Journeys
Images
Cloud
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

Amazon Associate
Contact

Entries in creative nonfiction (29)

Tuesday
Feb202024

Full Moon

Grazalema.

I was blessed to see many full winter Sierra moons. A bone white marble rode clouds. Undulating valleys dreamed of planting and harvest. Mad as hell caged hunting dogs howled high anxiety below western mountains.  

Grazalema men in sturdy boots carried lifetime labor tools through fields. After dusk when Luna was full they didn’t visit fields, river, forests or mountains. They lived the day. Spirits lived the night. They respected magic and ghosts.

Dogs bayed sunset to dusk. Rising orange clouds danced with a yellow moon. Men passed the cemetario toward harvest.

A heavy open thick bolted brown wooden church door led to the vestibule of an old Republican resistance memory.

 

A Virgin Mary crying blood decorated the altar. A woman in black performing her daily life penance through action and devotion changed the white lace cloth. She soaked blood out at Roman public baths below the village where water flowed from stoned carved angelic mouths.

A forcestero with a camera obscura passed her. She recognized his ghost. Yes, that’s all it was, a spirit visiting friends.

She blessed herself twice with bird wing fingers at the end of a warm winter day. Sun went home. Egyptian vultures danced in blue. She locked the black gate leading to the crypt. She remembered the forcestero doing his reconnaissance after yesterday’s funeral.

Today he worked in the crypt zone. Four walls held departed. Engraved stones with names, dates, in memoranda of children and adults to 1896. He made images below smoky green eyes of a wild Siamese cat on a red tiled roof.

Crypt construction tools, bricks, cleaning solution, trowels, broken black buckets, and rags dressed empty crevices. Rectangles waited for ornate boxes from a casket factory miles and lives away.

Caskets with simple bronze handles for six pairs of weathered hands. Brown and black religiously lined caskets and satin pillows. Pillows softer than language mumbling living tears. Hearts beat long personal and collective drum solos.

Every heartbeat contains a universe of possibilities.

Caskets in black cars with wreaths of infinite floral scents reached the black gate where they were hoisted on strong shoulders, carried past a palm tree, past a small church, another black gate on rusty hinges and slid into empty domain names. Cold gray cement cavities wore red brick ceilings.

I studied a desolate crypt space. It was long. It was empty. It was cold. It was a permanent change of address marked Eternity.

 

Leaving death’s shadow I heard men’s tools dig hard winter ground. They were above ground.

Black was the night and cold was the ground.

“Any day above ground is a good day,” whispered a gravedigger.

I’d rather be a tiger for one day than a sheep for 1,000 years,” chanted a Tibetan monk at Sera Monastery outside Lhasa. He sat on a raised platform swathed in burgundy robes holding the Vajra diamond thunderbolt and bell in his left hand.

Ringing muted tones he chanted sutras. Chanting voices, drums, incense, and bells. After spinning copper prayer wheels pilgrims climbed narrow slick stone temple steps entering through a worn door hanging. Three ornate, copper-plated Buddha’s faced them.

Past, Present and Future Buddha’s contemplated rows of flickering butter lamps, fruit offerings, khata scarves, paper money and coins. Two wooden benches sat against a wall. On the floor was a pan of round clay balls. Devotees took one, rubbed paste on faces and hands, dropping it into a used pan.

They joined people waiting to be blessed. Gathered with bowed heads at the chanting monk’s feet were impatient, playful, devout jostling pilgrims. He cycled through sutras, chanting, touching people on heads with the thunderbolt before pouring holy water on their heads. Long life!

They eased away, others moved forward. He was in a trance state of awareness. Beyond wild.

An old woman in a heavy sheepskin chuba sat down next to a foreigner. Sharing a smile she mumbled kind pure words.

“Namaste. Blessings to you.”

Babbling tongues sang. The bell rang.

 

 

After this visualization I returned to Spanish crypts. Humming Estimated Prophet by The Grateful Dead, I manipulated a visual tool recording interments with names, flowers and passages of memory in love, loss, and chiseled historical pueblo connection. I imaged cavity shells of rectangular vacant passages where invisible stories dreamed. They illuminated desire, conflict, ambiguities, metaphors, and silence.

