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Entries in death (45)

Thursday
Jun242010

Sam and Dave Part 4

Greetings,

Inside every family’s deep dark Hanoi space was a main room and altar for dead relatives, candles, fruit, burning incense a spirit food, and the black and white and color images reminded me of the Chinese artist in Maija, the poor pig village near the Fujian university where I lived for two years riding my bike across hills up and down narrow dirt back roads,

watching butterflies mate in the dust, old people threshing rice in fields, a woman lugging piles of white cauliflower to market in her bamboo baskets suspended on a bamboo poles, down long small tight dusty paths past athletic shoe shop sweat shop factories filled with morose girls and women hunched over threading clacking Butterfly machines making uppers, lowers, tongues and seamless survival wages until I reached a narrow street to sit drinking Chinese green tea with a man in his little shop. 

Further up the hill were small wooden shops with appliances, family market stalls, street food, electrical stores and butchers. In a small mud and brick place was an artist. His job was drawing pictures of dead people. 

After someone died a relative gave him a common small black and white image, the kind from 1949 when the country declared itself free, independent, and open with 3 Represents and benevolent Chairman Mao (our grandfather bless his heart) smiled at the masses.

Before he told the peasants, “Eat Grass.”

It was an image used throughout their life: in documents for residence, work, school and party politics. The people had the three iron rice bowls. A guaranteed living space, guaranteed work unit, and guaranteed rice rations. It was a great deal. Everyone was treated the same, wore the same clothing, said the same thing and followed the leader, like kids playing a game. No one got out of line. Comrade. 

Metta.


Thursday
Jun172010

Sam and Dave Part 2

Greetings,

It takes hard courage to raise kids with integrity, respect, authenticity and a low level of pain tolerance.

Dave releases stream of anger, bitterness and frustration allowing him to relax, expend, expand the sound. Dave is startled to hear the the sound of his own particular voice ricochet of substandard cold molten gray Ha Noi cement or is Ha Noise the block walls? His life is a cold cement wall. Echoes dance through his brain like little sugarplum fairies. 

 He knows the echo because he made it. He mixed the fine sand and quick dry cement. He slathered it over broken red bricks in circles with an abstract desire to make a work of art lasting forever which is how he thought of it the day he trow welled the paste.

His voice, this manifestation expressing human vocal tendencies in a tight enclosed space near the gigantic liquid plasma television permanently implanted on a blank wall blaring news propaganda and perpetual adolescent reality shows about life next door where the family sits on cold red floral tile hunching over chipped slurping from cracked rose bowls shoveling

steaming rice and green stringy vegetables into lost mouths and yelling over each other in tonal decibels competing with their gigantic plasma television featuring dancing bears and pioneer patriots devouring rubber plantations and farmland with a double bladed axe singing, in a high Greek-like chorus, their national anthem about land, sea, air, water and

pianos being played by a young Japanese wisp, her fingers a delicate blur of incredibly fast incantation channels near a woman garbage collector who rings a bell every day at 16:55 alerting people in Dave’s neighborhood it is time for them to bring out their daily garbage. Remove the evidence. Bag it and tag it. Autopsy material.

Mrs. Pho hears the bell. She’s ready. She’s carefully arranged her family’s daily consumption waste into two plastic bags. One pink. One white. Orange and yellow fruit rinds went white, everything else pink. Like shreds of fat. She didn’t waste a thing. No one did. 

Life is a nasty, brutal short struggle, she reflected bowing in front of her parent’s images, dead and gone  remembering forever with their stoic black and white ghost faces above the eternal red glowing neon flickering pulsating red, green, blue, and white electric bulbs on the family altar. Plastic flowers, fruit offerings, burning incense - spirit food -  hearing her father whisper in her burning ear as he carried her away from the burning village. 

‘Remember where you came from.’ She never physically returned.

It didn’t really matter which went where because after she’d taken it down the high walled alley blocking all but the most sincere light of fading day, she casually tossed plastic bags into a rusty gray rolling cart with plywood boards reinforcing the height because the massive accumulation of garbage was tremendous. Growing day by day it became part of the collective mess, this collective consciousness. Garbage in-garbage out was everyone’s mantra.

