Entries in nature (129)
Frozen Memory
After Saigon, Leo walked to Sapa in NW mountains.
Talking monkey tourists from Hanoi are here to eat, gamble, sing, dance / screw and buy cheap imported plastic products, said Mo and My, H’mong storyteller sellers.
Day trippers are an army in high heels, floppy hats, sunglasses, shiny belts and lost eyes. They run to stand in front of a Catholic Church to have their photo snapped off. Most ignore us.
A woman tourist slows down in her long march toward consumerism to look at my work: a handmade belt, a colorful wrist wearable, a thin wallet. The wallet is thinner than Mo.
She is surrounded by a chorus. “Buy From Me! Buy From Me!”
The woman faints. Another buyer takes her place near blue tarp patchwork junk dealers selling fake watches, cheap pants, shirts, hats and knickknacks.
Eyes scan colors, fabrics and faces.
A park has baby red roses. A dusty historical statue stares at brackish fountain water.
Red Dzao women have bags and threaded samples spread on the ground.
“Do you want to buy from me?” said one smiling with gold teeth.
“Yes. I want to buy the mountain.” Leo pointed to the rising green western forest, steel gray granite slabs, deep shaded valleys and gray clouds skimming peaks around high deep edges rolling toward them.
“Ok,” she said. “I will sell you the day mountain for 10,000 and the night mountain for 10,000.”
“Ok. It’s a deal.”
School kids in uniformed mass hysteria and deprived of sleep stagger uphill to a bright yellow building where a young boy pounds out a rhythm on a ceremonial skin drum. Come all yea faithful, joyful and trumpet.
Two big brown dogs fuck on the street in front of the church where tourists gather for a photo shoot.
Local women armed with cameras they rent by the day selling images, reflections, memories and dreams poke and prod women, husbands, boys and girls into groups for the moment. The decisive moment they will remember forever.
Their image will collect dust near a votive candle altar and burning innocent incense feeding, appeasing dead hungry ancestral ghosts. Caught in time. Frozen alive.
Jungle Story
Once upon a time in the long now there was a continent, a landmass floating on water. White barbarians called it Asia on dusty maps. Deep inside Asia were vast lands, rivers and mountains.
Overtime, a historical bandit with a reputation for laughter, magic, fear, superstition, and an insatiable appetite for diverse languages and cultures lived in jungles and forests.
Jingle, jangle, jungle.
Using natural materials villagers created musical instruments, simple weapons, homes, fish traps, snares and looms. The women had babies, wove cloth and prepared food while the men fished, planted crops, domesticated animals. Children played and learned life lessons from nature with extended families.
One day a boat filled with white men sailed up river to a village deep in the jungle.
They wore shiny clothing, spoke a language the people could not understand and carried weapons that made a lot of noise and scared everyone. They pretended to be friendly by offering gifts. The leader of the village welcomed them. They had a party.
Every day more white people came up river on boats named Destiny. They were on a quest for gold and slaves. Owning, using and discarding slaves had proven to be an essential part of their evolution on other continents.
Their mantra was: cheap labor, cheap raw materials, cheap goods, cheap markets and much profit.
White people said, we are civilized and you are savages. We have religion. It is called Wealth & Greed. We are on a mission from the great chief. We control people. We control nature. We have machines. We take what we want.
The village gave them hospitality, shelter and friendship.
The white men took control of the village, people and jungle. Every day the white men marched their slaves deep into the jungle singing, “We control Nature. We shall overcome.”
They spread diseases. They planted fear. They planted envy and jealousy. They manipulated villages against villages. They divided people against people. Divide and conquer. History taught barbarians well.
They harvested wealth in the form of people, precious stones, rubber and every raw material of value. They were never satisfied. Their appetite grew and grew.
If we want to survive we have to move to a new jungle far away, said the village shaman.
This is the story they told their people one night below stars singing with their light.