They waited for air to carry them to the listening faithful. Silent stories, silent night of the pious, silent in collective breathing with stories inside stories.

“The rest is silence,” said Shakespeare.

The church woman turned away from shadows crouched over rocky fields, shifting stones, fence plans and pruning dead growth from olive trees along the Rio. She saw her pueblo. Romans cleared fertile land now blanketed with yellow and purple wild flowers. They built stone homes and village roads.

They named it Lacilbula. They designed baths below mountains. Their road wound below towering cliffs. Ten-foot wide dolomite gray scraped stone roads twisted from the pueblo down to the valley. They built towers and walled fortifications with defensive mountains behind them for future legions expanding their empire. Soldiers treading west branched north to Seville or south to Cadiz.

Grazalema men loaded cork on tired tractors. Using bedsprings for gates they built pens for sheep, chickens, dogs, goats, and children. Twisted rusting bed coils lay scattered. Survivors used everything trying to tame poor rocky land. Men assembled fences using blackberry brambles with sharp thorns.

They decorated fences with stones and sticks, recycled old tires, tin cans, metal struts, old cars, discarded cooking stoves and bathtubs. Chipped tubs became watering troughs for livestock. Small stone dams diverted Rio streams to small fields.  Everything was done by hand. Labor worked dawn to dusk, day in day out. Labor cleared erosion’s debris marking land with tools and footprints.

Her husband slept in the Catholic crypt. Dusty light danced through palm leaves. She remembered his final whisper swallowing diamond ice. “I almost wish it were true.”

She was a full silent moon above his bone white memory. Her spirit guide served spirits.

A ghost worked among dead memories. Finished sacrificial rituals he flew above river stoned fields where men worked trust. His cloud vapor danced away from the cemetario.

Spirit energies manifested destiny with a full moon.

Caged mad dogs howled fear in gathering darkness.

A Century is Nothing

Thursday
Feb012024

Book of Amnesia V1

Inarticulate Questions Mill Around.

Editing is form of self-censorship.

Punctuation is a nail…Be the hammer not the nail.

Language is a virus.

Today in the long now WE are literary outlaws. Many people … Multiple selves. A reliable heroine scripter named Zeynep and her storytelling friends.

“The scripter has no past but is born with the text.” – Roland Barthes

They de-storied all the rules. Like deconstruction and postmodern and literary osmosis. Play with it. There are no arbitrary drivel rules.

Five kid characters play literary outlaws. System Analysts. An amanuensis, word janitor, Grave Digger, a blind seer and others in the stream of life share stories. Get it down now and make sense of it later.

Death joins them for laughs. Everyone comes to me at the end.

 Book of Amnesia, V1

Tuesday
Jan022024

Ice Girl

"We are like the spider. We weave our life and then move along in it. We are like the dreamer who dreams and then lives in the dream. This is true for the entire universe." - Upanishad

*

This is a work of literary journalism.

It’s fucking hysterical.

Now and then mean the same in Ratanakiri, Cambodian animist jungle languages.

Leo is incognito and invisible perusing the Wild West. It is replete with wandering literary outlaws, animists, shamans and 25,000 natives. Rambunctious young Banlung cowboys and cowgirls dance 125cc machines through spiraling red dust.



How long have you been here, asked a 12-year old girl cutting and selling ice along a red road.

All day. I started in China. I walked to Vietnam. Then Laos. I’ll stay here awhile. We can talk.

Ok, she said, cutting crystals. Is a day long enough to process a sensation, form an impression? Is it long enough to gather critical mass data about the diversity of the human condition in this total phenomena?

Yes, said Leo, If you slow down. How is life here?

I work, I breed, I get slaughtered, she said. This is my fate. My fate is a machete slashing through jungles. Fate and random chance are two sides of the same coin. Yeah, yeah are two of my favorite lazy words. Especially when I am talking with illiterate zombies.

