chief of Cannibals. Can we know death, said Leo, Good question, said Z. One should die at least once to appreciate life. One must die before they live. Most people are born alive and slowly die.  

WE are born dead and come to life.

Kill the Buddha. Kill yourself. Suicide is an honorable Asian way of saying goodbye with honor, dignity and respect. Buddha said, I show you sorrow.

A blossoming voice has purity, love and truth. We know illusions of desire, anger, and ignorance. Pain, suffering, fear, loneliness and alienation kills the spirit, said Rita, author of Ice Girl in Banlung.

Alienation embraces uncertainty … Embrace the chaos.

A heartbeat contains a universe of infinite possibilities, said Zeynep, What is the difference between possibility and probability, asked Tran, polishing his prosthetic left leg.

We dissolve monkey mind thought clouds and fleeting sensations to enhance our awareness and potential, said Omar a blind Tuareg Ghostwriter.

What does it mean to be a human being? Are you a human being or a hungry ghost?

The reader completes the work of art.

Yes, said Devina, buy a ticket take the ride.

We are in exile with stealth and cunning.

Book of Amnesia, V1

Life is unbearable, said Poo. Farewell cruel world.

Chapter 15

Earth peoples, oceans wave,  celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.

They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.

He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Their relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.

What conflicts exist?

-Human vs. Human

-Human vs. Nature already mentioned.

-Human vs. ______><_______

-Human vs. self. Do I or don’t I? Is it safe?

-Nature vs. Nurture

Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran. I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.

She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words, Yeah, said Rita, What did you say? I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom, Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.

Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters, Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Asian market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart.

Fear sells. Fear is a universal language.

Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation  ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.

I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite. Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.

Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A sincere writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.

A work of art is never finished. It is abandoned, said Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.

We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information, Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.

Book of Amnesia V1

A flower has profound responsibility.