Write Naked
Earth peoples, oceans wave, celebrate life energy sex and harmonic forces, said Rita, What happened in the love hotel? Use your imagination.
They paid a woman 3,000,000 Yen through a slot in the door. She gave them a key. It unlocked Akiko’s chamber of secrets. The room featured an American wild-west motif with an Indian chief on a white horse. Very cute, said Akiko. They stripped each other down. They took a long hot herbal bath exploring geography with tender lust. They jumped each other’s bones. It was in-out dialogue, pure passion. Show doesn’t tell, said Z.
He toweled me down, said Akiko. I felt thick cotton noun fibers edge my thin shoulders, along my verb spine, weaving his fingers across my flat stomach, erasing, tracing water fingering my direct object jungle. Slow and easy baby, I sighed being his Shinto shrine as he gave me his offering. Our relationship ignored verbal language, said a blind Japanese masseuse in a love hotel.
What conflicts exist?
-Human vs. Human
-Human vs. Nature already mentioned.
-Human vs. ______><_______
-Human vs. self. Do I or don’t I? Is it safe? Wiil it help me or will it hurt me?
-Nature vs. Nurture
Will someone playfully deconstruct the truth with literal facts to move the narrative along and get to the mind-at-large awareness of his or her experience, said Tran. I hope so, said Omar, A literary agent at a writer’s conference in Oregon said my writing was a word photograph jazz beat. She suggested throwing the narrative out.
She said and I quote, Pick one time or geographical place and flush out the narrative with more exposition. I would like to see character development and social and political realities in 60,000 words, Yeah, said Rita, What did you say? I told her some novelists do exactly the opposite of what they’re told because disobedience is freedom, Beware of book doctors and blood thirsty greedy dictatorial aliens with an agenda, said Rita.
Ok, said Tran, How’s this sound? Write everything in the first five pages. Grab the reader with a hook in every sentence, at the end of paragraphs and at the end of chapters, Yeah, said Grave Digger, WE need a hook, a big iron hook covered with dried blood hanging in the center of an empty Kampot market reminding genocide survivors what happens to them if they fuck up. They get a big fat rejection hook in the neck or through their trembling beating pulsating heart.
Fear sells. Fear is a universal language.
Good idea, said Zeynep, Work fear, sex and growth into this. Readers need to keep turning pages. This work doesn’t flow from A 2 Z. It presents a form with a minimum of punctuation ... punctuation is a nail. Is it an error or a mistake (part of a statement that is not correct) that’s a question for a linguist.
I love Linguini, said Devina, but he doesn’t love me. What else? Split the infinitive hairs. Infinity. Infinite. Finite. Dynamite. Kids know eternity adults are scared of it, said Death. It’s long, cold and black. Nothing ever happens again.
Well, it’s ok to be horrible, said Z. Some writers give up because they want it to be perfect. You need to be passionate and persistent about your art without become obsessive-compulsive about it. A sincere writer has grit and stamina. Do it because you love it. Make a mess. Clean it up and make another mess.
A work of art is never finished. It is abandoned, said Marcel Duchamp Ulysses Take Nothing For Granted. Kill your father. Marry your mother or versa visa. Push a stone up a hill. It rolls down. Push it up again.
We are all orphans sooner or later, said Rita, Speaking from my hard-lived sojourn, Experience is my teacher. The rest is just information, Editing is a form of censorship, said Leo Told Story, waving a pile of rejection letters from lame stream mainstream upstream.
Surprise!
Question?
Is the problem or surprise the form, a formless form or the form of the formless forming sea foaming form? If so, can it be understood by reducing, redacting, paralleling, associating another journey? Can you break the continuity of the journey with memories of an ephemeral I ? Yes … It’s not a problem, it’s a surprise, said Impermanence.
Who am I?
I am a who to what I am.
Why am I here?
How did I get here?
How did I grow?