They are same word but I spit them out twice at light speed. You accent the last consonant, drawing it out like a sigh, a final breath, a whisper. Y-e-a-hhhhh. It’s crazy English believe you me. Impressive, eh?

I can also say OK twice fast with a rising sound on the k sounding like a which means I understand without admitting meaning or personal truth-value. It’s vague. Why be precise? People love conversations using abstract metaphors. Ok?

Ok. Address the very low literacy rate, said Leo. Hello, literacy rate, how are you? she said.
I am well thank you and speaking with improved elocution. My English is getting better. The more I see the less I know. I open my head, heart and mouth.

Someone said literacy means reading and writing, said ice girl.


I doubt it, said Literacy. Who needs reading and writing? Humans need food, sex, air, water, stories and red dust. Hope is in last place. In fact, hope may be the greatest evil because it’s a myth, like evil.

Let’s not have this conversation in the abstract, said ice girl, sawing cold.

I thought you said eating and fighting, said Literacy. You must be fucking crazy. My survival depends on eating and fighting. Reading and writing is for idiots. Millions never learn how to read or write, let alone scribble stories.

No chance. No money. No tools. Education is a waste of time.

Ice Girl in Banlung


 

Wednesday
Nov012023

Book of Amnesia, V1

ACT 1

(Fade In)

The beginning needs work, thought Zeynep.

It’s flatter than a 24-year-old on her back in a plywood room fucking a customer in Asia. Her heart beats like a drum. She’s been away from her village for five desperate years. Her mother and father slaughter pigs for the market.

Their lost daughter survives in a meat market. Supply and demand economics 101. She ran away and joined a sex money food circus. Moral: Wrong choice for the right reasons.

You pay and take your chances. She considered the heroine’s dilemma. It’s strong, honest and REAL. What’s her quest?

Stay alive.

Stay sane.

Make money.

Send money home.

Get home.

Join a woman’s support group.

Avoid HIV and C-19.

Live to tell the tale.

Write it down.

Get it to a literary agent’s slush pile. Fat chance, it’s not mainstream.

Self-publish.

Get a life. Get married. Breed.

Have babies named Faith, Hope and Charity.

Enjoy temporary happiness.

Celebrate impermanence.

Eat incense.

The end.

Happy endings make me cry, said a blind editor waving her machete. Many true stories don’t have happy endings. People escape, disappear or die.

Take it easy. These are abstract letters and words on paper. It’s not about you Z. It’s ten claws scratching at twenty-six letters.

All writing is garbage. Take out the garbage. Burn baby burn.

I don’t see any humor in the girl’s hardcore reality, said the editor. Reality is an imaginary word crutch and time is a strung-out pimp looking for an exit.

Love is a blind whore with a mental disease and no sense of humor, said Z.

Inarticulate Questions Mill Around.

Editing is form of self-censorship.

Punctuation is a nail. Be the hammer not the nail.

Language is a virus.

Today in the long now WE are literary outlaws. Many people. Multiple selves. A reliable heroine scripter named Zeynep and her storytelling friends.

“The scripter has no past but is born with the text.” – Roland Barthes

They de-storied all the rules. Like deconstruction and postmodern and literary osmosis. Play with it. There are no arbitrary drivel rules.

Five kid characters play literary outlaws. System Analysts. An amanuensis, word janitor, Grave Digger, a blind seer and others in the stream of life share stories. Get it down now and make sense of it later.

Death joins them for laughs. Everyone comes to me at the end.

Book of Amnesia, V1

Wednesday
Feb102021

Book of Amnesia V1

Book of Amnesia Volume 1 by [Timothy Leonard]

Creative nonfiction, systems analysis and social autopsy.

Five genius kid storytellers meet, explore and share adventures in Cambodia, Turkey, Indonesia, Vietnam and Utopia.

Everything you need to know is in this book.

"Writers are shamans. We go into the mountains and come back with visions for our tribes. Our holy assignment."

Book of Amnesia, Volume 1

Available for Kindle and in paperback. O joy.