She was content knowing her contribution was not extensive. Just enough. Just enough to get her away from walls where she’d gossip with her neighbors as white twilight cracks filtered past musical hammers, creaking wheelbarrows pulled by skinny boys, incessant motorcycle horns echoing through tight chambers with floating dust particles

breaking the light into a magical sense of mystery for her tired eyes marveling at this visual epiphany as exactly 21 emaciated shovels of earth were being moved and manipulated this way and that by young desperate hungry boys and girls with limited educational opportunities from villages poor and very far away laboring their wheelbarrows filled with sand, gravel, bricks, mud, sludge, wood, dreams, their bodies caving in from exhaustion, heat, H1N1 virus, mortar attacks, suicide dreamers,

young homeless Sapa H’mong children speaking excellent English with no further hope of an education being reduced to selling handicrafts to tourists, all their bright beaded bags, the embroidery stitches, indigo blue staining their hands through long dark cold endless winters as storms howled, ‘Have mercy, Have mercy’ on the war weary logic infested objectivists, the towering inferno of their eternal nightmare reduced to self-pity, no exit and dust inside infinity’s spiral. A shattered mirror reflected her face.

Metta.


Sunday
Jun062010

Symbolic collisions

Greetings,

Welcome to another edition of: Things are symbols of themselves.

People pretend to be exactly who they are. Infinite diversity through infinite combinations. Somewhere in the world a woman is carrying the planet on her back.

It was a Sunday and The Big One (Supreme Deity) rested. They took out their slingshot. They looked at Earth. They witnessed very stupid humans practicing REVENGE. This made them unhappy. They decided to send them a message to stop the foolishness, learn how to play together and how 2 share.

They picked a country at random after analyzing levels of violence, fear and intimation. (Fill in the blank_____) They sent a message. I will give you 24 hours to cease your revenge actions, war and reciprocal suffering. It's a waste of lives, time and money.

If, after 24 hours, I see you are continuing your collective madness, I will send you a little message. I will destroy part of your civilization to teach you a little lesson. Do you read, over?

Naturally, the ego-manics running the country ignored this message. They persisted in war-like behavior with weapons of mass destruction. They persisted in starving people to DEATH. They persisted in their greed and stupidity.

The BIG ONE had infinite patience. 24 hours for talking monkeys is a long now. For The BIG ONE it's a blink. They sent another message.

I gave you a chance. You ignored my request for peace, harmony and equality.

The BIG ONE loaded a rock the size of a small planet into their slingshot, took aim and let it fly toward a specific, particular location on Earth. It flew through the atmosphere at light speed. Meager powerless humans attempted to divert it with ultra-sonic flyswatters. It was useless. 

The rock zeroed in on a city in a country on a continent. It was a direct hit. Millions died. Vaporized. The leaders said it was only a freak of nature. For domestic consumption they blamed their imaginary enemies because they ate and worshiped Revenge. Sweet revenge. Survivors rolled the dice. 

Metta.

Poets & Writers...

 

Tuesday
May252010

S-21 

Greetings,

This is from Wikipedia.

The Tuol Sleng Genocide Museum is a museum in Phnom Penh, the capital of Cambodia. The site is a former high school which was used as the notorious Security Prison 21 (S-21) by the Khmer Rouge regime from its rise to power in 1975 to its fall in 1979. Tuol Sleng in Khmer; [tuəl slaeŋ] means "Hill of the Poisonous Trees" or "Strychnine Hill".

Here are the security rules at the S-21 prison.

When prisoners were first brought to Tuol Sleng, they were made aware of ten rules that they were to follow during their incarceration. What follows is what is posted today at the Tuol Sleng Museum; the imperfect grammar is a result of faulty translation from the original Khmer:

1. You must answer accordingly to my question. Don’t turn them away.
2. Don’t try to hide the facts by making pretexts this and that, you are strictly prohibited to contest me.
3. Don’t be a fool for you are a chap who dare to thwart the revolution.
4. You must immediately answer my questions without wasting time to reflect.
5. Don’t tell me either about your immoralities or the essence of the revolution.
6. While getting lashes or electrification you must not cry at all.
7. Do nothing, sit still and wait for my orders. If there is no order, keep quiet. When I ask you to do something, you must do it right away without protesting.
8. Don’t make pretext about Kampuchea Krom in order to hide your secret or traitor.
9. If you don’t follow all the above rules, you shall get many many lashes of electric wire.
10. If you disobey any point of my regulations you shall get either ten lashes or five shocks of electric discharge.
Metta.

Monday
May242010

Egyptian Art

Greetings, 

These images are from a mural at an Indonesian school where I had 100 ten-year old teachers a year ago. They graduated to Grade 5 and I graduated back to Vietnam and the University of the Street. The kids said, "there's book learning and there's street learning."

 

read more...

Metta.