Q has three parts:
a) What is an objective, universally acceptable definition of good and evil?
b) What is the nature of evil? The question is the answer. It is not in this tale, play or manuscript.
c) What is the relationship between consciousness and matter?
Q. Where does the real end and the artificial begin? I am a superficial person, said Grave Digger … I pretend to be who I am in my future. I know two things. My hands. My work is never finished.
Q? Does fate control our free will? Yes.. Fate cannot lie. If fate doesn’t make you laugh then you don’t get life’s joke, said Laughter Therapy … Ha, ha, ha.
Q? Should we worry about the style? No. Should we worry about the form? No. Worry is interest on a bill yet to come due. No guilt, regret, fear, or monkey mind. Monkey loves the circus of sensory overload. We live in a world of forms.
Form is emptiness and emptiness is form.
Northern Laos
A C-19 virus transmitted by Chinese bats to humans in late 2019 is not a surprise. A pangolin ate bat shit. The pangolin was trapped, died and ended up in a wet market. Consumers bought it, sliced it, cooked it, and served it at parties in Wuhan. Delicious. Infected humans traveled and transmitted C-19 to millions around Earth. So it goes.
Holy bat shit! said Robin a cape crusader wearing a mask practicing social distance.
Q: do we have to capitalize the first letter of every sentence? no is the short answer no.
Q: what is strange? Life is strange, bizarre, comic, tragic and very short … Life is a brief clear precise concise life sentence. How do stories, vignettes, jazz prose poems, journalism fragments, and system analysis communicate with each other?
A: They walk dirt paths, ford rivers, scale mountains, explore jungles, valleys and estuaries and cross metaphysical existential borders … they build sandcastles near the sea. They practice telepathy … they are time travelers. Aliens.
They meditate on the process of their death.
The dance and dancer are one.
As a mystic and prescient person, Zeynep you have the responsibility to be honest. Be light about it. Think big and stay in the particular. Know what keeps you motivated and happy. Autotelic.
Next question Z, How do you stay fresh and centered? You make it new day-by-day, said Z, Make it new. A storyteller staying in one place goes blind, we move around before becoming native and dull. Before we think and act like local sheep.
Lost confused passive ones living in Inertia, a state of mind, perfect the art of MILLING AROUND in Country ABC, said Rita, They speak in monosyllables Yeah, yeah. Big vocabulary. 2% are awake. 98% are asleep. The majority are afraid to ask the WHY question.
Fear is a killer. Life is a killer.
People asking questions get slaughtered. See the Killing Fields on page 101 - the last room you want to enter. Keeping your big fat fucking mouth shut is wise and prudent behavior to survive post-genocidal truth ghosts. It is an unpleasant fact. If you open your trap someone cuts out your tongue.
In this peculiar particular situation expert scientific witnesses have proven beyond a shadow of a reasonable doubt and doubt has a shadow with logical coherence … that WE, being expert witnesses, reliable narrators and noble natives living with our DNA genius bear witness to alienated, lonely, bored, listless, passive, Earthlings meandering with no purpose, lost, unimaginative having zero curiosity and staring with blind eyes - due to severe emotional, mental, physical traumas with memories of suffering, genocide and ghosts.
They remain childlike, tender, sweet, kind, and hospitable with a terminal case of confusion and loss forever, hiding in deep shadows, addicted to dumb phone entertainment boredom.
Their beating hearts caress resignation, despair, depression, lack of initiative or incentive based on fear of punishment, or loss of face or humiliation with hard-wired SHAME.
They grow and live a meditative Buddhist spiritual way of identity and culture.
They are easily distracted. Kids play. Forever young. Adults have perfected the art and style of Pretending To Be Busy.
What art. What beauty. What style. What form. What context. What a formal pertinacious way. What objective truth. What verisimilitude.
Here are some true facts, said Rita an orphan and independent author. Unpleasant facts are littered in this epic like lovers, countries, butterflies, social systems, food and transformation.